Artwork

Player FM - Internet Radio Done Right
Checked 2d ago
تمت الإضافة منذ قبل three أعوام
المحتوى المقدم من Mia Funk, Creative Thinkers, Spiritual Leaders, and Bioethicists · Creative Process Original Series. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Mia Funk, Creative Thinkers, Spiritual Leaders, and Bioethicists · Creative Process Original Series أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
Player FM - تطبيق بودكاست
انتقل إلى وضع عدم الاتصال باستخدام تطبيق Player FM !
icon Daily Deals

Are We Witnessing the Decline of the American Empire? RICHARD D. WOLFF - Highlights

11:54
 
مشاركة
 

Manage episode 463376098 series 3334572
المحتوى المقدم من Mia Funk, Creative Thinkers, Spiritual Leaders, and Bioethicists · Creative Process Original Series. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Mia Funk, Creative Thinkers, Spiritual Leaders, and Bioethicists · Creative Process Original Series أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

"Hegel taught me that things can be true and false at the same time. In fact, to expect that, and therefore to understand something, you have to know the boundaries that separate it from what it isn’t. What it isn’t is part of understanding what it is. When you have that in your mind, then when you want to understand capitalism, you have to understand what separates it from everything else. The minute you have that, you have an 'else.' Now you can compare. That is what human beings do. When you see a cat and a dog, your brain begins to organize that these are different. Out of that might come a notion: I really like cats, or I really don’t care much for dogs, or vice versa. That is all bingo."

Richard D. Wolff is the co-founder of Democracy at Work and host of their nationally syndicated show Economic Update. He was formerly professor of economics at the University of Massachusetts Amherst, Yale University, the City College of the City University of New York, and the University of Paris Sorbonne. Currently, Wolfe is a visiting professor in the Graduate Program in International Affairs of the New School University in New York City.

Episode Website

www.creativeprocess.info/pod

Instagram:@creativeprocesspodcast

  continue reading

300 حلقات

Artwork
iconمشاركة
 
Manage episode 463376098 series 3334572
المحتوى المقدم من Mia Funk, Creative Thinkers, Spiritual Leaders, and Bioethicists · Creative Process Original Series. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Mia Funk, Creative Thinkers, Spiritual Leaders, and Bioethicists · Creative Process Original Series أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

"Hegel taught me that things can be true and false at the same time. In fact, to expect that, and therefore to understand something, you have to know the boundaries that separate it from what it isn’t. What it isn’t is part of understanding what it is. When you have that in your mind, then when you want to understand capitalism, you have to understand what separates it from everything else. The minute you have that, you have an 'else.' Now you can compare. That is what human beings do. When you see a cat and a dog, your brain begins to organize that these are different. Out of that might come a notion: I really like cats, or I really don’t care much for dogs, or vice versa. That is all bingo."

Richard D. Wolff is the co-founder of Democracy at Work and host of their nationally syndicated show Economic Update. He was formerly professor of economics at the University of Massachusetts Amherst, Yale University, the City College of the City University of New York, and the University of Paris Sorbonne. Currently, Wolfe is a visiting professor in the Graduate Program in International Affairs of the New School University in New York City.

