#42 – Back to the Future

Settling the Score

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Andrianna Natsoulas: Don't Cage Our Oceans 40:50

منذ 3 أيام40:50

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40:50

“That's taxpayer’s money that is going to support research and development and pilot projects to develop a food system that is based on environmental destruction and greed and disregard for animals, fish, and any of the other marine mammals that might be around it.” - Andrianna Natsoulas Andrianna Natsoulas is the campaign director for Don't Cage Our Oceans, an organization that exists to keep our oceans free from industrial fish farms. Offshore finfish farming is the mass cultivation of finfish in marine waters, in underwater or floating net pens, pods, and cages. Offshore finfish farms are factory farms that harm public health, the environment, and local communities and economies that rely on the ocean and its resources. Don’t Cage Our Oceans are a coalition of diverse organizations working together to stop the development of offshore finfish farming in the United States through federal law, policies, and coalition building. And, although it is not yet happening, right now the US Administration and Congress are promoting this kind of farming, which would be nothing short of disastrous for the oceans, the planet and the people and animals who live here. dontcageouroceans.org…

منذ 4 أعوام 1:31:39

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It’s about time! Jon and Andy finally get around to Alan Silvestri’s score for the hit 1985 sci-fi comedy adventure Back to the Future. What does its main theme have in common with some other memorable movie melodies? How does a film’s score have to breathe with its editing? And, where we’re going, do we need roads?

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Settling the Score

#42 – Back to the Future

Settling the Score

84 subscribers

published منذ 4 أعوام

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#Theater #Cinema #Arts #Science #Music #Settling The Score #Amp; Andy

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Settling the Score

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#68 – 2025 Oscars Special 2:42:29

منذ 1 day2:42:29

2:42:29

It’s back to the Oscars stage for Jon and Andy, to talk about this year’s nominees for Best Original Score, and it’s back to some age old questions: Do we want our music made out of notes or blobs? Does reading up about these scores get in the way of our curmudgeonly opinions? And, how much music should a musical's music music?…

Settling the Score

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#67 – The Graduate 1:45:11

منذ 19 يومًا1:45:11

1:45:11

Are you here for an affair? Ah yes, an episode of Settling the Score, very good sir - this one's about Simon and Garfunkel’s song score to Mike Nichol’s classic 1967 satire The Graduate . How was this movie pioneering in its use of music? Do these famous songs engender sympathy or skepticism for the characters, or both? And, it's okay to ask: do these lyrics actually mean anything?…

Settling the Score

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#66 – The Empire Strikes Back 2:26:19

منذ 21 weeks2:26:19

2:26:19

“I love this score.” “I know.” Jon and Andy search their feelings about John Williams’ score for the 1980 hit sci-fi fantasy sequel The Empire Strikes Back . How important has this score been to our hosts? How does its mastery show itself on different scales? And, what are the odds of successfully navigating this show’s longest episode ever?…

Settling the Score

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#65 – Double Indemnity 1:26:59

منذ 38 weeks1:26:59

1:26:59

Jon and Andy go straight down the line through Miklós Rózsa's score for the 1944 film noir classic Double Indemnity . Which elements of this music sound like noir, and which don’t? Why do we enjoy stories about bad people? And, where’s a good spot in L.A. to sneak into if you want to hear some Schubert?…

Settling the Score

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#64 – 2024 Oscars Special 2:51:12

منذ 51 weeks2:51:12

2:51:12

It’s time again for Jon and Andy to strip away the phony tinsel of Hollywood and find the real tinsel underneath, as they consider this year’s Oscar nominees for Best Original Score. Is it possible that our hosts are feeling less cranky this year? What are some different ideas these movies have for using music to fill time? And, did you notice that this episode is still shorter than two of these five nominated films?…

Settling the Score

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#63 – The Conversation 1:28:39

