1.5 The King and I!

The Gospel of Musical Theatre

Player FM - Internet Radio Done Right

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تمت الإضافة منذ قبل four أعوام

المحتوى المقدم من The Gospel of Musical Theatre. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة The Gospel of Musical Theatre أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

<div class="span index">1</div> <span><a class="" data-remote="true" data-type="html" href="/series/species-unite">Species Unite</a></span>

1
Species Unite

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منذ 6 أياممنذ 6d ago

إلغاء الاشتراك

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Stories that change the way the world treats animals.

منذ 4 أعوام 48:25

MP3•منزل الحلقة

We're talking about Rodgers & Hammerstein's The King & I (1951), a complicated and beautiful show about cultural imperialism, gender emancipation and the dangers of the white savior complex.

________________________________

We talk about:

- Divas: The rise of the “star vehicle” for a diva actor, and the interesting racial & cultural background of Anna Leonowens (and Gertrude Lawrence, the actor who played her).

- Colonialism: The intersection of colonialism with Western values of equality, and when a “liberating” culture becomes an imposed culture that does violence in the name of greater freedom.

- Forgiveness: The nature of forgiveness, and the possibility of real relationship across cultural, gender and ideological difference.

________________________________

You’ll hear:

- Gertrude Lawrence singing “Getting to Know You” from the Original Broadway Cast recording.

- Lea Salonga and Peabo Bryson singing “We Kiss In A Shadow” from the 1993 Studio recording.

- Ruthie Ann Miles singing “Something Wonderful” from the 2015 Broadway Revival Cast Recording.

________________________________

Never miss an episode! Sign up for our email list to get updates when new episodes are released, info about upcoming special events, and more.

________________________________

Check out some of our all-time favorites!

Phantom of the Opera
Joseph and the Amazing Technicolor Dreamcoat
Jesus Christ Superstar!
Schmigadoon! (Season 1 / Season 2)
West Side Story!
Yentl!
Frozen!
Barbie!

________________________________

Continue the conversation with us on Instagram (@gospelofmt).

50 حلقات

#Music #Theater #Religion #Arts #Trinity Episcopal Cathedral Portland

1.5 The King and I!

The Gospel of Musical Theatre

13 subscribers

published منذ 4 أعوام

MP3•منزل الحلقة

We're talking about Rodgers & Hammerstein's The King & I (1951), a complicated and beautiful show about cultural imperialism, gender emancipation and the dangers of the white savior complex.

________________________________

We talk about:

- Divas: The rise of the “star vehicle” for a diva actor, and the interesting racial & cultural background of Anna Leonowens (and Gertrude Lawrence, the actor who played her).

- Colonialism: The intersection of colonialism with Western values of equality, and when a “liberating” culture becomes an imposed culture that does violence in the name of greater freedom.

- Forgiveness: The nature of forgiveness, and the possibility of real relationship across cultural, gender and ideological difference.

________________________________

You’ll hear:

- Gertrude Lawrence singing “Getting to Know You” from the Original Broadway Cast recording.

- Lea Salonga and Peabo Bryson singing “We Kiss In A Shadow” from the 1993 Studio recording.

- Ruthie Ann Miles singing “Something Wonderful” from the 2015 Broadway Revival Cast Recording.

________________________________

Never miss an episode! Sign up for our email list to get updates when new episodes are released, info about upcoming special events, and more.

________________________________

Check out some of our all-time favorites!

Phantom of the Opera
Joseph and the Amazing Technicolor Dreamcoat
Jesus Christ Superstar!
Schmigadoon! (Season 1 / Season 2)
West Side Story!
Yentl!
Frozen!
Barbie!

________________________________

Continue the conversation with us on Instagram (@gospelofmt).

