S4: E1: We Kept Our Towns Going: The Gossard Girls of Michigan's Upper Peninsula by Phyllis Michael Wong
Manage episode 357684198 series 3008044
Season 4: Episode 1--The UP Notable Book Club presents author Phyllis Michael Wong speaking about her book We Kept Our Towns Going: The Gossard Girls of Michigan's Upper Peninsula.
The Crystal Falls Community District Library in partnership with the U.P. Publishers & Authors Association (UPPAA) presents author events with winners of the UP Notable Book List.
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Phyllis Michael Wong, a native of the San Francisco Bay area, would follow her father’s sage advice of “listen, talk little, listen” in her roles as a historian; educator, including as a writing instructor and director of online learning; and 30-year member of the university-level academic world, including as First Lady at Northern Michigan University (2004-12) and San Francisco State University (2012-19). Among her favorite First Lady accomplishments is co-founding a One Book, One Community county-wide reading program at NMU.
Michigan’s Upper Peninsula is known for its natural beauty and severe winters, as well as the mines and forests where men labored to feed industrial factories elsewhere in the nineteenth and twentieth centuries. But there were factories in the Upper Peninsula, too, and women who worked in them. Phyllis Michael Wong tells the stories of the Gossard Girls, women who sewed corsets and bras at factories in Ishpeming and Gwinn from the early twentieth century to the 1970s. As the Upper Peninsula’s mines became increasingly exhausted and its stands of timber further depleted, the Gossard Girls’ income sustained both their families and the local economy. During this time the workers showed their political and economic strength, including a successful four-month strike in the 1940s that capped an eight-year struggle to unionize. Drawing on dozens of interviews with the surviving workers and their families, this book highlights the daily challenges and joys of these mostly first- and second-generation immigrant women. It also illuminates the way the Gossard Girls navigated shifting ideas of what single and married women could and should do as workers and citizens. From cutting cloth and distributing materials to getting paid and having fun, Wong gives us a rare ground-level view of piecework in a clothing factory from the women on the sewing room floor.
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