المحتوى المقدم من Twenty Summers. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Twenty Summers أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
Player FM - تطبيق بودكاست انتقل إلى وضع عدم الاتصال باستخدام تطبيق Player FM !
<div class="span index">1</div> <span><a class="" data-remote="true" data-type="html" href="/series/curated-questions-conversations-celebrating-the-power-of-questions">Curated Questions: Conversations Celebrating the Power of Questions!</a></span>
Curated Questions: Conversations Celebrating the Power of Questions Hosted by Ken Woodward, Curated Questions is a thought-provoking podcast that celebrates the art and science of asking profound questions. This podcast is for curious minds who understand that the right question can unlock new perspectives and drive personal growth. What to Expect Insightful Conversations: Experts from diverse fields share their journey in mastering the craft of inquiry, revealing how it has transformed their lives and careers. Practical Techniques: Gain valuable skills to improve your questioning abilities, applicable in both personal and professional settings. Thought-Provoking Topics: Explore how questions shape leadership, personal transformation, and societal discourse. Why Listen? In an age of abundant information, Curated Questions reminds us that true wisdom lies in asking better questions. This podcast will help you: 1. Enhance critical thinking 2. Improve communication 3. Gain new perspectives on complex issues 4. Develop a nuanced understanding of the world Join Ken Woodward and his guests as they explore the transformative power of thoughtful inquiry. Curated Questions is more than just a podcast – it's an invitation to embrace curiosity, challenge assumptions, and unlock your full potential through the art of asking better questions. Subscribe now and embark on a journey to master the craft of inquiry, one question at a time. Website: CuratedQuestions.com IG/Threads/YouTube: @CuratedQuestions
المحتوى المقدم من Twenty Summers. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Twenty Summers أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
The Weather Station is the project of Toronto based songwriter Tamara Lindeman. The last few years have seen The Weather Station release two albums: the career defining Ignorance (2021) and its ethereal, mostly live recording companion piece, How Is It That I Should Look At The Stars (2022). In that time, The Weather Station have gone on to headline tours across North America and Europe, play major festivals, and perform on the televised Austin City Limits as well as Jimmy Kimmel Live. Ignorance was named Best New Music (Pitchfork), and landed in year-end Top 10 lists from The New Yorker (#1), Spin, New York Times, Uncut, Pitchfork, The Guardian, and many others. Called "a heartbroken masterpiece" in The Guardian, the record was a complex evocation of climate grief that struck a chord worldwide. As a writer, Lindeman is known for her detail. “Her writing can feel … like the collected epiphanies from a lifetime of observing” (Pitchfork). Over the course of six albums, her music has moved from home recorded, mostly acoustic folk to the “ornate act of world building” (New Yorker) that was Ignorance. The throughline, though, is a focus on ideas; her lyrics walk the line between the personal and the conceptual, forever tying small moments to larger metaphysical quandaries. Nominated for three Juno Awards, a Socan Songwriting Award, and the Polaris Prize, her albums have made a mark both critically and conceptually.
المحتوى المقدم من Twenty Summers. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Twenty Summers أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
The Weather Station is the project of Toronto based songwriter Tamara Lindeman. The last few years have seen The Weather Station release two albums: the career defining Ignorance (2021) and its ethereal, mostly live recording companion piece, How Is It That I Should Look At The Stars (2022). In that time, The Weather Station have gone on to headline tours across North America and Europe, play major festivals, and perform on the televised Austin City Limits as well as Jimmy Kimmel Live. Ignorance was named Best New Music (Pitchfork), and landed in year-end Top 10 lists from The New Yorker (#1), Spin, New York Times, Uncut, Pitchfork, The Guardian, and many others. Called "a heartbroken masterpiece" in The Guardian, the record was a complex evocation of climate grief that struck a chord worldwide. As a writer, Lindeman is known for her detail. “Her writing can feel … like the collected epiphanies from a lifetime of observing” (Pitchfork). Over the course of six albums, her music has moved from home recorded, mostly acoustic folk to the “ornate act of world building” (New Yorker) that was Ignorance. The throughline, though, is a focus on ideas; her lyrics walk the line between the personal and the conceptual, forever tying small moments to larger metaphysical quandaries. Nominated for three Juno Awards, a Socan Songwriting Award, and the Polaris Prize, her albums have made a mark both critically and conceptually.