50 حلقات

#Music #Theater #Religion #Arts #Trinity Episcopal Cathedral Portland

كل الحلقات

1
7.5 Hamilton! 1:15:59

منذ عام واحد1:15:59

1:15:59

Who gets to tell the story? It's the season finale, and it feels like a perfect time to travel back to 2015, when a blockbuster hip-hop musical about America’s founders took the world by storm. That's right... Today, Peter and Nathan return to the room where it happened and consider the theology of Lin-Manuel Miranda’s Hamilton. _________________________________________ You’ll hear: My Shot / Wait For It / The Ten Duel Commandments: Hamilton & Burr—like Valjean & Javert, like Jesus & Judas—represent oppositional forces, responding to similar circumstances with radically different approaches to life. They also each get a great “I Want” song. Burn / Quiet Uptown / Say No To This: Eliza Schuyler Hamilton, Maria Reynolds, Angelica Schuyler Church and the various roles that women play in this story. What does forgiveness look like – and what does Eliza see at the end of the musical? One Last Time / Who Lives, Who Dies, Who Tells Your Story: Few other musicals are so associated with presidential administrations as Hamilton is with Barack Obama. We think about the connections between the Hamilton project and the Obama project, wonder about the soft nationalism at the heart of this story, and think critically about the legacy of George Washington. Who gets to tell the story? You’ll hear Lin-Manuel Miranda, Leslie Odom Jr, Phillipa Soo, Renee Elise Goldsberry, Christopher Jackson and the cast of the 2015 Original Broadway Cast Album. It won a Grammy. _________________________________________ Check out some of our all-time favorites! Phantom of the Opera Joseph and the Amazing Technicolor Dreamcoat Jesus Christ Superstar! Schmigadoon! ( Season 1 / Season 2 ) West Side Story! Yentl! Frozen! Barbie! Never miss an episode! Sign up for our email list to get updates when new episodes are released, info about upcoming special events, and more.…

1
7.4 Urinetown! 1:04:24

منذ عام واحد1:04:24

1:04:24

We’ve got the Lutherans to thank for this one. It’s the worst-ever name for a musical, but Peter & Nathan think that 2001’s Urinetown , with music and lyrics by Mark Hollmann & Greg Kotis, is worthy of your attention – and some sustained theological reflection. _________________________________________ We talk about: The show's origin story (thanks, Lutherans!) and its unfortunately timed Broadway debut on the heels of 9/11. The politics of Urinetown – capitalist overlords versus the people's revolution, all painted in broad, satirical brushstrokes. Are there any responsible political figures in this show? What is Urinetown? A prison for malefactors? A way for the powerful to prey on the vulnerable? Death? Despair? "Following your heart" – What does that mean? And what if whatever your heart seems to be telling you turns out to be wrong? The power of music (particularly Gospel music) to move us to action. Who "should" be singing this music, and who is it for? You’ll hear: "Too Much Exposition" / "What is Urinetown?" – satirical take-downs of conventional musical theatre tropes "I See A River" / "Run Freedom, Run" / "Follow Your Heart" – Urinetown asks some complicated questions about love and justice. And the music is pretty dang good. You’ll hear Hunter Foster, John Cullum, Jennifer Laura Thompson, Jeff McCarthy, Spencer Kayden and the Original Broadway Cast from the 2001 recording. _________________________________________ Check out some of our all-time favorites! Phantom of the Opera Joseph and the Amazing Technicolor Dreamcoat Jesus Christ Superstar! Schmigadoon! ( Season 1 / Season 2 ) West Side Story! Yentl! Frozen! Barbie! Never miss an episode! Sign up for our email list to get updates when new episodes are released, info about upcoming special events, and more.…

1
7.3 Les Miserables! 1:18:28

منذ عام واحد1:18:28

1:18:28

Somewhere beyond the barricade, is there a world you long to see? There’s no more overtly theological (or more popular) musical than Claude-Michel Schönberg & Alain Boubil’s 1980 Les Misérables , based on Victor Hugo’s 1862 novel. From Valjean and Javert to Eponine and Fantine, this musical crams more pathos, prayer, and bad wigs into three hours than any other musical we know. Do you hear the people sing? _________________________________________ We talk about: Prologue (the Bishop) / Stars / Javert’s Suicide – Javert, the police inspector, embodies a law-and-order version of the Christian gospel (shout-out to our Jansenist followers!) – and ultimately, the mercy he is shown destroys him. Are these competing atonement theories, or is there more subtlety in Les Mis’ treatment of the Christian gospel and its consequences? I Dreamed a Dream / On My Own / A Little Fall of Rain – Fantine gets one, brief, shining moment before she dies (it's a weeper), and Eponine stands in for every alto who dreams of being the soprano – and then she dies, too. Why do most of the women in Les Mis end up dead? Turning, Turning – "What's the use of praying if there's nobody who hears it?" In a musical where women are mostly prostitutes or virgins, the women’s chorus gives voice to one of the show’s darkest and most provocative theological questions. Bring Him Home / Do You Hear the People Sing? – What does an evangelized life look like on the ground – and what does “somewhere beyond the barricade” really mean? You’ll hear Colm Wilkinson, Phillip Quast, Lea Salonga, Michael Ball and Judy Kuhn from the 1995 “Dream Cast Recording.” You’ll also hear Anne Hathaway sing “I Dreamed a Dream” from the 2012 film soundtrack because she won an Oscar for it, and attention must be paid. _________________________________________ Check out some of our all-time favorites! Phantom of the Opera Joseph and the Amazing Technicolor Dreamcoat Jesus Christ Superstar! Schmigadoon! ( Season 1 / Season 2 ) West Side Story! Yentl! Frozen! Barbie! Never miss an episode! Sign up for our email list to get updates when new episodes are released, info about upcoming special events, and more.…

