The Third Story With Leo Sidran podcast

Player FM - Internet Radio Done Right

82 subscribers

تمت الإضافة منذ قبل nine عام

المحتوى المقدم من Leo Sidran. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Leo Sidran أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

<div class="span index">1</div> <span><a class="" data-remote="true" data-type="html" href="/series/american-criminal">American Criminal</a></span>

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American Criminal

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منذ يومينمنذ 2d ago

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From Airship, the studio behind American Scandal, American History Tellers, and History Daily, comes a true crime history podcast that takes you inside the minds of some of our most notorious felons and outlaws, exploring the dark side to the American dream. Host Jeremy Schwartz will introduce you to the picture-perfect brothers who teamed up to kill their parents; the thief who stole babies and ruined countless lives; the crypto king who siphoned off billions in the name of saving the world—and plenty more. From assassins and gangsters, to killers and con artists, whatever the case, whoever the criminal, you don’t know the full story—until now. Listen wherever you get your podcasts, or to get early, ad-free access to the entire season first, plus hundreds of other ad-free history podcast episodes, subscribe at IntoHistory.com.

The Third Story with Leo Sidran

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THE THIRD STORY features long-form interviews with creative people of all types, hosted by musician Leo Sidran. Their stories of discovery, loss, ambition, identity, risk, and reward are deeply moving and compelling for all of us as we embark on our own creative journeys.

306 حلقات

#Music #Creativeprocess #Jazz #Leo Sidran #Arts #Society #Creativity #Improvised #Productivity

The Third Story with Leo Sidran

82 subscribers

updated منذ عام واحد

منزل السلاسل•Feed

306 حلقات

#Music #Creativeprocess #Jazz #Leo Sidran #Arts #Society #Creativity #Improvised #Productivity

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The Third Story with Leo Sidran

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287: Steven Greenberg (Lipps, Inc.) 1:13:11

منذ 5 weeks1:13:11

التشغيل لاحقا

قوائم

إعجاب

احب

1:13:11

Steven Greenberg, the creative force behind the hit "Funkytown," on crafting one of the most enduring dance tracks of all time, bridging the transition from disco to synth-driven pop, and the discipline required to bring musical ideas to life in an era before digital shortcuts. 00:00 Intro 4:00 Magic Mind 5:42 Interview www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story Get 45% off the Magic Mind bundle with with my link: https://www.magicmind.com/LEOJAN #magicmind #mentalwealth #mentalperformance…

The Third Story with Leo Sidran

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286: Makaya McCraven 1:20:52

منذ 6 weeks1:20:52

1:20:52

Drummer, producer, and composer Makaya McCraven, whose work bridges improvisation, production, and cultural synthesis, on rhythm, time, and the balance of tradition and innovation, plus his creative journey, from his roots in Northampton, Massachusetts, to his innovative projects like In The Moment and In These Times . This hybrid episode spanning interviews from 2022 and 2025 offers a deep dive into the mind of a true beat scientist. www.third-story.com www.leosidran.substack.com https://www.wbgo.org/podcast/the-third-story Get 45% off the Magic Mind bundle with with my link: https://www.magicmind.com/LEOJAN #magicmind #mentalwealth #mentalperformance…

The Third Story with Leo Sidran

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Mary Sweeney (from 2018) 1:23:47

منذ 7 weeks1:23:47

1:23:47

Throwback from 2018. Mary Sweeney needs some air. “There has to be a flow of fast and slow, and a pause to allow the listener or the spectator to digest and to project their own thoughts.” She thinks I should leave more space in my podcasts, to let it breathe. She tells me this as we sit in the screened in porch behind her summer house in Madison, Wisconsin. As she tells me this, cicadas chirp loudly, as if to underscore her point: “Today’s episode will not be edited! You will not remove us from this moment!” Mary Sweeney should know. She spent much of her career as a film editor, producer and writer collaborating with David Lynch. Beginning in 1985 with Blue Velvet, and continuing through the 2006 film Inland Empire, her editing credits include Blue Velvet (1986), Wild at Heart (1990), Twin Peaks (1991), Industrial Symphony (1991), Twin Peaks: Fire Walk With Me (1992), On the Air (1992), Hotel Room(1993), Lost Highway (1996), The Straight Story (2000), Mulholland Drive (2001) and Baraboo (2009). The relationship with Lynch was productive, fruitful, and nuanced (the two were partners in work and in life for much of that time) and they have a son together. At the time of this interview, Mary was working as a consulting producer and writer on Matthew Weiner’s series for Amazon, The Romanoffs. She is the Dino and Martha De Laurentiis Endowed Professor of film at USC, where she teaches Graduate Screenwriting Thesis and “Dreams, The Brain and Storytelling.” Before we had this conversation, Mary cheekily emailed me a list of topics that she would be happy to discuss. They included editing, producing, screenwriting, parenting, Paris, Cairo, pie baking, and the Catholic Church. Guess what we talked about? All of it. And we also talked at length about living and working in an intensely creative partnership with David Lynch for all those years (both personally and professionally), collaborating with one of the most innovative voices in film, and what’s so great about coming from a big family. Visit the Patreon Page for an extra 20 minutes of juicy conversation that didn’t make it into this edit. Thanks for listening. ORIGINAL LINK: https://www.third-story.com/listen/marysweeney www.leosidran.substack.com https://www.patreon.com/c/thirdstorypodcast…

