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المحتوى المقدم من Folger Shakespeare Library. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Folger Shakespeare Library أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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Talene Monahon on Her New Revenge Comedy, Jane Anger

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Manage episode 350329048 series 128626
المحتوى المقدم من Folger Shakespeare Library. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Folger Shakespeare Library أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
In Talene Monahon’s new play Jane Anger, a narcissistic William Shakespeare is wrestling with writers’ block while working on King Lear. When Will’s former flame Jane Anger shows up, he knows she can help him finish the play. But Jane wants something in return. She needs Will’s help to publish a pamphlet she’s written that calls out sexist male playwrights for the wrongs they’ve done to women everywhere. That pamphlet is a real historical document: “Jane Anger: Her Protection for Women,” published in 1589. The true identity of the historical Jane Anger is still unknown. Monahon has taken that historical blank page and written on it a revenge farce that’s savagely funny, comically violent, and seriously outraged. It manages to take in present-day concerns like #MeToo and the pandemic, and makes room for ecstatically silly bathroom humor. Jane Anger is onstage through January 8 at the Shakespeare Theatre Company in Washington, DC. We talk to Monahon, who also plays Anne Hathaway in the show, about how she discovered Jane Anger’s pamphlet, her depiction of Shakespeare, and more. She is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast. Published December 20, 2022. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Andrew Logan in Washington and Jenna McClellan at Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.
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Artwork
iconمشاركة
 
Manage episode 350329048 series 128626
المحتوى المقدم من Folger Shakespeare Library. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Folger Shakespeare Library أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
In Talene Monahon’s new play Jane Anger, a narcissistic William Shakespeare is wrestling with writers’ block while working on King Lear. When Will’s former flame Jane Anger shows up, he knows she can help him finish the play. But Jane wants something in return. She needs Will’s help to publish a pamphlet she’s written that calls out sexist male playwrights for the wrongs they’ve done to women everywhere. That pamphlet is a real historical document: “Jane Anger: Her Protection for Women,” published in 1589. The true identity of the historical Jane Anger is still unknown. Monahon has taken that historical blank page and written on it a revenge farce that’s savagely funny, comically violent, and seriously outraged. It manages to take in present-day concerns like #MeToo and the pandemic, and makes room for ecstatically silly bathroom humor. Jane Anger is onstage through January 8 at the Shakespeare Theatre Company in Washington, DC. We talk to Monahon, who also plays Anne Hathaway in the show, about how she discovered Jane Anger’s pamphlet, her depiction of Shakespeare, and more. She is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast. Published December 20, 2022. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Andrew Logan in Washington and Jenna McClellan at Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.
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