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المحتوى المقدم من Julian Charles. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Julian Charles أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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TMR 316 : Threads (1984) (Movie Roundtable)

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Manage episode 451762558 series 1805158
المحتوى المقدم من Julian Charles. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Julian Charles أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
"Our lives are woven together in a fabric, but the connections that make society strong also make it vulnerable."—Threads (1984) For the 18th TMR Movie Roundtable we welcome back our good friends Antony Rotunno, Frank Johnson and Mark Campbell for another of our four-way discussions, this time on the disturbing (because uncomfortably realistic) nuclear-apocalyptic BBC/Nine Network (Australia) film Threads from 1984. Written by Barry Hines ("A Kestral for a Knave", 1968 / "Kes", 1969) and directed by Mick Jackson ("The Bodyguard", 1992), Threads is a merciless exploration—supported by considerable scientific and government policy research—of the devastating physical, psychological and societal effects of thermonuclear war. Set in the UK city of Sheffield during a period of spiralling tensions between the United States of America and the former Soviet Union, Threads takes the viewer on a uniquely challenging journey: from kitchen sink drama to pseudo-documentary, as we witness the lives of everyday people (just like ourselves) being destroyed, or changed forever, by the blast, heat and radiation of a thermonuclear event. (Please be warned: Threads is a disturbing film—it's supposed to be—but it's also a very important film, which I think as many people (adults) as possible should see. But, again, please do be prepared to watch something that might affect you deeply.) Join us as we discuss the production and consider its message during this period of rising international tensions in the world today. [For show notes please visit https://themindrenewed.com]
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Artwork
iconمشاركة
 
Manage episode 451762558 series 1805158
المحتوى المقدم من Julian Charles. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Julian Charles أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
"Our lives are woven together in a fabric, but the connections that make society strong also make it vulnerable."—Threads (1984) For the 18th TMR Movie Roundtable we welcome back our good friends Antony Rotunno, Frank Johnson and Mark Campbell for another of our four-way discussions, this time on the disturbing (because uncomfortably realistic) nuclear-apocalyptic BBC/Nine Network (Australia) film Threads from 1984. Written by Barry Hines ("A Kestral for a Knave", 1968 / "Kes", 1969) and directed by Mick Jackson ("The Bodyguard", 1992), Threads is a merciless exploration—supported by considerable scientific and government policy research—of the devastating physical, psychological and societal effects of thermonuclear war. Set in the UK city of Sheffield during a period of spiralling tensions between the United States of America and the former Soviet Union, Threads takes the viewer on a uniquely challenging journey: from kitchen sink drama to pseudo-documentary, as we witness the lives of everyday people (just like ourselves) being destroyed, or changed forever, by the blast, heat and radiation of a thermonuclear event. (Please be warned: Threads is a disturbing film—it's supposed to be—but it's also a very important film, which I think as many people (adults) as possible should see. But, again, please do be prepared to watch something that might affect you deeply.) Join us as we discuss the production and consider its message during this period of rising international tensions in the world today. [For show notes please visit https://themindrenewed.com]
  continue reading

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