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That's Classical?

CJSW 90.9 FM

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“We live in a time I think not of mainstream, but of many streams, or even, if you insist upon a river of time, that we have come to a delta, maybe even beyond delta to an ocean which is going back to the skies.” -John Cage This quote, I believe, truly embodies the idea of music today. Yet, this quote is even more applicable to world of “classical” music. There are so many different avenues of new classical music, that one must ask oneself, “That’s classical?” That is the idea that we try an ...
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Sticky Notes is a classical music podcast for everyone, whether you are just getting interested in classical music for the first time, or if you've been listening to it and loving it all your life. Interviews with great artists, in depth looks at pieces in the repertoire, and both basic and deep dives into every era of music. Classical music is absolutely for everyone, so let's start listening! Note - Seasons 1-5 will be returning over the next year. They have been taken down in order to be ...
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Beethoven is meer dan een hond

NPO Klassiek / AVROTROS

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Klassieke muziek... eh, Bach (https://www.nporadio4.nl/componisten/e99952a5-46c4-49cc-9f79-224cd2765754/bach-johann-sebastian)? In de vijfdelige podcast 'Beethoven is meer dan een hond' vertellen Jet en Fieke alles wat je moet weten over klassieke muziek.
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Classical Performance

Classical Performance

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The Classical Performance podcast features the very best live classical performances, recorded by WCRB. From local up-and-comers to world-renowned masters, the Classical Performance podcast is your source for classical, on the go. Find episodes and subscribe in iTunes.
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Playlist: Ellen Reid, Kronos Quartet - West Coast Sky Forever Claude Vivier, 12 Ensemble - Zipangu Ljova Zhurbin, Inna Faliks - Voices Bastien David, Orchestre national d'Auvergne-Rhone-Alpes - L'Ombre d'un doute Claude Champagne, Orchestre Symphonique de Laval - Symphonie gaspesienne Joe Hisaishi - 2 Dances for Large Ensemble Georg Friedrich Haas,…
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Playlist: Edmund Finnis, 12 Ensemble - Hymn (After Byrd) Bryce Dessner, Ulysses Quartet, Benjamin Verdery - Quintet for High Strings Bryce Dessner - Walls Kathleen Allan, Luminos Ensemble - Al Pittman Suite Massimo De Lillo, Ada Witczyk - E Sempre Sara Fuoco Anna Clyne, The Knights - Shorthand Marie Dare, Alexandra MacKenzie, Ingrid Sawers - Hebrid…
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During Bartok’s life, the violin concerto we now know as Violin Concerto No. 2 was simply known as Bartok’s only violin concerto. The reason? His first concerto, written when he was a much younger man, had never been performed or published. This was a deeply painful memory for Bartok, who had written the concerto for a woman he was in love with, St…
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Playlist: Gennari Karganov, Yulia Ayrapetyan - Bayati Oliver Leith, The Hermes Experiment - Uh huh, Yeah Jaap Nico Hamburger - Piano Quartet Steve Reich, Kuniko Kato - Four Organs Ann-Sofi Soderquist, VoNo - Crossroads Eleanor Alberga, Castalian String Quartet, BBC Symphony Orchestra - Tower Laura Silberberg, Afiara Quartet - Transcendence Jay Capp…
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Interview with WindSync horn player Anni Hochhalter! Playlist: Miguel Del Aguila, WindSync - Absent Lights Ivan Trevino, WindSync - Song Book Vol. 3 John Corigliano, Helene Grimaud - Fantasia on an Ostinato Andrew Balfour, Luminous Voices - Music is Vibration Gabriella Smith, Gabriel Cabezas - Lab Coast Helvi Leiviska, Sinfonia Lahti - Symphony No.…
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In December of 1884, Dvorak wrote to a friend about the composition of a new symphony: "I am now busy with this symphony for London, and wherever I go I can think of nothing else. God grant that this Czech music will move the world!!" He was in the midst of working on what would become his 7th symphony, and even though it is nowhere near as popular…
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Playlist: Dominick DiOrio, VoNo - The Visible World Margot George, Paramorph Collective - Fruiting Bodies Francisco Mignone, Sao Paulo Symphony Orchestra - Guitar Concerto Katie Madonna Lee, Cecily Turhune, Carly Hood - Boon Bestowed Eric Nathan, Adam Zinatelli, Aaron Hodgson - 4 Sculptures Kinan Azmeh, Brooklyn Rider, Mathias Kunzli - In the Eleme…
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Playlist: Harriett Claiborne Dixon, Alexandra MacKenzie, Ingrid Sawers - Andante Religioso Land's End Chamber Ensemble/ Vincent Ho - Gryphon Realms Caroline Shaw, Belinfante Quartet - Plan & Elevation Carmen Braden, Gillian Smith - Tree Talk Milica Djordjevic, Bavarian Radio Symphony Orchestra - Quicksilver Louis Wayne Ballard, John Jeter and Fort …
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Shostakovich’s 4th symphony is not for the faint of heart. It is a massive work, around an hour in length, and it calls for the second largest orchestra of any in Shostakovich’s output. It is uncompromising, sometimes brutal, and it isn't nearly as lyrical that later Shostakovich has in spades. But with all that said, many people, including myself,…