Episode Website

www.creativeprocess.info/pod

Instagram:@creativeprocesspodcast

  continue reading

300 حلقات

كل الحلقات

×
 
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with M. E. O’Brien and Eman Abdelhadi about their dazzling and challenging book , Everything for Everyone: An Oral History of the New York Commune, 2052 to 2072 . They imagine a world haunted by genocide, ecocide, disease, fascism, and viral capitalism, but rather than writing a dystopian novel, O’Brien and Abdelhadi create a complex mosaic of oral histories, in which they each play the part of interviewer. The result is a story that far exceeds New York, and the twenty years noted in the title. The histories cover generations across the globe, and reach into the deep sources of trauma, and the kinds of mutual care we will need to not only survive, but also to thrive in these frightening times. Eman Abdelhadi is an academic, organizer and writer based in Chicago. She is co-author of "Everything for Everyone: An Oral History of the New York Commune, 2052-2072," a revolutionary sci-fi novel published in 2022 with Common Notions Press. She is an assistant professor and sociologist at the University of Chicago, where she researches American Muslim communities, and she is a columnist at In These Times magazine where she writes on the Palestine Liberation movement and American politics. Eman organizes with the Salon Kawakib collective, Faculty and Staff for Justice in Palestine at the University of Chicago, Scholars for Social Justice, and other formations. M. E. O’Brien writes and speaks on gender freedom and capitalism. She has written two books: Family Abolition: Capitalism and the Communizing of Care (Pluto Press, 2023) and a co-authored speculative novel, Everything for Everyone: An Oral History of the New York Commune, 2052–2072 (Common Notions, 2022). She is a member of the editorial collective of Pinko , a magazine of gay communism. Her work on family abolition has been translated into Chinese, German, Greek, French, Spanish, Catalan, and Turkish. Previously, she coordinated the New York City Trans Oral History Project, and worked in HIV and AIDS activism and services. She completed a PhD at NYU, where she wrote on how capitalism shaped New York City LGBTQ social movements. She currently works a psychotherapist in private practice and is a psychoanalyst in formation. www.palumbo-liu.com https://speakingoutofplace.com Bluesky @ palumboliu.bsky.social Instagram @ speaking_out_of_place…
 
“I like young people to know that they're extremely powerful. So I'm one person, but I think I always had this positive idea about my role. You cannot let anyone tell you what limitations are there, so you shouldn't feel limited by anyone telling you this is as far as you can go, or this is what you can do. I think only you know about that, and I think you start step by step. When I did the first case, I learned some things. Then was the next case. When the time to learn comes, learn with all your might because that's gold. It's a moment in life when you have the time to actually do that. Get informed. People who are into Googling everything should open up their searches, go out there, and learn in a different way. Don't hold back. I guess the book was about giving hope because I realized how much we could do together. If a person can manage to argue and make a major impact in the way we are understanding treaties in human rights or other things, imagine what could be if every single person is in their own place in some field, with that alertness and synced in the same way. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. And that means all of us. We all have a role. To the young people, I would say you have the right to joy, and you have the right to be happy. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.” Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers’ in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers’ Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature’ case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future . Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Aziz R ana about his brilliant and bracing article recently published in New Left Review, “Constitutional Collapse.” They talk about how the Trump administration and its enablers are shredding a liberal “compact” which was established in in the 1930s through the Sixties and extending an imperial presidency abroad to an authoritarian one domestically. They discuss the current constitutional crisis, but also the need for, and manifestations of, a politics which is at once a genuine membership organization and social community. As Aziz Rana powerfully argues, “its aim should be to transform the world people organically experience.” This is exactly the analysis and message so many of us need in these dark times. “In the US, we have this idea that exists as a kind of popular cultural sense . The country has basically had the same constitution—a document ratified in the 1780s, and it has really been in effect since then. However, one of the things that's distinctive about the US Constitution is that it is perhaps the hardest in the world to formally amend. It is incredibly difficult to change the actual terms of the text, even during times when we've had pretty profound changes to the language. Here, we can think about the Reconstruction period with the passage of the 13th, 14th, and 15th amendments.” www.palumbo-liu.com https://speakingoutofplace.com Bluesky @ palumboliu.bsky.social Instagram @ speaking_out_of_place…
 