منذ 1 year1:28:39

1:28:39

Come and eavesdrop on Jon and Andy discussing David Shire’s score for the 1974 surveillance mystery drama The Conversation . What does Shire's solo piano music express about the main character? How are the themes of the movie embodied in its world of sound? And, will Fred Flintstone be a good father?…

Settling the Score

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#62 – Name The Score! 2 2:03:06

منذ 1 year2:03:06

2:03:06

Surprise! It’s time for a break from the bucket: Jon and Andy look back at all the scores they’ve talked about since the end of the AFI list, and Andy puzzles Jon with another needle-drop quiz. Can Jon remember all this music? Can you remember it better than Jon? And, like, what have our hosts even been talking about this whole time?…

Settling the Score

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#61 – How to Train Your Dragon 1:59:53

منذ 1 year1:59:53

1:59:53

This time Jon and Andy train their attention on John Powell’s score for the 2010 animated fantasy adventure How to Train Your Dragon. Just how many themes does this score have? Might their meanings change with repeat viewings? And, what rhythmic pattern will Jon finally let Andy talk about?

Settling the Score

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#60 – There Will Be Blood 1:53:24

منذ 1 year1:53:24

1:53:24

In this episode Jon and Andy drink up Jonny Greenwood’s score for Paul Thomas Anderson’s 2007 period drama There Will Be Blood . How does Greenwood’s music seem to get so deeply inside your head? What lines can be drawn between it and his work for Radiohead? And, is either of us even close to getting the Daniel Plainview voice right?…

Settling the Score

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#59 – The Day the Earth Stood Still 1:34:26

منذ 2 years1:34:26

1:34:26

This time Jon and Andy land their spaceship in the middle of Bernard Herrmann’s score for the 1951 sci-fi classic The Day the Earth Stood Still ! How strongly was Herrmann committed to musical otherness? What peculiar instrumentation did he use to achieve unearthly sounds? And, have we finally cracked Gort's secret alien robot code?…

Settling the Score

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#58 – 2023 Oscars Special 2:40:20

منذ 2 years2:40:20

2:40:20

Join Jon and Andy as they sneak back into the Dolby Theater to discuss this year's nominees for Best Original Score! Could this be our least impressive slate of contenders yet? What does it mean for music to really speak to the human heart? And, will we succeed in our attempt to keep the episode short? (No.)…

Settling the Score

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#57 – In the Heat of the Night 1:18:57

منذ 2 years1:18:57

1:18:57

They call this an episode about Quincy Jones’ score for the 1967 social drama mystery In the Heat of the Night ! How amazingly broad is the scope of Jones’ expertise? What effect does it have on the movie that his music feels so good? And, what would YOU say to Rod Steiger?

Settling the Score

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#56 – Scott of the Antarctic 1:41:37

منذ 2 years1:41:37

1:41:37

Get ready for a long haul, as Jon and Andy set out across Ralph Vaughan Williams' score for the 1948 historical adventure film Scott of the Antarctic. What was unusual about the relationship between this movie and its celebrated classical composer? What techniques did he use to depict snow, ice, and struggle? And, are criticisms not made worse / when written in a rhyming verse?…

Settling the Score

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#55 – Conan the Barbarian 1:31:16

منذ 3 years1:31:16

1:31:16

Crush your enemies, see them driven before you, and hear Jon and Andy discuss Basil Poledouris’ score for the 1982 fantasy adventure movie Conan the Barbarian . From what classical references does Poledouris draw, and what very non-classical things might have drawn from him? What’s a quick way to make your music sound archaic? And, waiter, what’s this in my soup?…

Settling the Score

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#54 – The Incredibles 1:25:54

منذ 3 years1:25:54

1:25:54

Jon and Andy catch each other monologuing about Michael Giacchino’s score for the 2004 Pixar superhero movie The Incredibles ! How did Giacchino become one of Hollywood’s go-to composers? What cultural influences wind up shaken and stirred into his music? And, how big of a dork was Jon when he had a chance to ask Giacchino a question?…

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