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المحتوى المقدم من Folger Shakespeare Library. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Folger Shakespeare Library أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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Fiona Ritchie on Sarah Siddons and John Philip Kemble

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Manage episode 349053243 series 128626
المحتوى المقدم من Folger Shakespeare Library. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Folger Shakespeare Library أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
You may not have heard of Sarah Siddons, but if you’ve seen a production of Macbeth recently, you may have experienced her influence. In the late 18th century, Siddons became one of the first celebrity actors, for her performances in roles including Queen Katherine in Henry VIII, Constance in King John, Volumnia in Coriolanus, and, of course, Lady Macbeth in Macbeth. Her brother and frequent co-star John Philip Kemble became the first stage “director” in our sense of the word, even though there was no such title in the 18th-century theater. Both of their careers benefited from Shakespeare’s rising critical and popular reputation in the 18th century. Barbara Bogaev talks to scholar Fiona Ritchie, whose new book, Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble, details their rise to fame. Ritchie is an Associate Professor of English at McGill University. Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble is out now from Arden Shakespeare. From the Shakespeare Unlimited podcast. Published December 6, 2022. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Ellen Payne Smith in Montreal, Quebec, and Jenna McClellan at Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.
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iconمشاركة
 
Manage episode 349053243 series 128626
المحتوى المقدم من Folger Shakespeare Library. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Folger Shakespeare Library أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
You may not have heard of Sarah Siddons, but if you’ve seen a production of Macbeth recently, you may have experienced her influence. In the late 18th century, Siddons became one of the first celebrity actors, for her performances in roles including Queen Katherine in Henry VIII, Constance in King John, Volumnia in Coriolanus, and, of course, Lady Macbeth in Macbeth. Her brother and frequent co-star John Philip Kemble became the first stage “director” in our sense of the word, even though there was no such title in the 18th-century theater. Both of their careers benefited from Shakespeare’s rising critical and popular reputation in the 18th century. Barbara Bogaev talks to scholar Fiona Ritchie, whose new book, Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble, details their rise to fame. Ritchie is an Associate Professor of English at McGill University. Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble is out now from Arden Shakespeare. From the Shakespeare Unlimited podcast. Published December 6, 2022. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Ellen Payne Smith in Montreal, Quebec, and Jenna McClellan at Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.
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