The Third Story with Leo Sidran

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285: Jacob Collier's First Interview 1:38:49

منذ 9 weeks1:38:49

1:38:49

In 2013, after having posted a series of videos recorded in his family home in North London of himself singing a cappella arrangements of classic - yet sometimes obscure - songs on YouTube, a critical mass began to form around Jacob Collier. His videos of Stevie Wonder’s “Isn’t She Lovely” and “Don’t You Worry Bout A Thing” were passed around by musicians and music enthusiasts and by 2014 he was being managed by Quincy Jones and traveling around the world. He was one of the first career artists to emerge on YouTube. Jacob’s journey since then has been nothing short of extraordinary. Today, at 30 years old, with six Grammys, millions of fans, and collaborations ranging from Herbie Hancock to Chris Martin, his influence spans generations. His Djesse project—four albums in six years, exploring 50 songs and countless collaborations —represents not just his creativity but his ability to bring others into his world. From arenas to intimate collaborations, Jacob Collier is now a fact of musical life. Yet, he remains tied to his roots: the small room in his mother’s house where it all began. His first album, In My Room , was both a tribute to that space and a manifesto for his artistic philosophy. Before his star had really begun to rise, I met with Collier in late 2014. He invited me to his family home in North London, where his mother greeted me with tea and cookies while he returned from university. When we finally sat down in his music room to talk, his brilliance was immediately apparent. He spoke about sound with sensitivity and clarity, blending perfect pitch, synesthesia, and a boundless curiosity. He was still a kid, but one with an expansive vision. That conversation remains a revelation. It captured a young artist at the cusp of greatness. It is also the first interview of its kind that exists with the extraordinary artist . Ten years after that first interview, I’m reminded why I started this podcast: to capture history as it’s being made. Jacob Collier’s story is one of boundless curiosity and connection—a message in a bottle that changed the tide. Get 45% off the Magic Mind bundle with with my link: https://www.magicmind.com/LEOJAN www.third-story.com www.leosidran.substack.com…

The Third Story with Leo Sidran

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284: Aaron Parks and Marta Sanchez 1:10:45

منذ 10 weeks1:10:45

1:10:45

Pianists Aaron Parks and Marta Sanchez on how music has helped them navigate life's complexities. Aaron talks about his move to Portugal, the release of his latest album Little Big III , and how addressing mental health shaped his journey. Marta reflects on leaving Madrid for New York and the deeply personal inspiration behind her album Perpetual Void . www.third-story.com www.leosidran.substack.com https://www.wbgo.org/podcast/the-third-story…

The Third Story with Leo Sidran

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283: Samora Pinderhughes and Jack DeBoe 1:01:13

منذ 11 weeks1:01:13

1:01:13

Composer, pianist, vocalist, and multidisciplinary artist Samora Pinderhughes and drummer/producer Jack DeBoe on their long standing collaborative relationship, what happens when art confronts life’s heaviest themes, but the creators meet it with laughter, lightness, and trust. Captured at Winter Jazzfest in early 2024, Samora and Jack talk about the album Venus Smiles Not in the House of Tears, the transformative Healing Project, mental health, and how laughter becomes a tool of resilience in the face of struggle. It’s serious, it’s playful, and it’s deeply human. https://www.third-story.com https://leosidran.substack.com…

The Third Story with Leo Sidran

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282: Allan Tannenbaum 1:09:46

منذ 13 weeks1:09:46

1:09:46

Allan Tannenbaum's career reads like a tapestry woven with history, art, and an extraordinary eye for the moment. From his serendipitous epiphany outside a post office in 1964 to becoming one of the most iconic photographers of his time. Starting with a handful of frames of Jimi Hendrix in the late 60s, Allan went on to chronicle the cultural pulse of 1970s New York as chief photographer for the SoHo Weekly News. He captured unforgettable images—Sid Vicious in handcuffs, Andy Warhol at Studio 54, Patti Smith, the Rolling Stones, John and Yoko, and many more. In the 80s and 90s, he expanded his lens to the world stage, documenting moments of historical significance: the fall of the Berlin Wall, Operation Desert Storm, the Rwandan refugee crisis, and eventually the devastation of 9/11 just blocks from his Tribeca home. Here he talks about his life behind the lens, the philosophy that guided him, and what it means to let "the work show you the way." www.third-story.com www.leosidran.substack.com https://www.wbgo.org/podcast/the-third-story www.sohoblues.com/…

