Jacqueline Novak Is Giving Audiences “Everything She’s Got”

The New Yorker Radio Hour

The comedian Jacqueline Novak wasn’t well known before her Netflix début “Get on Your Knees.” The show was a big swing in her career, an ambitious attempt to establish her singular voice, and it worked. A fast-paced and raucous examination of her personal journey with oral sex, Novak tosses out so many tangents—philosophical, psychological, anatomical, linguistic—that you’re liable to miss many of her allusions. Novak knows that her hectic delivery is an acquired taste. “We’ve got to get through this, because I’ve got a lot to say,” she tells David Remnick. Although she relentlessly probes the power dynamics between men and women, she doesn’t “want to come out here and say ‘male fragility.’ I’m really not trying to do that. But it happens, sort of.” The show could make a lot of people uncomfortable, but she’s not worried about cancellation, as many male comedians have been. “Choosing to make art of any kind is sort of this self-appointment. No one’s asking you to do it. So it’s sort of weird for me to get into a mind-set as though you're owed any comfort.”