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المحتوى المقدم من Will Beattie, Jonathan Correa Reyes, Reed O'Mara, & Logan Quigley, Will Beattie, Jonathan Correa Reyes, Reed O'Mara, and Logan Quigley. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Will Beattie, Jonathan Correa Reyes, Reed O'Mara, & Logan Quigley, Will Beattie, Jonathan Correa Reyes, Reed O'Mara, and Logan Quigley أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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Speculum Spotlight: “Ai flores, ai flores do verde pino”: The Ecopoetics of the Galician-Portuguese Pine Forest

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Manage episode 426544903 series 3499153
المحتوى المقدم من Will Beattie, Jonathan Correa Reyes, Reed O'Mara, & Logan Quigley, Will Beattie, Jonathan Correa Reyes, Reed O'Mara, and Logan Quigley. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Will Beattie, Jonathan Correa Reyes, Reed O'Mara, & Logan Quigley, Will Beattie, Jonathan Correa Reyes, Reed O'Mara, and Logan Quigley أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

Scholar Adam Mahler reflects on their experience with researching and writing their article, "'“Ai flores, ai flores do verde pino': The Ecopoetics of the Galician-Portuguese Pine Forest," which appears in Speculum 99.3 (July 2024).

Denis of Portugal’s “Ai flores, ai flores do verde pino” [Oh flowers, oh flowers of the green pine] is the medieval monarch’s most famous cantiga de amigo and is one of the best-known songs of the Galician-Portuguese tradition. Many have read Denis’s “pine song” as an allusion to the Pinhal de Leiria, the pine forest that he planted—or so the story went. Though Portuguese historians and paleobotanists have debunked the Leiria forest’s origin story, a preponderance of documentary evidence from Denis’s reign suggests that the monarch recognized forests as poetically generative sites of political and social tension. "The Ecopoetics of the Galician-Portuguese Pine Forest" charts ecocritical and new materialist paths through the “pine songs” of Denis and other Galician-Portuguese troubadours by examining the medieval forest in its cultural, commercial, and poetic dimensions. This article contends that Denis’s pines and his poems are affectively and acoustically co-constituted, concluding that the Galician-Portuguese troubadour tradition, particularly in its woman’s-voice compositions, encodes important ecological knowledge.

For more information about Adam, Denis, and medieval Portugal, visit www.multiculturalmiddleages.com.

  continue reading

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Artwork
iconمشاركة
 
Manage episode 426544903 series 3499153
المحتوى المقدم من Will Beattie, Jonathan Correa Reyes, Reed O'Mara, & Logan Quigley, Will Beattie, Jonathan Correa Reyes, Reed O'Mara, and Logan Quigley. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Will Beattie, Jonathan Correa Reyes, Reed O'Mara, & Logan Quigley, Will Beattie, Jonathan Correa Reyes, Reed O'Mara, and Logan Quigley أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

Scholar Adam Mahler reflects on their experience with researching and writing their article, "'“Ai flores, ai flores do verde pino': The Ecopoetics of the Galician-Portuguese Pine Forest," which appears in Speculum 99.3 (July 2024).

Denis of Portugal’s “Ai flores, ai flores do verde pino” [Oh flowers, oh flowers of the green pine] is the medieval monarch’s most famous cantiga de amigo and is one of the best-known songs of the Galician-Portuguese tradition. Many have read Denis’s “pine song” as an allusion to the Pinhal de Leiria, the pine forest that he planted—or so the story went. Though Portuguese historians and paleobotanists have debunked the Leiria forest’s origin story, a preponderance of documentary evidence from Denis’s reign suggests that the monarch recognized forests as poetically generative sites of political and social tension. "The Ecopoetics of the Galician-Portuguese Pine Forest" charts ecocritical and new materialist paths through the “pine songs” of Denis and other Galician-Portuguese troubadours by examining the medieval forest in its cultural, commercial, and poetic dimensions. This article contends that Denis’s pines and his poems are affectively and acoustically co-constituted, concluding that the Galician-Portuguese troubadour tradition, particularly in its woman’s-voice compositions, encodes important ecological knowledge.

For more information about Adam, Denis, and medieval Portugal, visit www.multiculturalmiddleages.com.

  continue reading

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