Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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المحتوى المقدم من Ozark Highlands Radio and Ozark Folk Center State Park. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Ozark Highlands Radio and Ozark Folk Center State Park أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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OHR Presents: Seamus Egan
MP3•منزل الحلقة
Manage episode 398497543 series 1086425
المحتوى المقدم من Ozark Highlands Radio and Ozark Folk Center State Park. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Ozark Highlands Radio and Ozark Folk Center State Park أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
This week, traditional Irish musician, songwriter and multi-instrumentalist Seamus Egan recorded live at Ozark Folk Center State Park. Also, an interview with Seamus. “It’s hard to think of an artist in traditional Irish music more influential than Seamus Egan. From his beginnings as a teen prodigy, to his groundbreaking solo work with Shanachie Records, to his founding of Irish-American powerhouse band Solas, to his current work as one of the leading composers and interpreters of the tradition, Egan has inspired multiple generations of musicians and helped define the sound of Irish music today. As a multi-instrumentalist, he’s put his mark on the sound of the Irish flute, tenor banjo, guitar, mandolin, tin whistle, and low whistle, among others. As a composer, he was behind the soundtrack for the award-winning film The Brothers McMullen, co-wrote Sarah McLachlan’s breakout hit, ‘Weep Not for the Memories,’ and has scored numerous documentaries and indie films since. As a bandleader, Solas has been the pre-eminent Irish-American band of their generation for the past 20 years, continuously renewing Irish music with fresh ideas, including a collaboration with Rhiannon Giddens on their 2015 album. As a performer, few others can make so many instruments or such wickedly complex ornaments seem so effortless.” - https://seamuseganproject.com/about Seamus is joined in this performance by Owen Marshall. “Vogue magazine calls musician Owen Marshall ‘A guitar/mandolin/banjo player rivaled in character only by the occasional three-pronged carrot’ (Vogue 2009). With the music traditions of Quebec and Nova Scotia just over the border from his home in Vermont and the strong Irish musical scene of Boston to the south, Owen was immersed in the various textures and sounds of the Celtic music from an early age. In addition to touring with acts such as The Press Gang, Copley Street, Haas, Marshall, Walsh, and dance band Riptide, Owen is in demand at music camps throughout New England and the U.S., where he shares his approach to accompanying traditional music.” - www.owenmarshallmusic.com In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark originals Bob & Melissa Atchison performing the traditional tune “Miss Miranda” from the Ozark Folk Center State Park archives. In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores shape note singing and the haunting “Abolitionists Hymn.”
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continue reading
240 حلقات
MP3•منزل الحلقة
Manage episode 398497543 series 1086425
المحتوى المقدم من Ozark Highlands Radio and Ozark Folk Center State Park. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Ozark Highlands Radio and Ozark Folk Center State Park أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
This week, traditional Irish musician, songwriter and multi-instrumentalist Seamus Egan recorded live at Ozark Folk Center State Park. Also, an interview with Seamus. “It’s hard to think of an artist in traditional Irish music more influential than Seamus Egan. From his beginnings as a teen prodigy, to his groundbreaking solo work with Shanachie Records, to his founding of Irish-American powerhouse band Solas, to his current work as one of the leading composers and interpreters of the tradition, Egan has inspired multiple generations of musicians and helped define the sound of Irish music today. As a multi-instrumentalist, he’s put his mark on the sound of the Irish flute, tenor banjo, guitar, mandolin, tin whistle, and low whistle, among others. As a composer, he was behind the soundtrack for the award-winning film The Brothers McMullen, co-wrote Sarah McLachlan’s breakout hit, ‘Weep Not for the Memories,’ and has scored numerous documentaries and indie films since. As a bandleader, Solas has been the pre-eminent Irish-American band of their generation for the past 20 years, continuously renewing Irish music with fresh ideas, including a collaboration with Rhiannon Giddens on their 2015 album. As a performer, few others can make so many instruments or such wickedly complex ornaments seem so effortless.” - https://seamuseganproject.com/about Seamus is joined in this performance by Owen Marshall. “Vogue magazine calls musician Owen Marshall ‘A guitar/mandolin/banjo player rivaled in character only by the occasional three-pronged carrot’ (Vogue 2009). With the music traditions of Quebec and Nova Scotia just over the border from his home in Vermont and the strong Irish musical scene of Boston to the south, Owen was immersed in the various textures and sounds of the Celtic music from an early age. In addition to touring with acts such as The Press Gang, Copley Street, Haas, Marshall, Walsh, and dance band Riptide, Owen is in demand at music camps throughout New England and the U.S., where he shares his approach to accompanying traditional music.” - www.owenmarshallmusic.com In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark originals Bob & Melissa Atchison performing the traditional tune “Miss Miranda” from the Ozark Folk Center State Park archives. In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores shape note singing and the haunting “Abolitionists Hymn.”
…
continue reading
240 حلقات
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يقوم برنامج مشغل أف أم بمسح الويب للحصول على بودكاست عالية الجودة لتستمتع بها الآن. إنه أفضل تطبيق بودكاست ويعمل على أجهزة اندرويد والأيفون والويب. قم بالتسجيل لمزامنة الاشتراكات عبر الأجهزة.