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They are the most famous 8 notes in not only Western Music, but probably in all of music. If you walk down the street and ask someone to name a painting, they might say the Mona Lisa. A movie? Maybe Star Wars. A piece of classical music? Certainly, it would be Beethoven 5. But why? What makes those 8 notes so arrestingly powerful? Well, this week, …
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This show is a bit different today. Last year I did a live video podcast on Mozart's Requiem for my Patreon subscribers. I've now edited that show into an audio-only version for everyone to be able to listen to, since this is such an essential piece and there's so much to talk about with it! The audio only version won't get into as much granular de…
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The history of classical music is littered with the stories of great composers who tragically died young. The composer I’ve been talking about for the last two episodes, Franz Schubert, died at 31. Mozart died at 36, Mendelssohn at 38, Bizet at 37, Gershwin at 38, Gideon Klein at 25, Purcell at 36. The composer I will tell you about today is part o…
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There are a few tropes when it comes to Schubert’s late music. The pieces are very long. They have four movements. The first two movemnts are expansive, magisterial explorations of the human psyche, and the last two movements are much lighter, almost like two different pieces are at play. All of these tropes fit the Schubert B Flat Sonata we starte…
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For a long time I’ve received emails and messages from people asking, and sometimes demanding, that I explore the solo piano repertoire. Other than a look at the Goldberg Variations of Bach, I’ve basically neglected a huge amount music, including some of the greatest works ever written. Why have I been doing this? Well, if I’m totally honest, it’s …
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H.C. Robbins Landon, the great musicologist, once wrote about Mozart that his music was “an excuse for mankind's existence and a small hope for our ultimate survival." I couldn’t agree more, especially when it comes to a piece like the one we’re going to talk about today, Mozart’s Piano Concerto in D minor, NO. 20, or K. 466. These days, Mozart is …
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My first interaction with the musical term modes was Leonard Bernstein’s brilliant Young People’s Concert, also called What is a Mode? In that show, Bernstein showed how modes are an essential part of what makes modern music, meaning pop and rock music, tick. This was central to Bernstein’s point during this amazing show, which is available on Yout…
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In 1857, Brahms wrote to his friend Joseph Joachim about his first Piano Concerto, saying, “ “I have no judgment about this piece anymore, nor any control over it.” Brahms first began sketching his first piano concerto in 1853, but it would be five full years before Brahms finished the piece, and another year until its first performance. During tha…
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Very often, when I tell people that I’m a classical musician, I am told, “wow, I love classical music! It’s so relaxing!” I think almost all classical musicians have heard that before, and you know what? Sometimes, it’s true! Classical music can be relaxing! But sometimes, and actually pretty often, classical music is NOT relaxing. It is exciting, …
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This podcast from the Sounds Interesting series takes a musical week, a day at a time. Links to the music featured in this podcast: George Bogatko In a Monday Mood (8.572835) Richard Danielpour Mardi Gras (8.559669) Edmund Rubbra Judas mercator pessimus (8.555255) Kenneth Fuchs Holy Thursday (8.559753) Benjamin Britten Fishing song (8.553183) Aaron…
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There has always been a debate about “The Great American Symphony.” By the time most prominent American composers got around to writing large scale symphonic works, the symphony had very nearly gone out of fashion. To many musicians and thinkers, the symphony had passed on with the death of Mahler. With the advent of atonality, which essentially de…
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Klezmer music has always been very close to my heart, even as a classical violinist. During the pandemic I attempted to learn Klezmer clarinet, and soon I began collaborating with the great Klezmer(and classical!) violinist Abigale Reisman on her work for Klezmer band and orchestra called Gedanken. Abigale taught me so much about Klezmer music, inc…
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In 1850, Robert Schumann accepted a position as the new Music Director in Dusseldorf. This job had a lot of responsibilities, including conducting the city orchestra. Schumann, along with his wife, the legendary pianist Clara Schumann, and their 7 children moved to Dusseldorf. The city made a huge to do about the Schumann’s arrival, welcoming him w…
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In 1806, the 36 year old Beethoven received a commission from the Russian ambassador in Vienna, Count Andreas Razumovsky. Razumovsky wanted a set of string quartets for what would soon be his house string quartet which included some of the finest players Vienna had to offer. As part of his commission, Razumovsky asked Beethoven to include a Russian…