“ It's a really dangerous time we're living through, and I do think that when we talk about these progressive policies, a huge problem in the US is that we still have a lot of stigma left over from the Cold War that keeps us from really great ideas because they're branded as socialist or communist. And I’ve seen, in the time I've been a journalist for the past 15 years, how that stigma has slowly faded. And you see that younger people are more and more interested in these ideas, whether or not they're considered socialist.” Natasha Hakimi Zapata is an award-winning journalist, translator, and university lecturer based in Europe. She is the author of Another World Is Possible: Lessons for America From Around the Globe . Her articles appear regularly in The Nation , In These Times , and the Los Angeles Review of Books . She is the former foreign editor of Truthdig and has received several Southern California Journalism and National Arts & Entertainment Journalism awards, most recently in 2024 for her work as a foreign correspondent. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu talks with Lindsay Weinberg and Robert Ovetz about the use of Artificial Intelligence in higher education. Under the guise of “personalizing” education and increasing efficiency, universities are increasingly sold on AI as a cure to their financial ills as public funds dry up and college applications drop. Rather than maintain that education is an essential public good that needs broad support, universities are looking to technology in ways that are changing the nature of education in dangerous and destructive ways. As Lindsay writes in the book, Smart University: “Higher education is becoming increasingly synonymous with digital surveillance in the United States. Advanced network infrastructure, internet- connected devices and sensors, radio frequency identification (RFID), data analytics, and artificial intelligence (AI) are being celebrated as a means of ushering in the age of “smart universities,” one where institutions canrun their services more efficiently and strengthen the quality of higher education using digital tools. However, as this book demonstrates, these tools have a darker side. They allow public universities to respond to and perpetuate corporate logics of austerity, use student data to reduce risk of financial investment in the face of dwindling public resources, and track student behavior to encourage compliance with institutional metrics of success. Surveillance of student behavior forms the foundation of the smart university, often in ways that prove harmful to students— particularly those who are already marginalized within the academy. They talk about these issues and attach them to critical issues of labor—everything from the outsourcing of the most dangerous work to laborers in the Global South, to the way university workers at all levels are subordinated to the logic that drives AI. They end with a discussion of what we can and should do about it. Dr. Lindsay Weinberg is a clinical associate professor in the Honors College at Purdue University, and the Director of the Tech Justice Lab. Her research and teaching are at the intersection of science and technology studies, media studies, and feminist studies, with an emphasis on the social and ethical impacts of digital technology. She is interested in the constitutive role that history and unequal power relations play in shaping the design, Robert Ovetz , Ph.D. is a Senior Lecturer in Political Science and teaches non-profit management and labor relations in the Master of Public Administration program at San José State University. He is the author and editor of four books, including We the Elites (Pluto, 2022), and the forthcoming Rebels for the System: NGOs and Capitalism (2025 Haymarket Press). www.palumbo-liu.com https://speakingoutofplace.com Bluesky @ palumboliu.bsky.social Insta @ speaking_out_of_place…
 
What happens when the state, with the pretext of protecting public safety, can detain indefinitely certain individuals whose dreams seem to indicate they may be capable of committing a crime? Set in a precarious world where sleep-enhancing devices and algorithms provide the tools and formulae for making one’s unconscious a witness to one’s possible waking life, this novel touches on a myriad of political, philosophical, and moral concerns as they particularly connect to issues of gender, race, ethnicity, privacy, and the security state. In this episode of Speaking Out of Place podcast Professor David Palumbo-Liu talks with award-winning novelist Laila Lalami about her new novel, The Dream Hotel. Laila Lalami is the author of five books, including The Moor’s Account , which won the American Book Award, the Arab-American Book Award, and the Hurston / Wright Legacy Award. It was on the longlist for the Booker Prize and was a finalist for the Pulitzer Prize in Fiction. Her most recent novel, The Other Americans , was a national bestseller, won the Joyce Carol Oates Prize, and was a finalist for the National Book Award in Fiction. Her books have been translated into twenty languages. Her essays have appeared in the Los Angeles Times , the Washington Post , The Nation , Harper’s , the Guardian , and the New York Times . She has been awarded fellowships from the British Council, the Fulbright Program, the Guggenheim Foundation, and the Radcliffe Institute at Harvard University. She lives in Los Angeles. www.palumbo-li u.com https://speakingoutofplace.com Bluesky @ palumboliu.bsky.social Instagram @ speaking_out_of_place Episode Website Photo credit: Beowulf Sheehan…
 
