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المحتوى المقدم من Paul Resnikoff and Digital Music News. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Paul Resnikoff and Digital Music News أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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Who's Afraid of Music Startups? Investors, That's Who.

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Manage episode 225450196 series 2432564
المحتوى المقدم من Paul Resnikoff and Digital Music News. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Paul Resnikoff and Digital Music News أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

Invest in the right music startup, and you're a billionaire. Make the wrong bet, and you're out of $5 million (or in court for five years).

But that's true for any investment risk involving new ideas and sectors. So why are investors still gun-shy around music startups and concepts?

I assembled three experts in Hamburg, Germany to help me answer this very topic. One recently sold his music distribution to Sony Music and is currently the president of a soccer club in Hamburg. Another is actively investing across numerous creative areas in Europe. And another is actively coaching and advising firms and startups in the space.

I asked them to be blunt with me. And I found some serious concerns surrounding investment dollars and music startups.

Thierry Boujard of MusicDeals told me he likes quick exits. Claudia Schwarz, VP of MusicTech Germany laughed a bit at that one, calling a quick exit in music 'a conundrum'. Oke Goettlich, who started FineTunes and sold it to The Orchard (owned by Sony Music), had a very slow exit (and bootstrapped the whole way).

And off we went...

  continue reading

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Artwork
iconمشاركة
 
Manage episode 225450196 series 2432564
المحتوى المقدم من Paul Resnikoff and Digital Music News. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Paul Resnikoff and Digital Music News أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

Invest in the right music startup, and you're a billionaire. Make the wrong bet, and you're out of $5 million (or in court for five years).

But that's true for any investment risk involving new ideas and sectors. So why are investors still gun-shy around music startups and concepts?

I assembled three experts in Hamburg, Germany to help me answer this very topic. One recently sold his music distribution to Sony Music and is currently the president of a soccer club in Hamburg. Another is actively investing across numerous creative areas in Europe. And another is actively coaching and advising firms and startups in the space.

I asked them to be blunt with me. And I found some serious concerns surrounding investment dollars and music startups.

Thierry Boujard of MusicDeals told me he likes quick exits. Claudia Schwarz, VP of MusicTech Germany laughed a bit at that one, calling a quick exit in music 'a conundrum'. Oke Goettlich, who started FineTunes and sold it to The Orchard (owned by Sony Music), had a very slow exit (and bootstrapped the whole way).

And off we went...

  continue reading

31 حلقات

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