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When Masters Became Tragic Heroes
Manage episode 311509887 series 3133828
المحتوى المقدم من Research English At Durham. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Research English At Durham أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
In 1592 the face of theatre changed forever. From the death of Julius Caesar and its wide political ramifications, to the love between Antony and Cleopatra played out on an epic scale, tragic drama had traditionally been associated with the lives of noble characters drawn from a ruling elite. But the anonymous play The Tragedy of Master Arden of Faversham enabled playwrights to conceive of the stage as the setting for more intimate, family dramas. Iman Sheeha, of the University of Warwick, treads the boards of the new domestic tragedies around the turn of the sixteenth century.
This talk was recorded as part of the series Late Summer Lectures in 2017, organised by the Department of English Studies at Durham University.
Visit http://readdurhamenglish.wordpress.com/podcasts to find out more.
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