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المحتوى المقدم من The City Club of Cleveland. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة The City Club of Cleveland أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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Power and Artistry: A Conversation with Jazz Legend Terence Blanchard

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Manage episode 419978873 series 2018336
المحتوى المقدم من The City Club of Cleveland. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة The City Club of Cleveland أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
Few musicians tower like Terence Blanchard. The eight-time Grammy winner has been recording for more than four decades, and though his early work recalls the legacy of midcentury greats, for years now, Blanchard has been remaking and reshaping the genre, turning it into a force to give voice to social change. A trumpeter, pianist, composer, Blanchard has pushed the genre and his own artistry beyond jazz to opera and film scores.\r\n\r\nBlanchard began playing in his teenage years with the Lionel Hampton Orchestra. By the 1980s, he was playing with Art Blakley\'s Jazz Messengers. In the 90s, he began performing solo and working with filmmaker Spike Lee, a collaboration that would include films from Do the Right Thing to BlacKKKlansman. During the same period of time, he began to work in opera, turning Charles Blow\'s 2014 memoir Fire Shut Up in My Bones into an opera for the Metropolitan Opera\'s 2021-2022 season, marking the first time a project from an African-American composer was presented from the Met\'s world-renowned stage.\r\n\r\nBlanchard is in Cleveland for an appearance with The Cleveland Orchestra\'s Mandel Opera and Humanities Festival, where he will perform the music of Wayne Shorter. Before he does, he\'ll join moderator Jeff Johnson on our stage for a conversation about power and his own artistry and what it means to use music to address social challenges.
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iconمشاركة
 
Manage episode 419978873 series 2018336
المحتوى المقدم من The City Club of Cleveland. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة The City Club of Cleveland أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
Few musicians tower like Terence Blanchard. The eight-time Grammy winner has been recording for more than four decades, and though his early work recalls the legacy of midcentury greats, for years now, Blanchard has been remaking and reshaping the genre, turning it into a force to give voice to social change. A trumpeter, pianist, composer, Blanchard has pushed the genre and his own artistry beyond jazz to opera and film scores.\r\n\r\nBlanchard began playing in his teenage years with the Lionel Hampton Orchestra. By the 1980s, he was playing with Art Blakley\'s Jazz Messengers. In the 90s, he began performing solo and working with filmmaker Spike Lee, a collaboration that would include films from Do the Right Thing to BlacKKKlansman. During the same period of time, he began to work in opera, turning Charles Blow\'s 2014 memoir Fire Shut Up in My Bones into an opera for the Metropolitan Opera\'s 2021-2022 season, marking the first time a project from an African-American composer was presented from the Met\'s world-renowned stage.\r\n\r\nBlanchard is in Cleveland for an appearance with The Cleveland Orchestra\'s Mandel Opera and Humanities Festival, where he will perform the music of Wayne Shorter. Before he does, he\'ll join moderator Jeff Johnson on our stage for a conversation about power and his own artistry and what it means to use music to address social challenges.
  continue reading

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