1
7.2 Ragtime! 1:06:21

منذ عام واحد1:06:21

1:06:21

Immigration, capitalism, feminism, intersectionality, and the civil rights: this musical has it all! Flaherty & Ahren’s 1998 musical Ragtime is a big, expensive show with lots of plot (never Peter’s strong suit) – but we love this musical and what it has to say about kingdoms of power and the kingdom of God. _________________________________________ Peter & Nathan make some highly controversial claims: "Ragtime" is the greatest opening number in Broadway history. "Daddy's Son" – Nobody sings this like Broadway’s GOAT, Audra Ann McDonald. Nathan will fight you on this. "Henry Ford" & "Wheels of a Dream" – Is Ragtime just an extended commercial for Ford? And we wonder together about hearing "New Music," listening for resurrection, and what it means to live faithfully "‘Til We Reach That Day." You’ll hear Brian Stokes Mitchell, Audra McDonald, Marin Mazzie, Peter Freidman, Judy Kaye and the cast of the 1998 Original Broadway Cast. _________________________________________ Check out some of our all-time favorites! Phantom of the Opera Joseph and the Amazing Technicolor Dreamcoat Jesus Christ Superstar! Schmigadoon! ( Season 1 / Season 2 ) West Side Story! Yentl! Frozen! Barbie! Never miss an episode! Sign up for our email list to get updates when new episodes are released, info about upcoming special events, and more.…

1
Season 7: Cabaret! 1:25:14

منذ عام واحد1:25:14

1:25:14

What would you do? What will you do? In the election run-up, Peter & Nathan are talking about musicals that deal with political unrest and social change (don't worry, it's still fun!). We begin with the 1966 Broadway classic Cabaret , one of the darkest, kinkiest, and most-enduring musicals of all time. _________________________________________ We talk about: – Willkommen / Two Ladies / The Money Song: The "decadence" depicted by the emcee and the performers of the Kit Kat Klub (KKK, anyone?) in 1930s Berlin on the eve of Nazism. Does Cabaret hold this very queer decadence as responsible for the rise of fascism, or is there something deeper at work? – Married / So What / What Would You Do? Bob Fosse’s 1972 film version of Cabaret eliminates most of the traditional musical theatre story exemplified in the romance between Fraulein Schneider & Herr Schultz. But these two characters—and the songs that Kander & Ebb wrote for them—carry much of the show’s political weight – and its emotional heart. Is Fraulein Schneider secretly Cabaret’s protagonist? – Don’t Tell Mama & Cabaret: We talk about one of Cabaret’s most well-known characters, Sally Bowles. What does she mean when she sings that "life is a cabaret?" – Tomorrow Belongs to Me: The incredible music of Cabaret – hymns, patriotic anthems, folk songs and music hall ditties – raises provocative questions about entertainment, pleasure, emotional release, and the rise of demonic ideologies. Religion traffics in some of the same territory. Is good music morally neutral... or not? You’ll hear Joel Grey, Jill Haworth, Lotte Lenya, Jack Gilford and the cast of the 1966 Original Broadway Cast – as well as Mark Lambert on the 1972 film soundtrack singing “Tomorrow Belongs to Me”. _________________________________________ Check out some of our all-time favorites! Phantom of the Opera Joseph and the Amazing Technicolor Dreamcoat Jesus Christ Superstar! Schmigadoon! ( Season 1 / Season 2 ) West Side Story! Yentl! Frozen! Barbie! Never miss an episode! Sign up for our email list to get updates when new episodes are released, info about upcoming special events, and more.…