“I'm hopeful for revolution. I'm optimistic. I want radical change. I think there's such a disinterest in education in America that it is sickening. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?” Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub , Guernica , Esquire , The Atlantic , EBONY , and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
We are working in the lab to understand this moment in development, which is called phylotypic. This is something that has been known for over a hundred years. When you see many vertebrate embryos at this early embryonic time point, all embryos look very, very similar. We are extrapolating these ideas to the brain. We have seen that at this time point, the phylotypic period, all brains of these species are very simple but very closely related. We share the same features with a fish or with a gecko or with any other mammalian species at this early time point. We have the same brain with the same genes active and the same cell types involved in it. Dr. Fernando García-Moreno is a neuroscientist whose work explores the deep evolutionary roots of the brain—and what they reveal about identity, complexity, and even the future of technology. From the thalamus to the phylotypic brain, his research uncovers how our most fundamental brain structures co-evolve—and how they shape, and limit, the way we think. As we navigate an age shaped by AI and rapid innovation, Fernando brings a powerful lens: one that reminds us where we come from—and what evolution may still be writing into our futures. He is an Ikerbasque Research Associate at the Achucarro Basque Centre for Neuroscience. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
“One of the biggest symbols of America is Mount Rushmore. This monument, right? But I think most people fail to realize where it's located and why it's located there. Even more importantly, who did it? It's on a sacred Native American mountain, a place that was central to their creation stories. But then you think about who did it, and it was a Klansman. The guy who sculpted Mount Rushmore was a Klansman. People were like, "Wait, really?" Like, how is that a thing? But it seeps into our understanding and our embrace of white supremacy. This whole notion of us using Mount Rushmore as a metric of excellence is really sad. We are honoring slave owners and people who viciously killed natives, and those who pillage other lands in the name of capitalism. That's what America is, I guess. I think there's such a disinterest in education in America that it is sickening. We can't even agree on facts. It's up to states' rights to decide. Really? States can say that this is true in one state, but it's not true in another? Although these states are united, it's very bizarre. I'm hopeful for revolution. I'm optimistic. I want radical change. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?” Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub , Guernica , Esquire , The Atlantic , EBONY , and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists. David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating. Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward’s words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘ Cloud Nine ’ when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That’s another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.” Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue . She has delivered memorable performances in Desperate Housewives , Monk , Law & Order: SVU , Criminal Minds , Shameless, and Queen Sugar . On stage, she’s earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson’s Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret , Chicago , and Fiddler on the Roof . Her recent work includes the neo-Western series Joe Pickett , opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner . Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation , WeForShe , and Heal the Bay , and is a former Chair of the Women In Film Foundation. Episode Website www.creativepr ocess.info/pod Instagram @ sharonelawrence @creativeproces spodcast…
 
“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that. I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists. David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating. Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward’s words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘ Cloud Nine ’ when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That’s another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.” Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue . She has delivered memorable performances in Desperate Housewives , Monk , Law & Order: SVU , Criminal Minds , Shameless, and Queen Sugar . On stage, she’s earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson’s Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret , Chicago , and Fiddler on the Roof . Her recent work includes the neo-Western series Joe Pickett , opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner . Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation , WeForShe , and Heal the Bay , and is a former Chair of the Women In Film Foundation. Episode Website www.creativepr ocess.info/pod Instagram @ sharonelawrence @creativeproces spodcast…
 
