#217 - Secrets Behind The Sounds with Ele Matelan

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المحتوى المقدم من Victoria Ruke. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Victoria Ruke أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

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The War and Treaty Are Getting Carried Away 46:55

منذ 8 أيام46:55

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46:55

The War and Treaty’s Michael and Tanya Trotter grew up in Cleveland, Ohio, and Washington, DC, respectively, but both have family roots in the South. They also grew up in the musical traditions of their churches – Tanya in the Black Baptist Church and Michael in the Seventh Day Adventist Church – where they learned the power of song to move people. After becoming a father at a very young age, Michael eventually joined the armed forces and served in Iraq and Germany, where he took up songwriting as a way of dealing with his experiences there. Meanwhile Tanya embarked on a singing and acting career after a breakthrough appearance in Sister Act 2 alongside Whoopi Goldberg and Lauryn Hill. Now, after a long and sometimes traumatic journey, Michael and Tanya are married, touring, winning all sorts of awards, and set to release their fifth album together, and their fourth as The War and Treaty. Sid talks to Michael and Tanya about the new record, Plus One , as well as their collaboration with Miranda Lambert, what it was like to record at FAME studios in Muscle Shoals, and how they’re blending country, soul, gospel, and R&B. Learn more about your ad choices. Visit podcastchoices.com/adchoices…

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Today my guest Ele and I will be uncovering how common sounds in entertainment get made through the art of Foley.

Ele is a stage Foley Designer and Performer who has designed, choreographed, and performed Foley for over 80 productions in Chicagoland, with companies including Theatre of Western Springs, Lifeline Theatre, Oak Park Festival Theatre, and The Second City Training Center. She is a Foley designer in residence for Locked Into Vacancy Entertainment's monthly live comedy serials, and for WildClaw Theatre's Deathscribe, the annual international live horror radio festival. She contributes to the next generation of Foley Artists with her guest lectures at Northwestern University's School of Sound and at Harvard University's School of Music, and with her consulting for theaters across the globe.

Remember: Sound is an essential part of the storytelling experience. Whether you’re in theater or film, it’s easy to get excited about sound when it comes to sounds effects like body hits for a fight sequence or blasts in an explosion. But those are not the only sounds that carry a story forward, so don’t overlook the “everyday sounds” within your project.
Research: Review a current script you’re working on. What everyday sounds that would naturally be in the scene are important in order to tell the story? What sounds showcase a character’s emotions? What sounds can be used for foreshadowing? Make sure to take note of any sounds that need to be prioritized during production or post-production.
Challenge: As an ongoing challenge, focus on collecting sounds for your project. This can be done through collecting physical objects that create unique noises or simply taking notes of interesting sounds you hear that you would love to incorporate in your next story.

http://www.victoriaruke.com
To learn more about Ele and her projects:
http://www.wildclawtheatre.com/
http://www.lockedintovacancy.com/
Follow her on social media: @WorldBShiny

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