1
6.4 Frozen! 54:43

منذ عام واحد54:43

54:43

What better way to celebrate summer than with a frozen cocktail of Disney Princess mania? It’s 2013’s Frozen, beloved by aspiring Elsas and Annas, reviled by parents and caretakers who threaten to lose it if they hear “Let it Go” one more time (trigger warning: you’ll hear it in this episode). _________________________________________ You’ll also hear: Love is an Open Door: a catchy romance ballad that sets up deeper questions about true love – both in the Disney tradition and in a contemporary society where women and men are navigating complicated and often contradictory relationship patterns. Let It Go: the power ballad to end all power ballads. Winner of the Oscar for Best Song, it’s the film’s great moment of self-actualization and release. How do we read this moment theologically? What does Elsa represent? Fixer-Upper, Vuelie and Summer: a strong score that incorporates elements of the Broadway tradition, Sami folk singing, and some beautiful choral writing that establishes an otherworldly, mythical atmosphere for this contemporary parable. You’ll hear Idina Menzel, Kristen Bell, Santino Fontana, Josh Gad and the rest of the cast from the 2013 soundtrack recording. ________________________________ Check out some of our all-time favorites! Phantom of the Opera Joseph and the Amazing Technicolor Dreamcoat Jesus Christ Superstar! Schmigadoon! ( Season 1 / Season 2 ) West Side Story! Yentl! Frozen! Barbie! Never miss an episode! Sign up for our email list to get updates when new episodes are released, info about upcoming special events, and more.…

1
6.3 La La Land! 48:23

منذ عام واحد48:23

48:23

“A bit of madness is key to give us new colors to see.” Today, we continue our Summer Movie Happy Hour Fizzy Summer Tour... thing... as we talk about 2016’s contemporary take on the classic film musicals of the 1940s, 50s and 60s: LaLa Land . 2016 feels like a La La Land ago. How does this film hold up almost a decade later? _________________________________________ We talk about: "Another Day of Sun" – A great opening number that sets up the world of LaLa Land (literally Los Angeles – but in the context of the election that took place in 2016, the year this film was released, what else might LaLa Land mean?) "Start a Fire" – John Legend’s one contribution to the soundtrack is (maybe?) the best song in the film – and gives us a different perspective on the Jazz Question, which in this film is really a question of race. "The Fools Who Dream" – The moment that wins Emma Stone an Academy Award – her audition song (the eleven o’clock number!) love-letter toast to creatives who refuse to compromise. You’ll hear Emma Stone, John Legend, and Ryan Gosling singing the Pasek/Patel score from the 2016 film soundtrack. ________________________________ Check out some of our all-time favorites! Phantom of the Opera Joseph and the Amazing Technicolor Dreamcoat Jesus Christ Superstar! Schmigadoon! ( Season 1 / Season 2 ) West Side Story! Yentl! Frozen! Barbie! Never miss an episode! Sign up for our email list to get updates when new episodes are released, info about upcoming special events, and more.…

1
6.2 Barbie! 1:03:55

منذ عام واحد1:03:55

1:03:55

We fixed everything in the real world so all women are happy and powerful. Just kidding... but we ARE talking about The Barbie Movie! We’re so excited to be joined by Arwen Myers, executive director of the podcast, musicals aficionado – and the person Barbie was made for – to talk about Greta Gerwig's blockbuster 2023 summer hit. Is it a musical? We think it is. ________________________________ We talk about: "Pink" – An almost Broadway-level opening number that establishes the all-pink world of Barbieland before everything goes haywire. "Push" – A very specific in-joke for a very specific generation of kids, and a cathartic moment for anybody who’s ever experienced mansplaining. "The Monologue" – America Ferrera’s iconic speech about the impossible contradictions inherent in being a woman in the 21st century. It's the film’s articulation of Gospel. How is this monologue good news? "I’m Just Ken" – The film’s most obvious musical moment – and one of the greatest production numbers of the 21st century. How do we feel about the fact that Ryan Gosling steals every scene he’s in? "What Was I Made For?" – Billie Eilish’s Oscar-winning ballad, Barbie’s eleven o’clock number, and perhaps the most pregnant question the film asks. Is Barbie a prophet? A savior? You’ll hear Lizzo, Matchbox Twenty, America Ferrera, Ryan Gosling and Billy Eilish from the film’s 2023 soundtrack. ________________________________ Check out some of our all-time favorites! Phantom of the Opera Joseph and the Amazing Technicolor Dreamcoat Jesus Christ Superstar! Schmigadoon! ( Season 1 / Season 2 ) West Side Story! Yentl! Frozen! Barbie! Never miss an episode! Sign up for our email list to get updates when new episodes are released, info about upcoming special events, and more.…

