Journalist Bruce Martin gives racing fans an inside look at the exciting world of the NTT INDYCAR SERIES in this fast-paced podcast, featuring interviews with the biggest names in the sport.
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المحتوى المقدم من Audioboom and James Allen On F1. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Audioboom and James Allen On F1 أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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45: What happens when film industry experts break down the F1 Movie?
MP3•منزل الحلقة
Manage episode 501397494 series 3572981
المحتوى المقدم من Audioboom and James Allen On F1. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Audioboom and James Allen On F1 أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
This week we gather a stellar line-up of movie industry insiders as we break down the summer blockbuster F1 Movie, which has now earned over half a billion dollars at the box office, so deserves some deeper consideration.
Having earlier looked at it from the point of view of journalists and fans, we now get the movie experts to cast an eye over it; is it technically a good film?
How well does the story work, and what about the all-important action sequences? How does the treatment of female characters compare? And do movies like this do any long-term good for the sport?
In Part II next week, the panel will compare it with the 1960s classic Grand Prix as well as other classic motorsport films Rush, Days of Thunder and Le Mans. Are they any good as movies? And what does it take to create a movie that appeals to all audiences, not just motorsport enthusiasts?
With James Allen in the studio are:
Eddie Hamilton, editor of Top Gun Maverick and the two most recent Mission Impossible films.
Adrian Wootton OBE, runs the British Film Commission (encouraging productions like F1 to film in the UK).
Mark Lane is an award-winning movie producer, with over 40 credits including I am not a serial Killer and The Cut.
Nick Manzi is a producer with a string of hits from Blitz to Salmon Fishing in the Yemen and a lifelong F1 enthusiast.
Chapters
00:00 Introduction to F1 Movie Discussion
03:00 Audience Reception and Expectations
05:58 The Art of Filmmaking in F1 Movies
08:59 Motorsport as a Cinematic Backdrop
11:55 Elements of a Successful Film
14:51 Character Dynamics and Storytelling
18:08 Technical Achievements and Authenticity
20:46 The Role of Female Characters
23:59 Budget and Financial Aspects of F1 Movie
26:51 Conclusion and Final Thoughts
Don’t miss the chance to compete against our expert writers on Motorsport’s hugely popular F1 Fantasy League. https://www.motorsport.com/f1/news/race-our-writers-motorsport-launches-its-first-ever-featured-league-on-f1-fantasy/10702182/
Send your comments or questions to: @jamesallenonf1 on X or [email protected].
A Motorsport Studios production for Autosport
Having earlier looked at it from the point of view of journalists and fans, we now get the movie experts to cast an eye over it; is it technically a good film?
How well does the story work, and what about the all-important action sequences? How does the treatment of female characters compare? And do movies like this do any long-term good for the sport?
In Part II next week, the panel will compare it with the 1960s classic Grand Prix as well as other classic motorsport films Rush, Days of Thunder and Le Mans. Are they any good as movies? And what does it take to create a movie that appeals to all audiences, not just motorsport enthusiasts?
With James Allen in the studio are:
Eddie Hamilton, editor of Top Gun Maverick and the two most recent Mission Impossible films.
Adrian Wootton OBE, runs the British Film Commission (encouraging productions like F1 to film in the UK).
Mark Lane is an award-winning movie producer, with over 40 credits including I am not a serial Killer and The Cut.
Nick Manzi is a producer with a string of hits from Blitz to Salmon Fishing in the Yemen and a lifelong F1 enthusiast.
Chapters
00:00 Introduction to F1 Movie Discussion
03:00 Audience Reception and Expectations
05:58 The Art of Filmmaking in F1 Movies
08:59 Motorsport as a Cinematic Backdrop
11:55 Elements of a Successful Film
14:51 Character Dynamics and Storytelling
18:08 Technical Achievements and Authenticity
20:46 The Role of Female Characters
23:59 Budget and Financial Aspects of F1 Movie
26:51 Conclusion and Final Thoughts
Don’t miss the chance to compete against our expert writers on Motorsport’s hugely popular F1 Fantasy League. https://www.motorsport.com/f1/news/race-our-writers-motorsport-launches-its-first-ever-featured-league-on-f1-fantasy/10702182/
Send your comments or questions to: @jamesallenonf1 on X or [email protected].
