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Welcome to Season 4!
Manage episode 341558569 series 2646403
Hello and welcome to another season of The SpokenWeb Podcast! We’re back with a new line-up of exciting episodes created by researchers across the SpokenWeb network. The SpokenWeb Podcast asks, “What does literature sound like? What stories do we hear when we listen to the archive?” In this season, we have episodes that dive into the lives of archival objects—university poetry events—what it means to read an audiobook—and so much more. This season has something for everyone from lovers of literature and history to sound studies scholars, so come and join us as we continue listening to literature and the archives.
We would love to hear your reactions and ideas to our stories. If you appreciate the podcast, leave us a rating and a comment on Apple Podcasts or say hi on our social media @SpokenWebCanada.
Episode Producers:
Kate Moffatt is a PhD student in the Department of English at Simon Fraser University. Her research focuses on eighteenth- and nineteenth-century women’s book history, and women in the book trades and book trade archives. In addition to being the supervising producer of The SpokenWeb Podcast, she also produces The WPHP Monthly Mercury podcast for the Women's Print History Project.
Miranda Eastwood is a Montreal-based transmedia artist studying towards their master’s degree in English Literature and Creative Writing at Concordia University. Focused on sound design, they are developing a radio drama for their thesis, and is the audio engineer for the SpokenWeb Podcast.
Hannah McGregor is an Assistant Professor of Publishing at Simon Fraser University, where her research focuses on podcasting as scholarly communication, systemic barriers to access in the Canadian publishing industry, and magazines as middlebrow media. She is the co-creator of Witch, Please, a feminist podcast on the Harry Potter world, and the creator of the podcast Secret Feminist Agenda. She is also the co-editor of the book Refuse: CanLit in Ruins (Book*hug 2018).
Katherine McLeod @kathmcleod researches archives, performance, and poetry. She has co-edited the collection CanLit Across Media: Unarchiving the Literary Event (with Jason Camlot, McGill-Queen’s University Press, 2019). She is writing a monograph (under contract with Wilfrid Laurier University Press) that is a feminist listening to recordings of women poets reading on CBC Radio. She was the 2020-2021 Researcher-in-Residence at the Concordia University Library and, at present, she is an affiliated researcher with SpokenWeb at Concordia, where she is the principal investigator of her SSHRC Insight Development Grant, “Literary Radio: New Approaches to Audio Research” (2021-2023).
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Manage episode 341558569 series 2646403
Hello and welcome to another season of The SpokenWeb Podcast! We’re back with a new line-up of exciting episodes created by researchers across the SpokenWeb network. The SpokenWeb Podcast asks, “What does literature sound like? What stories do we hear when we listen to the archive?” In this season, we have episodes that dive into the lives of archival objects—university poetry events—what it means to read an audiobook—and so much more. This season has something for everyone from lovers of literature and history to sound studies scholars, so come and join us as we continue listening to literature and the archives.
We would love to hear your reactions and ideas to our stories. If you appreciate the podcast, leave us a rating and a comment on Apple Podcasts or say hi on our social media @SpokenWebCanada.
Episode Producers:
Kate Moffatt is a PhD student in the Department of English at Simon Fraser University. Her research focuses on eighteenth- and nineteenth-century women’s book history, and women in the book trades and book trade archives. In addition to being the supervising producer of The SpokenWeb Podcast, she also produces The WPHP Monthly Mercury podcast for the Women's Print History Project.
Miranda Eastwood is a Montreal-based transmedia artist studying towards their master’s degree in English Literature and Creative Writing at Concordia University. Focused on sound design, they are developing a radio drama for their thesis, and is the audio engineer for the SpokenWeb Podcast.
Hannah McGregor is an Assistant Professor of Publishing at Simon Fraser University, where her research focuses on podcasting as scholarly communication, systemic barriers to access in the Canadian publishing industry, and magazines as middlebrow media. She is the co-creator of Witch, Please, a feminist podcast on the Harry Potter world, and the creator of the podcast Secret Feminist Agenda. She is also the co-editor of the book Refuse: CanLit in Ruins (Book*hug 2018).
Katherine McLeod @kathmcleod researches archives, performance, and poetry. She has co-edited the collection CanLit Across Media: Unarchiving the Literary Event (with Jason Camlot, McGill-Queen’s University Press, 2019). She is writing a monograph (under contract with Wilfrid Laurier University Press) that is a feminist listening to recordings of women poets reading on CBC Radio. She was the 2020-2021 Researcher-in-Residence at the Concordia University Library and, at present, she is an affiliated researcher with SpokenWeb at Concordia, where she is the principal investigator of her SSHRC Insight Development Grant, “Literary Radio: New Approaches to Audio Research” (2021-2023).
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