1
6.1 The Music Man! 50:38

منذ عام واحد50:38

50:38

Band Geeks of the world, unite! We’re taking a fizzy summer tour through some of our favorite movie musicals – and what better way to observe the Fourth of July weekend in the USA than with one of the most patriotic and Americana-obsessed musicals of all time, the 1962 film version of Meredith Willson’s 1957 Broadway musical The Music Man! ________________________________ We talk about: "Rock Island" – One of the most impressive opening numbers in any musical, a laser-quick intro to the economics and social mores of early 20th-century America. "Iowa Stubborn" – The people of River City basically tell us what assholes they are. Is this song about whiteness, small town life, or the human condition? "Trouble" – Harold Hill’s infamous patter song. It’s like a hellfire-and-brimstone sermon, in the tradition of Jonathan Edwards and the great preachers of the Great Awakening. "Sincere" – The role that barbershop music plays in The Music Man... and in American nostalgia for a "simpler time." "The Wells Fargo Wagon" – What's the deal with Winthrop? You’ll hear: Robert Preston, Barbara Cook and the cast of the 1957 Broadway cast – because we love Shirley Jones, but there's only one Marian the Librarian. ________________________________ Check out some of our all-time favorites! Phantom of the Opera Joseph and the Amazing Technicolor Dreamcoat Jesus Christ Superstar! Schmigadoon! ( Season 1 / Season 2 ) West Side Story! Yentl! Frozen! Barbie! Never miss an episode! Sign up for our email list to get updates when new episodes are released, info about upcoming special events, and more.…

1
5.7 Yentl! 59:46

منذ عام واحد59:46

59:46

Papa, can you hear me? It's the last episode of our Season of Babs, and we're going out strong! That's right: today we look at Barbra Streisand's magnum opus, the 1982 film Yentl – which she both directed and starred in. ________________________________ We talk about: Prayer & Texts: What it means to study sacred texts, and the critical differences between traditionally-Christian and traditionally-Jewish ways of understanding scripture. Sexuality & Gender: Is Yentl transphobic, or is it ahead of its time? Leadership & Power: Finally, a woman at the helm of a major Hollywood film! What does Barbra’s experience directing and starring in Yentl tell us about leadership and power? Boats: Barbra loves a ferry. What is it about boats, water, and crossing over that so compels her? How does it tie into the immigrant story and the American Dream? ________________________________ You’ll hear Barbra singing “Where Is It Written,” “No Wonder,” “Several Sins A Day” (cut from the final film) and “A Piece of Sky”. ________________________________ Never miss an episode! Sign up for our email list to get updates when new episodes are released, info about upcoming special events, and more. ________________________________ Check out some of our all-time favorites! Phantom of the Opera Joseph and the Amazing Technicolor Dreamcoat Jesus Christ Superstar! Schmigadoon! ( Season 1 / Season 2 ) West Side Story! Yentl! Frozen! Barbie! ________________________________ Continue the conversation with us on Instagram (@gospelofmt).…