“I think that it all goes back to childhood. I’ve always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start. I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.” Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me , Give Me Your Hand, and the New York Times bestseller The Turnout , the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times , the Guardian , the Paris Review and the Wall Street Journal . Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive , is available June 24, 2025. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
“I always say to young writers, you need to put your heart on the page. Don't worry about being like anyone else. I would say that foremost, in any of the arts, it is self-expression at its core. I don't buy rules or a set criteria or a static criteria. I don't believe in any of that. I think the most exciting talents are kind of inexplicable. You can't really understand why that art works. It just does, and that feels like it comes from a very pure place. I think that it all goes back to childhood. I’ve always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.” Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me , Give Me Your Hand, and the New York Times bestseller The Turnout , the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times , the Guardian , the Paris Review and the Wall Street Journal . Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive , is available June 24, 2025. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.” Eiren Caffall is a writer and musician . Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera , and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner’s Bestiary , the short film Becoming Ocean thatshe made with Scott Foley, and her novel All the Water in the World . Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.” Eiren Caffall is a writer and musician . Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera , and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner’s Bestiary , the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World . Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways. I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.” Hala Alyan is the author of the memoir I'll Tell You When I'm Home , the novels Salt Houses —winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists’ City , a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back . Her work has been published by The New Yorker , The Academy of American Poets, The New York Times , The Guardian , and Guernica . She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
How do our personal relationships affect political movements and activism? What can we learn from Native American tradition to restore ecological balance? How can transforming capitalism help address global inequality and the environmental crisis? DEAN SPADE (Author of Love in a F*cked-Up World: How to Build Relationships, Hook Up, and Raise Hell Together) shares his reflections on the importance of understanding common relational patterns within activist movements. He emphasizes the need for solidarity and collective action in response to global crises like the conflict in Gaza and ecological disasters. Spade argues for resilience and mutual support within activist communities as essential for sustained efforts toward systemic change. TIOKASIN GHOSTHORSE (Founder · Host · Exec. Director of First Voices Radio · Founder of Akantu Intelligence · Master Musician of the Ancient Lakota Flute) discusses the often-overlooked Native history and the Western historical domination that has shaped contemporary educational perspectives. He highlights the need for reconnection to Native perspectives and calls for an acknowledgment of the spiritual and cultural richness lost through historical and ongoing colonial practices. ALEXI HAWLEY (Showrunner · Writer · Creator of The Rookie · The Recruit) explores the complexities and challenges of depicting policing on television. Reflecting on the creation of his show "The Rookie" in the aftermath of Philando Castile's murder, Hawley discusses the show's evolution in addressing injustice in the justice system and the effort to portray an aspirational version of policing that acknowledges real-world issues. JERICHO BROWN (Pulitzer Prize-winning Poet · Director of Creative Writing Program · Emory University · Editor of How We Do It: Black Writers on Craft, Practice, and Skill ) delves into the complexities of being a Black writer, emphasizing the importance of embracing one's identity rather than trying to transcend it. He discusses how blackness enriches his craft and argues that the power of writing comes from its capacity to create new ways of seeing and understanding the world. PAUL SHRIVASTAVA (Co-President of THE CLUB OF ROME) analyzes the need for collaborative efforts across various sectors—businesses, governments, and individuals—to address global inequalities and environmental challenges. He underscores the imperative to reshape capitalist principles to reduce extreme inequalities and to foster a sustainable and equitable global system. To hear more from each guest, listen to their full interviews . Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
“I want to draw the similarities with alien life, and we have these questions. They're the same questions that we would be asking if we could get a sample from Europa or if we could get a sample from Mars. I think the parallels are partly in how we study them. They're teaching us how to look for strange life, but then they're also teaching us about what’s possible with life, and they're so close to the edge of what is and isn't life that it really helps us to sort of — I don’t know. I don’t know where to draw that line personally, but they at least show us that that line is maybe closer to non-life than we would have thought, than I would have thought.” Karen G. Lloyd is the Wrigley Chair in Environmental Studies and Professor of Earth Sciences at the University of Southern California. Her work has appeared in leading publications such as Nature and Science . She is the author of Intraterrestrials : Discovering the Strangest Life on Earth. Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast…
 
“It's really changed my view of what life is. So many of the things that we attribute to the trappings of life look like requirements, like oxygen and sunlight. All the things that humans would absolutely die without — they’re not really necessary for life. Studying these things sort of breaks down what is necessary; what are the things that life has to have?” Karen G. Lloyd is the Wrigley Chair in Environmental Studies and Professor of Earth Sciences at the University of Southern California. Her work has appeared in leading publications such as Nature and Science . She is the author of Intraterrestrials : Discovering the Strangest Life on Earth. Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast…
 
