#48 – The Best Years of Our Lives

Settling the Score

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The Menendez Brothers | Five-Year Plan | 1 43:56

منذ 1 year43:56

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43:56

On August 20th, 1989, Lyle and Erik Menendez shot and killed their own parents. Until then, this Beverly Hills family had been a portrait of the American Dream. How did it go so wrong? To listen to all four episodes of 'The Menendez Brothers' right now and ad-free, go to IntoHistory.com . Subscribers enjoy uninterrupted listening, early releases, bonus content and more, only available at IntoHistory.com . If you or someone you know is in crisis, there is free help available at mhanational.org Learn more about your ad choices. Visit megaphone.fm/adchoices…

منذ 4 أعوام 1:57:02

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Jon and Andy seem to have talked for a very long time about Hugo Friedhofer’s score for the Best Picture of 1946, The Best Years of Our Lives! How many different ways does Friedhofer engage with the drama? In what sense is this music American? And, when is the 3D version coming out already?

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#Theater #Cinema #Arts #Science #Music #Settling The Score #Amp; Andy

#48 – The Best Years of Our Lives

Settling the Score

84 subscribers

published منذ 4 أعوام

MP3•منزل الحلقة

70 حلقات

#Theater #Cinema #Arts #Science #Music #Settling The Score #Amp; Andy

Tous les épisodes

1
#68 – 2025 Oscars Special 2:42:29

منذ 1 day2:42:29

2:42:29

It’s back to the Oscars stage for Jon and Andy, to talk about this year’s nominees for Best Original Score, and it’s back to some age old questions: Do we want our music made out of notes or blobs? Does reading up about these scores get in the way of our curmudgeonly opinions? And, how much music should a musical's music music?…

1
#67 – The Graduate 1:45:11

منذ 19 يومًا1:45:11

1:45:11

Are you here for an affair? Ah yes, an episode of Settling the Score, very good sir - this one's about Simon and Garfunkel’s song score to Mike Nichol’s classic 1967 satire The Graduate . How was this movie pioneering in its use of music? Do these famous songs engender sympathy or skepticism for the characters, or both? And, it's okay to ask: do these lyrics actually mean anything?…

1
#66 – The Empire Strikes Back 2:26:19

منذ 21 weeks2:26:19

2:26:19

“I love this score.” “I know.” Jon and Andy search their feelings about John Williams’ score for the 1980 hit sci-fi fantasy sequel The Empire Strikes Back . How important has this score been to our hosts? How does its mastery show itself on different scales? And, what are the odds of successfully navigating this show’s longest episode ever?…

1
#65 – Double Indemnity 1:26:59

منذ 38 weeks1:26:59

1:26:59

Jon and Andy go straight down the line through Miklós Rózsa's score for the 1944 film noir classic Double Indemnity . Which elements of this music sound like noir, and which don’t? Why do we enjoy stories about bad people? And, where’s a good spot in L.A. to sneak into if you want to hear some Schubert?…

1
#64 – 2024 Oscars Special 2:51:12

منذ 51 weeks2:51:12

2:51:12

It’s time again for Jon and Andy to strip away the phony tinsel of Hollywood and find the real tinsel underneath, as they consider this year’s Oscar nominees for Best Original Score. Is it possible that our hosts are feeling less cranky this year? What are some different ideas these movies have for using music to fill time? And, did you notice that this episode is still shorter than two of these five nominated films?…

1
#63 – The Conversation 1:28:39

منذ 1 year1:28:39

1:28:39

Come and eavesdrop on Jon and Andy discussing David Shire’s score for the 1974 surveillance mystery drama The Conversation . What does Shire's solo piano music express about the main character? How are the themes of the movie embodied in its world of sound? And, will Fred Flintstone be a good father?…

1
#62 – Name The Score! 2 2:03:06

منذ 1 year2:03:06

2:03:06

Surprise! It’s time for a break from the bucket: Jon and Andy look back at all the scores they’ve talked about since the end of the AFI list, and Andy puzzles Jon with another needle-drop quiz. Can Jon remember all this music? Can you remember it better than Jon? And, like, what have our hosts even been talking about this whole time?…

1
#61 – How to Train Your Dragon 1:59:53

منذ 1 year1:59:53

1:59:53

This time Jon and Andy train their attention on John Powell’s score for the 2010 animated fantasy adventure How to Train Your Dragon. Just how many themes does this score have? Might their meanings change with repeat viewings? And, what rhythmic pattern will Jon finally let Andy talk about?

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#60 – There Will Be Blood 1:53:24

منذ 1 year1:53:24

1:53:24

In this episode Jon and Andy drink up Jonny Greenwood’s score for Paul Thomas Anderson’s 2007 period drama There Will Be Blood . How does Greenwood’s music seem to get so deeply inside your head? What lines can be drawn between it and his work for Radiohead? And, is either of us even close to getting the Daniel Plainview voice right?…

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#59 – The Day the Earth Stood Still 1:34:26

منذ 2 years1:34:26

1:34:26

This time Jon and Andy land their spaceship in the middle of Bernard Herrmann’s score for the 1951 sci-fi classic The Day the Earth Stood Still ! How strongly was Herrmann committed to musical otherness? What peculiar instrumentation did he use to achieve unearthly sounds? And, have we finally cracked Gort's secret alien robot code?…

1
#58 – 2023 Oscars Special 2:40:20

منذ 2 years2:40:20

2:40:20

Join Jon and Andy as they sneak back into the Dolby Theater to discuss this year's nominees for Best Original Score! Could this be our least impressive slate of contenders yet? What does it mean for music to really speak to the human heart? And, will we succeed in our attempt to keep the episode short? (No.)…

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#57 – In the Heat of the Night 1:18:57

منذ 2 years1:18:57

1:18:57

They call this an episode about Quincy Jones’ score for the 1967 social drama mystery In the Heat of the Night ! How amazingly broad is the scope of Jones’ expertise? What effect does it have on the movie that his music feels so good? And, what would YOU say to Rod Steiger?

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#56 – Scott of the Antarctic 1:41:37

منذ 2 years1:41:37

1:41:37

Get ready for a long haul, as Jon and Andy set out across Ralph Vaughan Williams' score for the 1948 historical adventure film Scott of the Antarctic. What was unusual about the relationship between this movie and its celebrated classical composer? What techniques did he use to depict snow, ice, and struggle? And, are criticisms not made worse / when written in a rhyming verse?…

1
#55 – Conan the Barbarian 1:31:16

منذ 3 years1:31:16

1:31:16

Crush your enemies, see them driven before you, and hear Jon and Andy discuss Basil Poledouris’ score for the 1982 fantasy adventure movie Conan the Barbarian . From what classical references does Poledouris draw, and what very non-classical things might have drawn from him? What’s a quick way to make your music sound archaic? And, waiter, what’s this in my soup?…

1
#54 – The Incredibles 1:25:54

منذ 3 years1:25:54

1:25:54

Jon and Andy catch each other monologuing about Michael Giacchino’s score for the 2004 Pixar superhero movie The Incredibles ! How did Giacchino become one of Hollywood’s go-to composers? What cultural influences wind up shaken and stirred into his music? And, how big of a dork was Jon when he had a chance to ask Giacchino a question?…

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