1
5.6 A Star is Born! 55:01

منذ عام واحد55:01

55:01

Is it a musical? Is it a $6MM home movie? A contemporary Purim spiel? This is a weird movie, you guys. The evergreen story of A Star Is Born has attracted legendary performers like Judy Garland, Barbra Streisand, and Lady Gaga. Today, Peter and Nathan focus on the 1976 film version with Barbra and Kris Kristofferson in the context of Gaga and Garland. ________________________________ We talk about: The Backstory: Dorothy Parker, Moss Hart, David O. Selznick, Joan Didion, and all the geniuses who should have made a better movie. The Crowd: 1970s, rock-and-roll culture and the phenomenon of contemporary celebrity culture. Is this idolatry in the way that Hebrew Scripture warn against? The Addiction: Does addiction help contemporary people understand ancient theological ideas like sin and shame? The Money: Why does Hollywood keep spoon-feeding us stories about self-destructive men and the women around them? Why do we keep paying money to see them? The Music: Ephemeral moments of artistic, intellectual, and spiritual connection found between two artists. How well does the Oscar-winning "Evergreen" capture this phenomenon? ________________________________ You’ll hear: Kris Kristofferson and Barbra on the 1976 film soundtrack singing "Watch Closely Now," "The Woman in the Moon," and (of course) the 1976-Oscar-Winning classic, "Evergreen." ________________________________ Never miss an episode! Sign up for our email list to get updates when new episodes are released, info about upcoming special events, and more. ________________________________ Check out some of our all-time favorites! Phantom of the Opera Joseph and the Amazing Technicolor Dreamcoat Jesus Christ Superstar! Schmigadoon! ( Season 1 / Season 2 ) West Side Story! Yentl! Frozen! Barbie! ________________________________ Continue the conversation with us on Instagram (@gospelofmt).…

1
5.5 The Way We Were! 56:21

منذ عام واحد56:21

56:21

It may not be a musical, but it sure is close... It's The Way We Were! It’s 1973. Watergate has happened. Barbra Streisand, Robert Redford, Arthur Laurents, and Sidney Pollack get together to re-create the weepy romcom in the non-musical—but musical-theatre-adjacent!—classic The Way We Were. ________________________________ We talk about: The Conflict: Streisand & Laurents versus Pollack & Redford, and some of the behind-the-scenes drama that led to the creation of this classic. The Song: Marvin Hamlisch’s classic song that put the film on the map. The Laughter: What does it mean to sing, "so it’s the laughter we will remember?" Laughter emerges as a marker of class & race in this film. How does that marker intersect with the misty, watercolor nature of memory – and the danger of nostalgia? The People & the Principles: the film’s central conflict between personal relationships and principles, and how that conflict maps (and doesn't) onto religious systems. Is Christianity about people, or is it about principles? ________________________________ You’ll hear: Barbra singing the film’s title song from the 1973 film soundtrack, and an excerpt from the 1998 episode of Sex in the City, Episode 18 (“Ex in the City”). ________________________________ Never miss an episode! Sign up for our email list to get updates when new episodes are released, info about upcoming special events, and more. ________________________________ Check out some of our all-time favorites! Phantom of the Opera Joseph and the Amazing Technicolor Dreamcoat Jesus Christ Superstar! Schmigadoon! ( Season 1 / Season 2 ) West Side Story! Yentl! Frozen! Barbie! ________________________________ Continue the conversation with us on Instagram (@gospelofmt).…

1
5.4 On A Clear Day! 57:07

منذ عام واحد57:07

57:07

Peter and Nathan watched this movie so you don't have to! It's time for a deep cut... We’re talking about the 1970 film version of Alan Jay Lerner and Burton Lane’s very strange musical, On A Clear Day You Can See Forever – a show about a psychiatrist with terrible boundaries. ________________________________ We talk about: ESP: Is there a meaningful distinction between extrasensory perception and Christian conceptions of spirituality and prayer? Reincarnation: We talk about the case of Bridey Murphy, the 19th-century Irishwoman who was purportedly reincarnated as a 20th century American housewife. What are we supposed to believe about the afterlife? Grief: So many conversations about the afterlife happen in the context of death & grief. Does profound grief open us up to alternate conceptions of the universe in a way that can be helpful – or is that simply our emotions talking? Clothes: Always the clothes. The Cecil Beaton gowns! The turbans! Be still, our hearts! ________________________________ You’ll hear: Yves Montand, Barbra Streisand and the cast of the film singing "Come Back To Me," "Love With All The Trimmings" and "On A Clear Day You Can See Forever" as well as the Peddlers’ version of the film’s title song. ________________________________ Never miss an episode! Sign up for our email list to get updates when new episodes are released, info about upcoming special events, and more. ________________________________ Check out some of our all-time favorites! Phantom of the Opera Joseph and the Amazing Technicolor Dreamcoat Jesus Christ Superstar! Schmigadoon! ( Season 1 / Season 2 ) West Side Story! Yentl! Frozen! Barbie! ________________________________ Continue the conversation with us on Instagram (@gospelofmt).…