The Third Story with Leo Sidran

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281: Maria Schneider 1:42:20

منذ 15 weeks1:42:20

1:42:20

Grammy-winning composer and NEA Jazz Master Maria Schneider on 30 years of the Maria Schneider Orchestra, her life and career, from her small-town Minnesota roots to her groundbreaking collaboration with David Bowie and her fight for artists’ rights. Here she talks about how her music channels the wonder, mystery, and tension of her life experiences, her poetic creative process, her acclaimed album Data Lords , and her reflections on what’s next as she looks back on a remarkable journey. www.third-story.com www.leosidran.substack.com…

The Third Story with Leo Sidran

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280: Ben Sidran | The Election 42:20

منذ 17 weeks42:20

42:20

Just like we did after the 2016 and 2020 elections, I spoke with my dad Ben Sidran this week about the latest presidential election. True to form, it is a conversation that appears to be about one thing but is in fact about many things. What begins as a somber acknowledgement of the election results turns quickly to a sprawling discussion of everything from Will and Ariel Durant’s massive 11-volume work, The Story of Civilization, Seinfeld, The First Council of Nicaea, Irving Berlin, Jack Kerouac, what separates humankind from the rest of the animal kingdom, bottle service at "the party club", the importance of beauty, and what it means to “chop your wood and carry water.” www.third-story.com www.leosidran.substack.com…

The Third Story with Leo Sidran

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279: Andrew Bird 1:01:43

منذ 18 weeks1:01:43

1:01:43

Andrew Bird has been on a quest for meaning in sound since childhood, starting with the violin at age four and earning a degree in violin performance from Northwestern University. His journey has taken him from classical and folk roots to the vibrant Chicago swing scene, to creative isolation in a barn in Western Illinois, and eventually to become a genre defying artist and composer with a unique voice. Andrew’s lyrics are both confessional and impressionist, often leading listeners on a journey through evocative imagery. With just a looping pedal, he reinvented his sound, blending classical, folk, and indie rock and crafted a distinct sonic landscape that defines his music today. After nearly three decades and 20 albums, Andrew continues to evolve. His latest release, Sunday Morning Put On , pays tribute to jazz standards while maintaining his signature sound. He describes it as a “sabbatical” project, giving him space to reflect and create without pressure. Just recently, he released Cunningham Bird , a tribute to the classic Buckingham Nicks album. Here he shares insights about his early days, the isolation that shaped him, songwriting as a form of “speaking in tongues”and the lessons learned from performing standards. Here he talks about his early days in Chicago, the journey that led him into isolation, discovering his sound, songwriting as a form of “speaking in tongues”, what it means to be living his life in song form, and what he learned from singing standards. www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story…

The Third Story with Leo Sidran

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278: Aaron Goldberg 1:06:37

منذ 20 weeks1:06:37

1:06:37

Pianist Aaron Goldberg on 20 years of organizing jazz fundraisers for presidential campaigns (this year's was Jazz for Kamala), how he thinks about the potential of music to provoke personal transformation and political action, his own relationship with activism and progressive politics, concert curation, Israel and Gaza. www.leosidran.substack.com www.third-story.com www.jazzforkamala.com…

The Third Story with Leo Sidran

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277: Lucy Kalantari 1:20:04

منذ 21 weeks1:20:04

1:20:04

Family music artist Lucy Kalantari on the power of intention, why gardening is her favorite metaphor for living a creative life, staying curious, parenthood, her new record, and the Grammys. www.third-story.com https://leosidran.substack.com/ https://www.wbgo.org/podcast/the-third-story

The Third Story with Leo Sidran

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276: Riley Mulherkar 1:24:30