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I’ve mentioned Ethel Smyth a few times in the past on this show. This is partly because of her music, and partly because she remains one of the most interesting people who ever lived. She was a composer of course, but she was also a conductor and an author, as well as a political activist. Specifically, she was a suffragette, fiercely advocating fo…
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When you think of the genre of the concerto, you might be thinking of something like this: virtuoso fireworks, perhaps over romantic gestures designed simply to show the soloist off, and a rather pedestrian orchestral part, giving the soloist all of the spotlight while the conductor and orchestra are mere accompanists. Of course, this is a huge gen…
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We're back! Welcome to Season 10! Leonard Bernstein to his wife: "These days have flown so -- I don't sleep much; I work every -- literally every -- second (since I'm doing four jobs on this show -- composing, lyric-writing, orchestrating and rehearsing the cast). It's murder, but I'm excited. It may be something extraordinary. We're having our fir…
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This podcast from the Sounds Interesting series considers the roots and branches of trees featured in a selection of traditional Christmas carols in various styles. Links to the music featured in this podcast: Roderick Elms Cherry Tree Carol (8.570793) Bob Chilcott Cherry Tree Carol (8.573159) Imogen Holst As I sat under a holly tree (8.573991) Pet…
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This podcast from the Sounds Interesting series spotlights a selection of fanfares composed for a variety of occasions during the last century. Links to the music featured in this podcast: Maurice Ravel L’Éventail de Jeanne (8.573354) Morton Gould Fanfare for Freedom (8.572629) William Alwyn Fanfare for a Joyful Occasion (8.570705) David Robert Col…
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I had the great joy to do my first ever live edition of Sticky Notes last month with the Aalborg Symphony in Denmark. For this concert, I chose a piece that is extremely close to my heart, Dvorak's New World Symphony. The story of the New World Symphony is a fascinating one. The symphony was the result of an extraordinary series of events, with Dvo…
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Stanisław Skrowaczewski spent 19 years as music director of the Minnesota Orchestra, from 1960 to 1979, during which time he developed it into one of the finest orchestras in North America. They made many recordings together, mostly for the VOX and Mercury labels, from which Raymond Bisha has selected two remastered albums from the VOX catalogue th…
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Throughout the history of Western Classical Music, folk music has imprinted itself as an invaluable resource for composers from all over the world. In fact, it’s easier to make a list of composers who never used folk music in their compositions than it is to make a list of the composers who did! This tradition began long before the 20th century, bu…
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Brazilian composer Heitor Villa-Lobos was also an accomplished guitarist and cellist, and his wonderful music for the latter instrument takes full advantage of the lyrical and dramatic capabilities of the instrument. In this podcast, Raymond Bisha explores a new recording of his two Cello Concertos, together with his Fantasia for Cello and Orchestr…
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In January of 1839, Clara Wieck, Robert's future wife, wrote to Robert, “Don’t take it amiss if I tell you that I’ve been seized by the desire to encourage you to write for orchestra. Your imagination and your spirit are too great for the weak piano.” Clara knew that she would have struck a nerve with Robert, whose history with the piano was full o…
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Brahms’ violin concerto is one of the most difficult works for any violinist to tackle. It is as virtuosic as the hardest piece of Paganini as well as being as musically complex as a Brahms symphony. It takes most violinists years or even decades to feel comfortable with this piece, and many violinists consider it a kind of Mount Everest. Why? What…
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This podcast features Raymond Bisha in conversation with conductor Kenneth Kiesler about the rediscovery, rescue and reconstruction of two operas by James P. Johnson (1894–1955). Renowned as an influential jazz pianist but with a lower profile as a composer of opera, it was Johnson’s express hope that two of his short stage works, written in the la…
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Today is a bit of an unusual episode. Last month I was invited by the British Society of Aesthetics to address their annual conference. My task was to give a lecture on whatever topic I wanted, having to do with music. So, considering it was an Academic Philosophy conference, I chose the easiest and most straightforward topic possible - What Does M…