“I think income inequality really greatly contributes to the rage that people might feel, even as some Americans won't. What don't recognize that a more communal society might benefit them. What they see instead is, why don't I have what that person has? Something's getting in my way. And it's not a lack of, of community, it's: somebody else is keeping me down, you know? And that's, I think that's a theme that emerges in The God of the Woods. I think there's a certain thread in American history of, like, individualism at all costs. The Van Laars named their house Self-reliance, which is a testament to the idea that they, I think, falsely believe themselves to have, have created their own power, their own capital, their own wealth, and ignore the fact that it's really the labor of the working class community around them- that, and of the people of Albany who've invested their money in the Van Laars Bank - that that really contributed to the acquisition of this enormous wealth that they now have and this enormous power that they now have.” Liz Moore is the author of the New York Times bestselling novel Long Bright River , which was one of Barack Obama’s favorite books of the year, and has been made into a Peacock series starring Amanda Seyfried. Set against the opioid crisis and a string of mysterious murders, it’s a love story between two very different sisters and their path to recovery. Moore is winner of the 2014-2015 Rome Prize in Literature. Her other books include The God of the Woods , Heft , and The Unseen World. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
“ I've lived in Philadelphia for about 16 years. The book itself was inspired by my time spent in the Kensington neighborhood of Philadelphia interviewing a lot of the people that I met there, both longtime residents of the neighborhood and also people who were transient, a lot of people struggling with addiction and a lot of women doing sex work to fund their physical addiction to opioids. You find out about their past, their road into addiction, their aspirations, their fears. I began to lead free writing workshops at an organization named St. Francis Inn, which is a longstanding food service organization in the community. They had a women's day shelter where I taught. I was really able to connect with people within the community on a quite personal level and loved my experiences in Kensington. And I still go, I'm still quite close with a number of the community workers, people who run free healthcare clinics. All of it ultimately informed the writing of Long Bright River.” Liz Moore is the author of the New York Times bestselling novel Long Bright River , which was one of Barack Obama’s favorite books of the year, and has been made into a Peacock series starring Amanda Seyfried. Set against the opioid crisis and a string of mysterious murders, it’s a love story between two very different sisters and their path to recovery. Moore is winner of the 2014-2015 Rome Prize in Literature. Her other books include The God of the Woods , Heft , and The Unseen World. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
"The country spoke Irish largely before it spoke English. Grammatically, the structure of Irish is different from English. As Ireland adopted the English language, this sort of hybridization started to occur, where the English language was placed on top of Irish grammatical constructions. You get this slipperiness, this ability to move sentences, to place words in interesting places, and to use constructions that you just wouldn't find in England, for example. The thing about being an Irish writer is there isn't a reverence. There’s a sort of implicit freedom to use the language however we like. So long as you have mastery and command of the language, you can push it to the edges." Paul Lynch is the author of five novels. His most recent novel, Prophet Song , won the 2023 Booker Prize and the Dayton Literary Peace Peace Prize for Fiction, and other prizes. Prophet Song presents a dystopian vision of Ireland and a mother’s determination to protect her family as her country slides towards totalitarianism. The Booker Prize Jury said, “It’s a remarkable accomplishment for a novelist to capture the social and political anxieties of our moment so compellingly.“ In 2024, Lynch was elected to Aosdána, the Irish academy for the arts, honoring distinguished artists. He was the chief film critic of Ireland’s Sunday Tribune newspaper. His novels have been translated into 35 languages. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast Paul Lynch is the author of five novels. His most recent novel, Prophet Song , won the 2023 Booker Prize and the Dayton Literary Peace Peace Prize for Fiction, and other prizes. Prophet Song presents a dystopian vision of Ireland and a mother’s determination to protect her family as her country slides towards totalitarianism. The Booker Prize Jury said, “It’s a remarkable accomplishment for a novelist to capture the social and political anxieties of our moment so compellingly.“ In 2024, Lynch was elected to Aosdána, the Irish academy for the arts, honoring distinguished artists. He was the chief film critic of Ireland’s Sunday Tribune newspaper. His novels have been translated into 35 languages. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
