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المحتوى المقدم من WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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The Writer Danzy Senna on Kamala Harris and the Complexity of Biracial Identity in America

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Manage episode 437166915 series 94072
المحتوى المقدم من WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

In fiction and nonfiction, the author Danzy Senna focusses on the experience of being biracial in a nation long obsessed with color lines. Now that Kamala Harris is the Democratic candidate for President, some of Senna’s concerns have come to the fore in political life. Donald Trump attacked Harris as a kind of race manipulator, implying that she had been Indian American before becoming Black for strategic purposes. The claim was bizarre and false, but Senna feels that it reflected a mind-set in white America. “Mixed-race people are sort of up for debate and speculation, and there’s a real return to the idea that your appearance is what matters, not what your background is or your identity,” she tells Julian Lucas, who wrote about Senna’s work in The New Yorker. “And if your appearance is unclear to us, then we’re going to debate you and we’re going to discount you and we’re going to accuse you of being an impostor.” Senna talks about why she describes people like herself and Lucas using the old word “mulatto,” despite its racist etymology. “The word ‘biracial’ or ‘multiracial’ to me is completely meaningless,” she says, “because I don’t know which races were mixing. And those things matter when we’re talking about identity.” Senna’s newest novel, “Colored Television,” follows a literary writer somewhat like herself, trying to find a new career in the more lucrative world of TV.

  continue reading

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Artwork
iconمشاركة
 
Manage episode 437166915 series 94072
المحتوى المقدم من WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

In fiction and nonfiction, the author Danzy Senna focusses on the experience of being biracial in a nation long obsessed with color lines. Now that Kamala Harris is the Democratic candidate for President, some of Senna’s concerns have come to the fore in political life. Donald Trump attacked Harris as a kind of race manipulator, implying that she had been Indian American before becoming Black for strategic purposes. The claim was bizarre and false, but Senna feels that it reflected a mind-set in white America. “Mixed-race people are sort of up for debate and speculation, and there’s a real return to the idea that your appearance is what matters, not what your background is or your identity,” she tells Julian Lucas, who wrote about Senna’s work in The New Yorker. “And if your appearance is unclear to us, then we’re going to debate you and we’re going to discount you and we’re going to accuse you of being an impostor.” Senna talks about why she describes people like herself and Lucas using the old word “mulatto,” despite its racist etymology. “The word ‘biracial’ or ‘multiracial’ to me is completely meaningless,” she says, “because I don’t know which races were mixing. And those things matter when we’re talking about identity.” Senna’s newest novel, “Colored Television,” follows a literary writer somewhat like herself, trying to find a new career in the more lucrative world of TV.

  continue reading

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