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On October 29th, 1931, The Rochester Philharmonic presented the world premiere of a new symphony by the composer William Grant Still. A symphonic premiere is always something to look out for in musical history, but this one had an even greater significance. The premiere of Wiliam Grant Still’s First Symphony, subtitled “Afro American,” was the firs…
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Raymond Bisha’s second podcast featuring historic recordings on the VOX label explores those made of Tchaikovsky’s music by the Utah Symphony Orchestra under Maurice Abravanel, who was the ensemble’s music director for more than 30 years. From the performances, to the production team of Marc Aubort and Joanna Nickrenz, the liner notes by Richard Fr…
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This is another episode where I highly recommend listening to Part 1 from last week before listening to this episode! It was a great honor to speak with the critic and cultural historian Jeremy Eichler about his remarkable new book "Time's Echo." In today's episode, we speak about Richard Strauss' Metamorphosen, as well as the complicated and hotly…
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This podcast features broadcaster Peter Hall in a conversation with JoAnn Falletta, music director of the Buffalo Philharmonic, about her October release on the Naxos label, which is the second of two albums featuring all of Zoltán Kodály’s works for orchestra. View album details Catalogue No.: 8.574556 The post Podcast: JoAnn Falletta, the Buffalo…
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I had the great pleasure and honor this week(and next week) to speak with the author of the new book Time's Echo Jeremy Eichler. The book chronicles four composers and their varied reactions to World War II and the Holocaust, including Schoenberg, Strauss, Shostakovich, and Britten. This week we talked about the historical symbiosis between Germans…
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If you haven’t listened to Part 1 of this episode about Mahler's 4th symphony, I highly recommend doing that, as every movement of this symphony builds to the "Heavenly Life" of the last movement. On Part 2, we'll be going through the 3rd and 4th movements. Mahler told his friend Natalie Bauer-Lechner that the 3rd movement of the symphony was creat…
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This podcast features American composer Jennifer Higdon in a wide-ranging conversation with Raymond Bisha, during which she describes the long swathe of influences on her composing career. The musical spotlights comprise extracts from her latest recording for Naxos of two powerfully engaging works: the Concerto for Orchestra, written in 2002 and de…
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After the truly heavenly slow movement of Mahler’s 4th symphony, a soprano emerges and sings a song literally called “The Heavenly Life.” It is a symphonic ending like no other, one that leaves the listener peaceful and contented after taking a long(but not as long as usual) and winding journey with Gustav Mahler and his 4th symphony. The 4th symph…
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If you joined me last week, you heard about the severe intestinal illness that Beethoven suffered from during the year of 1825. Beethoven thought that he was near death; he was spitting up blood, in terrible pain, and regularly begged his doctor for help. Ensconced in Baden, a Viennese suburb known for its nature and calm, Beethoven slowly and mira…
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I had long hesitated to write a show about any of Beethoven’s late string quartets. These are pieces that professional quartets spend the better part of their careers grappling with, struggling with, failing with, and much more rarely, succeeding with. They are some of the most extraordinary pieces of art ever conceived of. 5 quartets, Opus 127, Op…
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Raymond Bisha presents the first in a series of podcasts that explore newly remastered recordings on the VOX label dating from the 1970s. This instalment features four albums by the St Louis Symphony Orchestra under Leonard Slatkin, in which the orchestra and solo pianists Abbey Simon and Jeffrey Siegel variously perform works by Rachmaninov and Ge…
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At the top of the score for the Danish composer Carl Nielsen’s 4th symphony, he wrote: “Music is life, and like it, inextinguishable.” This could easily be the shortest podcast I’ve ever done. I could leave you with that quote and then play you the beginning of the symphony, and you would understand everything Nielsen wanted to portray in this rema…
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The stories, legends, and myths about the trials and travails of composers lives are legion, like Beethoven’s battles against fate, Mozart and Schubert’s struggles with finances, Brahms’ failures with women, Mahler’s troubles with just about everyone, and Shostakovich’s near fatal interactions with the government. These stories tend to add to the g…
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Elgar's Cello Concerto was composed in the shadow of World War 1. It was a piece that marked a profound shift in Elgar's outlook on life and music, and was his last major work before a long silence caused by the death of his wife Alice. It is a piece of remarkable passion for a composer like Elgar, and never fails to move the audience with its comb…
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