A Motorsport Studios production for Autosport
53 حلقات
MP3•منزل الحلقة
Manage episode 501397494 series 3572981
المحتوى المقدم من Audioboom and James Allen On F1. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Audioboom and James Allen On F1 أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
This week we gather a stellar line-up of movie industry insiders as we break down the summer blockbuster F1 Movie, which has now earned over half a billion dollars at the box office, so deserves some deeper consideration.
Having earlier looked at it from the point of view of journalists and fans, we now get the movie experts to cast an eye over it; is it technically a good film?
How well does the story work, and what about the all-important action sequences? How does the treatment of female characters compare? And do movies like this do any long-term good for the sport?
In Part II next week, the panel will compare it with the 1960s classic Grand Prix as well as other classic motorsport films Rush, Days of Thunder and Le Mans. Are they any good as movies? And what does it take to create a movie that appeals to all audiences, not just motorsport enthusiasts?
With James Allen in the studio are:
Eddie Hamilton, editor of Top Gun Maverick and the two most recent Mission Impossible films.
Adrian Wootton OBE, runs the British Film Commission (encouraging productions like F1 to film in the UK).
Mark Lane is an award-winning movie producer, with over 40 credits including I am not a serial Killer and The Cut.
Nick Manzi is a producer with a string of hits from Blitz to Salmon Fishing in the Yemen and a lifelong F1 enthusiast.
Chapters
00:00 Introduction to F1 Movie Discussion
03:00 Audience Reception and Expectations
05:58 The Art of Filmmaking in F1 Movies
08:59 Motorsport as a Cinematic Backdrop
11:55 Elements of a Successful Film
14:51 Character Dynamics and Storytelling
18:08 Technical Achievements and Authenticity
20:46 The Role of Female Characters
23:59 Budget and Financial Aspects of F1 Movie
26:51 Conclusion and Final Thoughts
Don’t miss the chance to compete against our expert writers on Motorsport’s hugely popular F1 Fantasy League. https://www.motorsport.com/f1/news/race-our-writers-motorsport-launches-its-first-ever-featured-league-on-f1-fantasy/10702182/
Send your comments or questions to: @jamesallenonf1 on X or [email protected].
A Motorsport Studios production for Autosport
Having earlier looked at it from the point of view of journalists and fans, we now get the movie experts to cast an eye over it; is it technically a good film?
How well does the story work, and what about the all-important action sequences? How does the treatment of female characters compare? And do movies like this do any long-term good for the sport?
In Part II next week, the panel will compare it with the 1960s classic Grand Prix as well as other classic motorsport films Rush, Days of Thunder and Le Mans. Are they any good as movies? And what does it take to create a movie that appeals to all audiences, not just motorsport enthusiasts?
With James Allen in the studio are:
Eddie Hamilton, editor of Top Gun Maverick and the two most recent Mission Impossible films.
Adrian Wootton OBE, runs the British Film Commission (encouraging productions like F1 to film in the UK).
Mark Lane is an award-winning movie producer, with over 40 credits including I am not a serial Killer and The Cut.
Nick Manzi is a producer with a string of hits from Blitz to Salmon Fishing in the Yemen and a lifelong F1 enthusiast.
Chapters
00:00 Introduction to F1 Movie Discussion
03:00 Audience Reception and Expectations
05:58 The Art of Filmmaking in F1 Movies
08:59 Motorsport as a Cinematic Backdrop
11:55 Elements of a Successful Film
14:51 Character Dynamics and Storytelling
18:08 Technical Achievements and Authenticity
20:46 The Role of Female Characters
23:59 Budget and Financial Aspects of F1 Movie
26:51 Conclusion and Final Thoughts
Don’t miss the chance to compete against our expert writers on Motorsport’s hugely popular F1 Fantasy League. https://www.motorsport.com/f1/news/race-our-writers-motorsport-launches-its-first-ever-featured-league-on-f1-fantasy/10702182/
Send your comments or questions to: @jamesallenonf1 on X or [email protected].
A Motorsport Studios production for Autosport
53 حلقات
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×مرحبًا بك في مشغل أف ام!
يقوم برنامج مشغل أف أم بمسح الويب للحصول على بودكاست عالية الجودة لتستمتع بها الآن. إنه أفضل تطبيق بودكاست ويعمل على أجهزة اندرويد والأيفون والويب. قم بالتسجيل لمزامنة الاشتراكات عبر الأجهزة.