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المحتوى المقدم من Time Babble. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Time Babble أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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2.1 Brigadoon (1954) ”Grouse Point Blank”

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Manage episode 354279644 series 3443987
المحتوى المقدم من Time Babble. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Time Babble أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

This week we’re babbling about Brigadoon (1954) a lavish MGM musical directed by Vincente Minnelli, and based on the stage musical by Lerner and Loewe. The film stars the glorious pairing of dance legends Gene Kelly and Cyd Charisse, and the morose, perpetually drunk, yet wise cracking Van Johnson.

The most Scottishly Scottish of musicals, Brigadoon is also a magical, mystical village that rises out of the mist every hundred years. But, for the singing and dancing residents of Brigadoon, only one day has passed. And no-one is allowed to leave, lest the entire village will disappear back into the mist…

As well as discovering the delights of a Dancical*, you’ll witness the love of a young boy for his ‘Lassie’, gather heather on the hill, and cower from the delightfully creepy ‘Sandy the Candyman’. And despite this being a family friendly musical, there are also a considerable amount of tops being popped off during the dramatic chase sequence.

Did anybody say tartan?

Time Babble Series Two, Episode One is waiting for you now on Podbean, Spotify, Amazon Music, Apple Podcasts and other good podcast services. If you can’t find it on your usual streaming service, please write in to the usual address.

For updates & more time-based babbling follow us on Instagram and Twitter.

*Dancical © Time Babble ™

(All copyrighted material contained within this podcast is the property of their respective rights owners and their use here is protected under ‘fair use’ for the purposes of comment or critique.)

  continue reading

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Artwork
iconمشاركة
 
Manage episode 354279644 series 3443987
المحتوى المقدم من Time Babble. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Time Babble أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

This week we’re babbling about Brigadoon (1954) a lavish MGM musical directed by Vincente Minnelli, and based on the stage musical by Lerner and Loewe. The film stars the glorious pairing of dance legends Gene Kelly and Cyd Charisse, and the morose, perpetually drunk, yet wise cracking Van Johnson.

The most Scottishly Scottish of musicals, Brigadoon is also a magical, mystical village that rises out of the mist every hundred years. But, for the singing and dancing residents of Brigadoon, only one day has passed. And no-one is allowed to leave, lest the entire village will disappear back into the mist…

As well as discovering the delights of a Dancical*, you’ll witness the love of a young boy for his ‘Lassie’, gather heather on the hill, and cower from the delightfully creepy ‘Sandy the Candyman’. And despite this being a family friendly musical, there are also a considerable amount of tops being popped off during the dramatic chase sequence.

Did anybody say tartan?

Time Babble Series Two, Episode One is waiting for you now on Podbean, Spotify, Amazon Music, Apple Podcasts and other good podcast services. If you can’t find it on your usual streaming service, please write in to the usual address.

For updates & more time-based babbling follow us on Instagram and Twitter.

*Dancical © Time Babble ™

(All copyrighted material contained within this podcast is the property of their respective rights owners and their use here is protected under ‘fair use’ for the purposes of comment or critique.)

  continue reading

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