1
5.3 Hello, Dolly! 1:07:21

منذ عام واحد1:07:21

1:07:21

She's still glowin', she's still crowin,' she's still goin' strong... That's right: we're continuing our deep dive into the great Barbra Streisand with a look at the mid-60s Broadway classic, Jerry Herman’s Hello Dolly! ________________________________ We talk about: Discernment: Dolly is a woman on a journey out of grief – and is looking for her sign. What kind of a theology of discernment does the show depend on? Gender: We take a close look at Horace’s song about marriage, “It Takes A Woman” and dig a little bit underneath the surface of the show’s fun to pull apart the class and economics of male-female relationships. Clothes: So much of Hello Dolly is about the clothes – the actual costumes the actors are wearing, and the show’s deeper fixation on the performative nature of class, gender and race. Restaurants: What does it mean that Dolly comes back home where she belongs? Is this the show’s resurrection moment? Moments: Falling in love, Kairos time, moments of divinity and resurrection and where they find us – in church, in the theatre, in the eyes of a beloved. ________________________________ You’ll hear: The 1969 film soundtrack: La Streisand, Walter Matthau, Michael Crawford, Louis Armstrong and the full cast singing “Just Leave Everything To Me,” “It Takes a Woman,” “Ribbons Down My Back,” “Put On Your Sunday Clothes,” “Elegance,” “Before the Parade Passes By,” “It Only Takes a Moment” and, of course, “Hello, Dolly!” ________________________________ Never miss an episode! Sign up for our email list to get updates when new episodes are released, info about upcoming special events, and more. ________________________________ Check out some of our all-time favorites! Phantom of the Opera Joseph and the Amazing Technicolor Dreamcoat Jesus Christ Superstar! Schmigadoon! ( Season 1 / Season 2 ) West Side Story! Yentl! Frozen! Barbie! ________________________________ Continue the conversation with us on Instagram (@gospelofmt).…

1
5.2 Funny Girl! 1:04:37

منذ عام واحد1:04:37

1:04:37

Isn’t it "people who DON'T need people are the luckiest people in the world?" Today we look at the role that made Barbara Streisand's early career: the role of Fanny Brice in Jule Styne & Bob Merrill’s 1964 musical Funny Girl and the 1968 film directed by William Wyler. ________________________________ We talk about: The Greatest Star: The phenomenon of the original Fanny Brice, how Barbra got involved in the project, and where the line between ego, strength, and vanity lies. The Audience: The sacred relationship between performer and audience and Barbra’s theory of audience (or—in a religious context—a congregation) as a truth barometer. The Patriarchy: Nick Arnstein & Fanny Brice's relationship, Barbra & her male collaborators, the creep factor of "You are Woman," and the dangerous myth of romantic love (attention straight people: beware writing your own vows!) The Parade: Is "Don’t Rain on My Parade" a feminist anthem? The People: What’s the theology of people who need people? Is this just a hymn to extroversion, or does it channel Archbishop Desmond Tutu’s theology of ubuntu ? ________________________________ You’ll hear: – The 1968 Film Soundtrack: "I’m the Greatest Star," Omar Shariff and Barbra singing "You Are Woman, I am Man," "My Man," "Don’t Rain on My Parade" and—of course—"People." ________________________________ Never miss an episode! Sign up for our email list to get updates when new episodes are released, info about upcoming special events, and more. ________________________________ Check out some of our all-time favorites! Phantom of the Opera Joseph and the Amazing Technicolor Dreamcoat Jesus Christ Superstar! Schmigadoon! ( Season 1 / Season 2 ) West Side Story! Yentl! Frozen! Barbie! ________________________________ Continue the conversation with us on Instagram (@gospelofmt).…

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The Let Them Theory: A Life-Changing Tool That Millions of People Can't Stop Talking About

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المدونة الصوتية تستحق الاستماع

The Gospel of Musical Theatre « » 1.5 The King and I!

1.5 The King and I!

المدونة الصوتية تستحق الاستماع

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The Let Them Theory: A Life-Changing Tool That Millions of People Can't Stop Talking About

The Let Them Theory: A Life-Changing Tool That Millions of People Can't Stop Talking About

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The Let Them Theory: A Life-Changing Tool That Millions of People Can't Stop Talking About

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1.5 The King and I!