“We narrate the story of our lives to ourselves. We narrate it in linear fashion. And I know many writers have played with time in all sorts of amazing ways, but we're storytellers. This is what we do. And if you give the brain a story, a prepackaged story, you're giving a cheesecake. That's what it wants. That's why it loves stories. That's why our society is just built on stories. Politics is nothing but stories. Everything you do in the evenings – we sit down, we're watching Netflix – just stories. We consume them all the time. We are just machines for belief.” Paul Lynch is the author of five novels. His most recent novel, Prophet Song , won the 2023 Booker Prize and the Dayton Literary Peace Peace Prize for Fiction, and other prizes. Prophet Song presents a dystopian vision of Ireland and a mother’s determination to protect her family as her country slides towards totalitarianism. The Booker Prize Jury said, “It’s a remarkable accomplishment for a novelist to capture the social and political anxieties of our moment so compellingly.“ In 2024, Lynch was elected to Aosdána, the Irish academy for the arts, honoring distinguished artists. He was the chief film critic of Ireland’s Sunday Tribune newspaper. His novels have been translated into 35 languages. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
We are privileged to present the voices of individuals dedicated to effecting change and mitigating the harm inflicted upon our precious planet. These are individuals deeply committed to the core values that drive positive transformation. Thank you for tuning in to our episodes and for your ongoing dedication to stewarding our planet, not just on Earth Day but throughout the year. We can’t save the planet overnight, but by acting mindfully, we can create a better future. Let’s make Every Day, Earth Day! Composer MAX RICHTER on Nature's Sonic Landscape Founder of PETA INGRID NEWKIRK on the Shared Traits between Humans and Animals JULIAN LENNON (Musician and Founder of White Feather Foundation) on Balancing Our Relationship with Mother Earth BERTRAND PICCARD (Explorer, Aviator of 1st Round-the-World Solar-Powered Flight) discusses his adventures and how climate change will change our quality of life CARL SAFINA (Author and environmentalist) on the Miracle of Life on Earth NAN HAUSER (Whale Researcher, President, Center for Cetacean Research & Conservation) on How a Whale Saved her Life U.S. Poet Laureate ADA LIMÓN on Embracing Hope Amid Environmental Uncertainty Environmental Writer DAVID FARRIER on Evaluating Our Environmental Legacy Grammy & Emmy Award-winning Sound Engineer CYNTHIA DANIELS on The Role of Art and Compassion in Transforming Society Economist ODED GALOR on Education's Role in Addressing Climate Change President of EarthDay.ORG KATHLEEN ROGERS on Advocating for Global Environmental Education Lead Author of IPCC 6th Assessment Report JOELLE GERGIS on Learning from Historical Climate Data Fmr. Prime Minister’s Strategy Unit Director SIR GEOFF MULGAN on Imagining a Circular Future for Society Free Solo Climber of 200+ of the World’s Tallest Skyscrapers ALAIN ROBERT on The Consequences of Overproduction on the Planet Director of Climate Hazards Center, UC Santa Barbara CHRIS FUNK on Adapting to a Two-Degree World Environmental Writer DAVID FARRIER Stretching Time and Empathy for Future Generations Author of Finding the Mother Tree DR. SUZANNE SIMARD on Trees: Advanced Communicators of the Natural World “Most Influential Living Philosopher” PETER SINGER on the Ethical Imperative to Respect Animal Life Fmr. Exec. Director, Greenpeace Int'l, Special Envoy for Int'l Climate Action, German Foreign Ministry JENNIFER MORGAN on the Importance of Resilience in Advocacy To hear more from each guest, listen to their full interviews . Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
“I'm really interested in the relation between performance and ritual. Where do those two separate?” Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics , The Hidden Injuries of Class , The Fall of Public Man , The Corrosion of Character , The Culture of the New Capitalism , The Craftsman, and Building and Dwelling . Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University. “I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?” Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
