Watch With Jen - S5: E3 - Quintessential John Cusack with Duncan Birmingham

Watch With Jen™

Surprise! Since next week marks the anniversary of when I started this podcast, I'm dropping this episode a few days early as a thank you for your support & listenership over the years. (Note: I haven't decided how to celebrate the date yet, but I think a good start would be not forgetting it like I usually do, haha.) Season 5 has kicked things off in a wonderfully nostalgic mode so far with several installments I've recorded about films of the '80s & '90s, which I'm hoping casts the same sort of warm, glowy, Gen X memory-filled spell on you that it did on me as I researched & prepped for these episodes. And who better to focus on for a look back at this era than John Cusack whose onscreen alter-ego so many of us grew up alongside?

Returning to the podcast to investigate is filmmaker & author Duncan Birmingham, who started revisiting Cusack's films towards the end of '23 & pitched this terrific idea to zero in on the Quintessential Cusack era from SAY ANYTHING...(1989) to HIGH FIDELITY (2000). Citing multiple other films along the way, in this appreciative, analytical look back, we focus on his work in three other tremendous films including THE GRIFTERS, GROSSE POINTE BLANK, & BEING JOHN MALKOVICH. Giving plenty of love to his outstanding collaborators & including stories from our own lives & the way our relationships with these characters & films change with age, this is just the thing to queue up & maybe blast from your boombox in some sort of grand romantic declaration as you head into your weekend.

Duncan's Bio: A writer and filmmaker based in Los Angeles, today's guest Duncan Birmingham was an executive producer and screenwriter for IFC's MARON and also served as a co-executive producer and writer on the Starz series BLUNT TALK. Additionally, Duncan's short films have premiered at festivals like Sundance and AFI, and his screenplay SWINGLES, which Paramount purchased, was also on The Black List. Recently, his lively, irreverent short-story collection THE CULT IN MY GARAGE was published by Maudlin House in 2021, & in '22, he wrapped & released his excellent first feature-length film as a writer-director called WHO INVITED THEM.

Originally Posted on Patreon (2/23/24) here: https://www.patreon.com/posts/99081183