The Weather Station is the project of Toronto based songwriter Tamara Lindeman. The last few years have seen The Weather Station release two albums: the career defining Ignorance (2021) and its ethereal, mostly live recording companion piece, How Is It That I Should Look At The Stars (2022). In that time, The Weather Station have gone on to headline tours across North America and Europe, play major festivals, and perform on the televised Austin City Limits as well as Jimmy Kimmel Live. Ignorance was named Best New Music (Pitchfork), and landed in year-end Top 10 lists from The New Yorker (#1), Spin, New York Times, Uncut, Pitchfork, The Guardian, and many others. Called "a heartbroken masterpiece" in The Guardian, the record was a complex evocation of climate grief that struck a chord worldwide. As a writer, Lindeman is known for her detail. “Her writing can feel … like the collected epiphanies from a lifetime of observing” (Pitchfork). Over the course of six albums, her music has moved from home recorded, mostly acoustic folk to the “ornate act of world building” (New Yorker) that was Ignorance. The throughline, though, is a focus on ideas; her lyrics walk the line between the personal and the conceptual, forever tying small moments to larger metaphysical quandaries. Nominated for three Juno Awards, a Socan Songwriting Award, and the Polaris Prize, her albums have made a mark both critically and conceptually.…
On August 18th, 1949, Forum 49 hosted a panel discussion called ‘Directions in 20th Century Architecture’ featuring architect Marcel Breuer, the artist and filmmaker György Kepes, and architect and journalist, Peter Blake, who was then curator for Architecture and Design at the Museum of Modern Art. All three speakers were engaged in the then-raging debate about whether modern houses should use the materials and methods of vernacular, regional architecture, or employ universal, standardized, machine-made components. Breuer had just finished building his own experimental house in Wellfleet and one for the Kepes family not far away. Both houses were modest-sized, environmentally sensitive, outposts for art-making and creative congregation. By coincidence this 75th anniversary of Forum 49 is also the year the Cape Cod Modern House Trust is seeking to purchase, restore and re-open Breuer’s house as a platform for scholarship and new creative work. By looking back at the Forum 49 discussions, this talk will explore the relevance of Breuer’s work today, as well as the process of preserving his summer house and the archiving of its contents.…
The ecological crisis is only a symptom of a deeper spiritual disconnect, one that must be mended to heal the whole. What can we learn from nature about the processes of decay and renewal? What must be decomposed in order for our species to mend its relationship with the Earth? In this keynote conversation bridging the spiritual and ecological, we will hear from Atmos editor-in-chief Willow Defebaugh and philosopher, writer, and founder of The Emergence Network Bayo Akomolafe, as they invite us into a deeper understanding about the transmutations and murmurations our world is faced with today.…
Cody Plays is an experiment in creating a play in a matter of a few days with a rotating group of special guests and collaborators created by writer/performer Cody Sullivan. Where is the show taking place this week? What is happening in the world that day? Who can we beg to take a role? The answers to these questions are the frantic, immediate, ephemeral ingredients that Cody uses to facilitate the group creation of each Cody Plays. Cody started the show in Provincetown at The Gifford House, in June 2023. He continues to play in Provincetown and Boston. “The results are outrageous and boisterous and harken back to Provincetown’s devil-may-care days.” – Chris Muller, The Boston Globe.…
As part of our 20S x Atmos weekend Pinar Sinopoulos-Lloyd, Sabrina Imbler, Patricia Ononiwu Kaishian, and Willow Defebaugh come together to discuss "Queering Nature". The queer experience is rooted in expression and acceptance—a celebration of all the unique and individual natures that make up the whole of nature, a rich tapestry woven by biodiversity. In this panel discussion, expert voices from the field of queer ecology will explore wonders from around the planet that challenge our human notions of gender and sexuality, who gets to determine the narrative frameworks of biology, and the expansive nature of identity.…
Mike Sullivan and friends in a concert featuring masked performances of Stephen Sondheim repertoire with other choral and musical theater works. With performers wearing masks and custom clothing designs, Faces of Celebration meets at the intersection of music, fashion, and art, and explores the variety of ways in which we engage with storytelling and creative expression. The concert is performed in two acts, consisting of local and visiting singers and instrumentalists.…
Enjoy a session from our Twenty Summers x Atmos weekend of conversations at the Hawthorne Barn. To rewrite our future, we must right the wrongs of the past and present—including the harm that colonization has authored upon the Earth’s original caretakers and listen to their words of wisdom. In this talk, Indigenous advocates, leaders, and visionaries will invite the audience into a discussion about Native sovereignty, stewardship, reparations, and the landback movement.…
