Rock snobbery, the seven wives of Gregg Allman & the greatest solo on a pop record

Word In Your Ear

This week’s theories, rants, ruminations, recollections, weak gags and free and frank exchanges of view alight upon the following …

… is pop music now all about identity?

…. the recording of the Animals’ House of the Rising Sun and other apocryphal tales.

… has any act been as ubiquitous since Frankie Goes to Hollywood in 1984?

… or has anyone inspired a greater level of personal devotion than Taylor Swift?

… Peter Green, a shotgun and his accountant.

… books bought but never read.

.. re-reading Nick Hornby’s High Fidelity and the changing benchmarks for good and bad musical taste.

… intriguing parallels between the book and record industries.

… and Neil Tennant braves the digital lynch-mob.

Plus Adam Clayton’s garden, Konstantin Chernenko, Richard Burton, Rebel Wilson, Dark Academia, creepy weepies and birthday guest John Montagna looks at singles by the same act that are ‘descendants’ – ie pretty much identical – eg the Monkees’ Teardrop City and Last Train To Clarksville, the Kinks’ You Really Got Me and All Day And All of the Night and Mark Knopfler’s Cannibals and Walk Of Life. Or just try the first few seconds of these four by the Inkspots – Maybe, I Don’t Want To Set The World On Fire, If I Didn’t Care and Whispering Grass.

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