“We look at creative work as though the very creative process itself is something good. These are tools of expression, and like any tool, you can use them to damage something or to make something. They can be turned to very malign purposes, for instance, in the operas of Wagner. So I wanted to do this set of books, I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?” Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics , The Hidden Injuries of Class , The Fall of Public Man , The Corrosion of Character , The Culture of the New Capitalism , The Craftsman, and Building and Dwelling . Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
“One of the things that hopefully my books illustrate is that everybody's mind is different. And one of the amazing things about the human experience–and indeed that manifests in terms of art and creativity–is that when we have such different minds, that is why all this creativity, all this art is possible.” Dr. Guy Leschziner is the author of The Nocturnal Brain , The Man Who Tasted Words , and other books. He is a consultant neurologist and a Professor of Neurology and Sleep Medicine at the Institute of Psychiatry, Psychology and Neuroscience, King's College London. He sees patients with a range of neurological and sleep disorders, and is actively involved in research and teaching. He has presented series on sleep and neurology for BBC World Service and Radio 4. His latest book is Seven Deadly Sins: The Biology of Being Human . Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
“ I'm fascinated by the extremes of the human experience, partly because it is so far removed from our own experience of life. In another way, when you look at people who have neurological disorders or diseases, these are really nature's experiments. They are ways of trying to understand how the brain works for all of us. By extrapolation from looking at these extremes, we can learn about the workings of our own brains. That's very much the case across all the areas of my work, whether it be sleep disorders, neurology, or epilepsy—how we regulate our emotions, how we move, how we experience the world. I never intended to be a storyteller; I intended to be a story listener, which is what we do daily in our clinics. Telling these stories generates empathy, creates understanding, and hopefully inspires the next generation to pursue careers as doctors, psychologists, and healthcare professionals, fostering a fascination with the brain similar to what Oliver Sacks did for me.” Dr. Guy Leschziner is the author of The Nocturnal Brain , The Man Who Tasted Words , and other books. He is a consultant neurologist and a Professor of Neurology and Sleep Medicine at the Institute of Psychiatry, Psychology and Neuroscience, King's College London. He sees patients with a range of neurological and sleep disorders, and is actively involved in research and teaching. He has presented series on sleep and neurology for BBC World Service and Radio 4. His latest book is Seven Deadly Sins: The Biology of Being Human . Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
“When I was working at the Times and the Times Magazine , on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it’s a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.” Adam Moss was the editor of New York magazine, The New York Times Magazine , and 7 Days . As editor of New York , he also oversaw the creation of five digital magazines: Vulture , The Cut , Daily Intelligencer , Grub Street , and The Strategist . During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine , the Book Review , and the Culture, and Style sections, as well as managing editor of Esquire . He was elected to the Magazine Editors’ Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
“So, post-activism is not ‘post-activism’ in the sense of being after activism. It is not supposed to be a through line to results or resolutions or solutions.” Dr. Bayo Akomolafe is a philosopher, psychologist, writer, public intellectual, and the founder of the Emergence Network . His work, which he names post-activism, marks an earth-wide effort to sensitize bodies towards new response-abilities and other places of power – a project framed within a material feminist/post-humanist/post-activist ethos and inspired by Yoruba indigenous cosmologies. He is the author of These Wilds Beyond Our Fences: Letters to My Daughter on Humanity's Search for Home . “Post-activism is instead a noticing that the ways we care for ourselves and our causes and our worlds could actually be incarcerated. Another way to put that is to notice that care can often become carceral. I often suggest that we like to embrace things, but sometimes in the squeeze of embrace, it could quickly become asphyxiation, where we choke the air out of each other in trying to care for each other.” Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
 
Loading …

مرحبًا بك في مشغل أف ام!

يقوم برنامج مشغل أف أم بمسح الويب للحصول على بودكاست عالية الجودة لتستمتع بها الآن. إنه أفضل تطبيق بودكاست ويعمل على أجهزة اندرويد والأيفون والويب. قم بالتسجيل لمزامنة الاشتراكات عبر الأجهزة.

 

icon Daily Deals
icon Daily Deals
icon Daily Deals

دليل مرجعي سريع

حقوق الطبع والنشر 2025 | سياسة الخصوصية | شروط الخدمة | | حقوق النشر
استمع إلى هذا العرض أثناء الاستكشاف
تشغيل