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المحتوى المقدم من The Great Metal Debate. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة The Great Metal Debate أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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Metal Debate Album Review - Eternity Whispers (Oubliette)

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Manage episode 422154117 series 2449923
المحتوى المقدم من The Great Metal Debate. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة The Great Metal Debate أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
Welcome back to another metal album review. Today, we have an atmospheric/melodic black metal band from Murfreesboro, Tennessee called Oubliette and this is their third full-length studio album titled Eternity Whispers released through The Artisan Era. The album begins with the first single which had a music video two months ago. It is of course the song "Primordial Echo". It starts with some softly played guitar, calmly bringing you the short and sweet intro for 48 seconds before the rest of the band fires on all cylinders immediately kicking things into high gear. The whole song is a groovy cacophony of shred riffs, pinch harmonics, yelling and blast beats. At the 3:40 mark, there's a soothing middle riff that I quite enjoyed which mixes in a brief shred. All three guitarists: Mike Low, Andrew Wampler and Chris Austin have perfected the art of working together and sharing similar ideas when it comes to the overall tone of the genre. "With Death's Shadow" was the second single released for Eternity Whispers and it also happens to be the next track. How convenient. It's what I would consider to be that classic Oubliette style. Many things about the speed and pacing of this track remind me of the Apparitions debut. I'm proud of this band for not straying too far from what made me like them so much in the first place. On the other hand there's this ambient clean singing which can be heard after the halfway point during the track which is definitely a nice touch. It brought me back to the song "Elegy" from the previous album The Passage. Drummer Spencer Moore is a fucking machine gun on the kit. Especially throughout the song "Consumed By The Void". The entire track is an unrelenting orgy of blast beats. It all makes perfect sense because he's also the drummer for Inferi. Also, whoever mixed and mastered this album did some fantastic job by keeping the drums loud but not so much that it overpowers the other instrumentation. Oddly enough, there's this quiet little tune played at the end of the track which ties in with the beginning of the following track titled "Desolate Path". Now I'm not entirely sure which of the three guitarists is behind the acoustic sounding guitar but great work. Or maybe it could've simply been an electric just without the foot pedal. I'm not sure. Either way, I love that shit. That sweep picking moment at the 5:22 stamp really caught my attention but didn't last too long. A bonus credit for Spencer is that every beat of each drum has a resounding thud to it. Every whack of the snare packs a punch. This is proven once more in the next track "Dreams of Nevermore". But let's shift our focus for a moment to the vocalist Emily Low. She has so much power in her lungs to keep going on for long periods of time on the microphone. It truly sounds as though she's given all she's got into the recording of this record. But then the album slows down for a bit, we get a real treat for the ears. A lovely instrumental track called "Ember's Embrace". It's a beautiful track with keyboards, audible bass and drum cymbals. Of course the guitarists are a stand out and ... wait a minute, was that a violin I just heard or was that just a part of the synth work? Whatever that sound was, I want more. It is definitely my favorite track on the album due to the wonderful musicianship. "Vanish" serves as the perfect conclusionary track for the record. Everything you have heard throughout this album comes together in one masterfully crafted track with an impeccable structure. But what do I rate this? If I'm being real with my audience, I'd obviously recommend this album to anyone who is into this particular subgenre of metal. I will be as fair as I can by giving them a solid 8/10. So definitely don't sleep on this upcoming release. I can more than assure you it will be worth your while. All of their music and merch is available exclusively on Bandcamp.
  continue reading

355 حلقات

Artwork
iconمشاركة
 
Manage episode 422154117 series 2449923
المحتوى المقدم من The Great Metal Debate. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة The Great Metal Debate أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
Welcome back to another metal album review. Today, we have an atmospheric/melodic black metal band from Murfreesboro, Tennessee called Oubliette and this is their third full-length studio album titled Eternity Whispers released through The Artisan Era. The album begins with the first single which had a music video two months ago. It is of course the song "Primordial Echo". It starts with some softly played guitar, calmly bringing you the short and sweet intro for 48 seconds before the rest of the band fires on all cylinders immediately kicking things into high gear. The whole song is a groovy cacophony of shred riffs, pinch harmonics, yelling and blast beats. At the 3:40 mark, there's a soothing middle riff that I quite enjoyed which mixes in a brief shred. All three guitarists: Mike Low, Andrew Wampler and Chris Austin have perfected the art of working together and sharing similar ideas when it comes to the overall tone of the genre. "With Death's Shadow" was the second single released for Eternity Whispers and it also happens to be the next track. How convenient. It's what I would consider to be that classic Oubliette style. Many things about the speed and pacing of this track remind me of the Apparitions debut. I'm proud of this band for not straying too far from what made me like them so much in the first place. On the other hand there's this ambient clean singing which can be heard after the halfway point during the track which is definitely a nice touch. It brought me back to the song "Elegy" from the previous album The Passage. Drummer Spencer Moore is a fucking machine gun on the kit. Especially throughout the song "Consumed By The Void". The entire track is an unrelenting orgy of blast beats. It all makes perfect sense because he's also the drummer for Inferi. Also, whoever mixed and mastered this album did some fantastic job by keeping the drums loud but not so much that it overpowers the other instrumentation. Oddly enough, there's this quiet little tune played at the end of the track which ties in with the beginning of the following track titled "Desolate Path". Now I'm not entirely sure which of the three guitarists is behind the acoustic sounding guitar but great work. Or maybe it could've simply been an electric just without the foot pedal. I'm not sure. Either way, I love that shit. That sweep picking moment at the 5:22 stamp really caught my attention but didn't last too long. A bonus credit for Spencer is that every beat of each drum has a resounding thud to it. Every whack of the snare packs a punch. This is proven once more in the next track "Dreams of Nevermore". But let's shift our focus for a moment to the vocalist Emily Low. She has so much power in her lungs to keep going on for long periods of time on the microphone. It truly sounds as though she's given all she's got into the recording of this record. But then the album slows down for a bit, we get a real treat for the ears. A lovely instrumental track called "Ember's Embrace". It's a beautiful track with keyboards, audible bass and drum cymbals. Of course the guitarists are a stand out and ... wait a minute, was that a violin I just heard or was that just a part of the synth work? Whatever that sound was, I want more. It is definitely my favorite track on the album due to the wonderful musicianship. "Vanish" serves as the perfect conclusionary track for the record. Everything you have heard throughout this album comes together in one masterfully crafted track with an impeccable structure. But what do I rate this? If I'm being real with my audience, I'd obviously recommend this album to anyone who is into this particular subgenre of metal. I will be as fair as I can by giving them a solid 8/10. So definitely don't sleep on this upcoming release. I can more than assure you it will be worth your while. All of their music and merch is available exclusively on Bandcamp.
  continue reading

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