Experience an evening in the Barn with Bermuda Search Party! Since their inception in early 2018, Bermuda Search Party (formerly known as The Q-Tip Bandits) have emerged into the Boston music scene as an energetic and vibrant act that continues to touch audience’s hearts while getting them up on their feet. Their smooth yet powerful sound is backed by the raw energy of rock and the coolness and colors of R&B and funk — with palpable grooves coated with savory, soul-inspired riffs, anthemic horns and meaningful lyrics.…
Part 3 of 3 of our Ecosystems & Imagination Series, an artist’s interactive approach to future/present visions of the sea coast in the face of sea level rise, and the vulnerability of public space. What are the ecosystems near the water, both human and nature based/ What is public space at the coast for? How will we live here in the future? What will allow this way of life to continue equitably? Markets and festivals, promenades, concerts, waterfront recreation. Presented by Mark Adams, Traven Pelletier, and Center for Coastal Studies.…
Part 2 of 3 of our Ecosystems & Imagination Series, an artist’s interactive approach to future/present visions of the sea coast in the face of sea level rise, and the vulnerability of public space. What are the ecosystems near the water, both human and nature based/ What is public space at the coast for? How will we live here in the future? What will allow this way of life to continue equitably? Markets and festivals, promenades, concerts, waterfront recreation. Presented by Mark Adams, Traven Pelletier, and Center for Coastal Studies.…
Part 1 of 3 of our Ecosystems & Imagination Series, an artist’s interactive approach to future/present visions of the sea coast in the face of sea level rise, and the vulnerability of public space. What are the ecosystems near the water, both human and nature based/ What is public space at the coast for? How will we live here in the future? What will allow this way of life to continue equitably? Markets and festivals, promenades, concerts, waterfront recreation. Presented by Mark Adams, Traven Pelletier, and Center for Coastal Studies.…
Join Ronan and Jeremy in conversation at the Hawthorne Barn celebrating the end of Season 11 with Twenty Summers on June 14, 2024. Ronan Farrow is a contributing writer for The New Yorker whose investigative reporting has won the Pulitzer Prize for public service among other honors. Before his career in journalism, he was a State Department official in Afghanistan and Pakistan. Farrow is a graduate of Yale Law School, and received a PhD in political science from Oxford University where he was a Rhodes Scholar. He is the author of two books including Catch and Kill, and has been named one of Time magazine’s 100 Most Influential People. Jeremy O. Harris is an actor and playwright whom Out Magazine called "The Queer Black Savior the Theatre World Needs." His play, Slave Play, received 12 Tony nominations, and he has co-produced plays and television shows including Circle Jerk which was a finalist for the Pulitzer Prize for drama, and the hit HBO series, Euphoria. Harris is a graduate of the Yale MFA Playwriting Program.…
Artist talk & reception celebrating "Commodity", art installation of life-size animals created by the local artist Gin Stone. An allegorical art installation employing life-size animals created by the artist Gin Stone in a ‘diorama’ that explores the environmental consequences of patriarchal-driven capitalism through human evolution. The unfolding artwork advances its timeline with each consecutive install location it occupies, the results of which are an evolving narrative. In three acts, the installation creates an apt metaphor for the exploitation of living beings, the environment, and ultimately, the planet. The Hawthorne Barn is the setting for the initial installation or 'act'. Gin Stone was born in 1971 in Binghamton, NY. She now lives and works in studio based on coastal Massachusetts. She is a transdisciplinary artist using sculpture, installation and science to convey themes regarding nature and myth. She attended the Hartford Art School. With work that conveys environmental activism while incorporating material based sub-text, animals become allegorical characters used to highlight - and reject- women and nature as commodities exploited by a largely patriarchal capitalist society (ecofeminism). Stone’s creatures are created with materials including commercially fished line, ghost gear, recycled and antique textiles as well as found objects. Her work has explored the myth of ancient religion and goddess worship, channeling her immense interest in myth and mysticism. The resulting effect is a cocktail of politics, culture, history and ritual, inhabiting the space of its viewers with intrigue while inspiring thoughtful dialogue of how texture can be both physical as well as abstract. The beauty inherent in nature is brought to life to craft a portrait of meaning and movement, while building chapters on evolution and ecology.…
مرحبًا بك في مشغل أف ام!
يقوم برنامج مشغل أف أم بمسح الويب للحصول على بودكاست عالية الجودة لتستمتع بها الآن. إنه أفضل تطبيق بودكاست ويعمل على أجهزة اندرويد والأيفون والويب. قم بالتسجيل لمزامنة الاشتراكات عبر الأجهزة.