منذ 24 weeks1:24:30

1:24:30

Riley Mulherkar grew up in Seattle, the Pacific Northwest enclave that has been home to so many musical innovators over the years. He went to Garfield High School, a school that has fostered countless talents going all the way back to Quincy Jones who was himself a young trumpet player at the school in the 1940s. Riley was just eight years-old when he began seeing the legendary Garfield High School big-band play free gigs in his Seattle neighborhood; it’s one of the reasons he picked up the trumpet. He was clearly meant to play the instrument. By the time he got to Juilliard in New York, Riley had shown up on the radar of Wynton Marsalis, who became a mentor. If this story is sounding familiar, it’s because it resembles the experience of so many musicians of his generation who have similar origin stories. On a deeper level, it’s a story that echoes through the history of jazz - young musicians who are compelled to move to New York after only a small handful of interactions with their heroes. Riley Mulherkar is very much a man of his moment, and also mindful of those echoes from the past. His new album - his first under his own name and called, simply, Riley is awash in the echoes of history but also boldly embraces contemporary sounds and textures, it reframes classic material that was influential to him and positions his original compositions in that continuum. The album was a long time in the making. It’s the result of years of experimentation and reflection, and that patience is palpable in the music. Above all, the feeling of the record is totally compelling. And feeling was at the heart of the project all along. He says he was not interested in making something that sounded like an old record, but rather that felt the way he feels when he listens to his heroes, something he describes as “hyperrealism”. We spoke earlier this year about how the Riley album came together - he worked closely with pianist Chris Pattishall and guitarist/producer Rafiq Bhatia - his diverse career as a collaborator, music presenter, composer, and now solo artist, and how thinking of jazz as a family tree helped him to find his place in the music. www.third-story.com https://leosidran.substack.com/ https://www.wbgo.org/podcast/the-third-story…

The Third Story with Leo Sidran

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275: Jesse Harris 1:15:27

منذ 27 weeks1:15:27

1:15:27

Jesse Harris belongs to a generation of New York singer songwriters who came of age in the late nineties. He has made over 20 solo albums that walk the line between folk, jazz, pop, Brazilian and art rock. He’s also a much sought after co writer and collaborator who has written songs for and or with many others like Madeleine Peyroux, Melody Gardot, Lana del Rey, and most famously Norah Jones. Jesse was already well into his career when he met a young Norah Jones on a road trip through Texas and played his songs for her. He had already been signed and dropped from a major label with his band Once Blue (a project he started with Rebecca Martin, and which also featured musicians Ben Street, Kurt Rosenwinkel and Kenny Wollesen), and had already been exploring a space in his songwriting that played in between jazz and pop. But that chance encounter with Jones, who was still a student at the University of North Texas at the time, was the one that would change the course of Jesse’s career. They stayed in touch and began working together when Jones eventually moved to New York. Her debut album, 2002’s Come Away With Me contained five of his songs including the now ubiquitous standard “Don’t Know Why”. He also played guitar on the record. Their partnership has endured over the years - Jones and Harris have written together on and off ever since then - but it was that first record that arguably redirected the sound of certain strains of popular music and jazz for a generation. The success of Come Away With Me also opened new doors for Harris as a solo artist and a composer. Ultimately he started a label (Secret Sun, named after a solo album of the same name) to put out the projects that he produced for himself and others, and recently has been dividing his time between New York and Paris. Jesse is a relentlessly prolific songwriter, someone for whom songs are like air and water; they are simply a fact of life. Here he talks about Paper Flower, his most recent album recorded in Paris with American and French musicians, his approach to songwriting (“writer's block is a choice”) and production, taking things as they come, confession versus craft, venturing into the unconscious, and whether it is his fate to work with female artists. www.third-story.com https://www.wbgo.org/podcast/the-third-story…

The Third Story with Leo Sidran

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274: Ella Feingold 1:42:20

منذ 41 weeks1:42:20

1:42:20

Ella Rae Feingold is a guitar player, composer, orchestrator, educator and content creator. She has spent three decades devoted to the soulful side of the electric guitar, and has worked with an impressive list of artists, including Bruno Mars, Erykah Badu and Common, The Roots, Jay-Z, Janet Jackson, Alicia Keys, Jill Scott, Queen Latifah and many more. On her Instagram and TikTok she is a rhythm ambassador, focussing on the importance of groove, pocket and feel in her playing and demonstrating various techniques and traditions in rhythm guitar. Hearing Ella play and talk about music, it’s clear that she has thought deeply about her craft for a long time. Guitarist Charlie Hunter recently referred to her as “one of the baddest, greasiest guitar players on the planet.” (Of course in this context “bad” and “greasy” are two of the highest compliments one can pay.) And yet she is also very much a new arrival. Feingold has been hiding in plain sight for years - both figuratively and literally - standing in the shadow of giants, just out of the spotlight and not attracting too much attention. This may have been partly a musical disposition, but it was also a function of feeling that she was simply in the wrong body. Ella is transgender, and after transitioning several years ago, she began to share more of herself online including regular musical dispatches which have exposed her to a steadily growing audience of students, fans, followers and collaborators. She describes the process of transitioning as less an act of creation and more one of excavation. We spoke recently about her personal and musical rebirth, the importance of rhythm - she tells me “I don’t want to impress anyone I just want to make people feel good,” discovering inverted tuning, orchestration, transfobia, and why she hopes to be the Mister Rogers of funk guitar. www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story…

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