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المحتوى المقدم من Marshall Poe. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Marshall Poe أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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Vanessa Kelly, "Murder in Highbury" (Kensington, 2024)

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Manage episode 446126757 series 2421496
المحتوى المقدم من Marshall Poe. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Marshall Poe أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

For a woman who published only four novels during her lifetime, with two others appearing shortly after her death and several incomplete or shorter works released into print much later, Jane Austen has had an astonishing and enduring legacy, with spinoffs, sequels, prequels, and remakes galore. Vanessa Kelly’s Murder in Highbury (Kensington Books, 2024), the first in a murder mystery series based on Austen’s Emma, offers one particularly appealing example.

As happens in the best of these adaptations, Kelly’s Emma Woodhouse—now Emma Knightley—shares basic personality traits with her original conception but is not constrained by them. Stumbling into an impossible-to-predict encounter with a dead body in the chancel of the local church, Emma keeps her head even as her companion, Harriet Martin, seems ready to faint at the horrible sight. Emma confirms the victim’s death, settles her friend down, then sends her off to find the local doctor/coroner and George Knightly, Emma’s husband and the local magistrate. Emma herself waits behind in the church in case the vicar should pop in and discover his wife lying on the floor with bruises around her neck and her head bashed in. Hearing a noise, she goes to investigate (chiding herself for impetuousness), and even before her husband arrives, she has discovered evidence of murder.

But whodunnit? The residents of Highbury, not to mention the victim and her relatives, display the usual array of problems, lies, misdirections, and motives. The whole is handled with a light touch and a regard for Regency language and deportment, as well as for Austen’s original, that make it a delightful read.

Vanessa Kelly, a bestselling author of historical mystery and historical romance, has also written contemporary romance and romantic suspense novels with her husband under the pen name of V.K. Sykes. Murder in Highbury is her latest novel.

C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels. Her next book, Song of the Steadfast, is due in 2025.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

  continue reading

298 حلقات

Artwork
iconمشاركة
 
Manage episode 446126757 series 2421496
المحتوى المقدم من Marshall Poe. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Marshall Poe أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

For a woman who published only four novels during her lifetime, with two others appearing shortly after her death and several incomplete or shorter works released into print much later, Jane Austen has had an astonishing and enduring legacy, with spinoffs, sequels, prequels, and remakes galore. Vanessa Kelly’s Murder in Highbury (Kensington Books, 2024), the first in a murder mystery series based on Austen’s Emma, offers one particularly appealing example.

As happens in the best of these adaptations, Kelly’s Emma Woodhouse—now Emma Knightley—shares basic personality traits with her original conception but is not constrained by them. Stumbling into an impossible-to-predict encounter with a dead body in the chancel of the local church, Emma keeps her head even as her companion, Harriet Martin, seems ready to faint at the horrible sight. Emma confirms the victim’s death, settles her friend down, then sends her off to find the local doctor/coroner and George Knightly, Emma’s husband and the local magistrate. Emma herself waits behind in the church in case the vicar should pop in and discover his wife lying on the floor with bruises around her neck and her head bashed in. Hearing a noise, she goes to investigate (chiding herself for impetuousness), and even before her husband arrives, she has discovered evidence of murder.

But whodunnit? The residents of Highbury, not to mention the victim and her relatives, display the usual array of problems, lies, misdirections, and motives. The whole is handled with a light touch and a regard for Regency language and deportment, as well as for Austen’s original, that make it a delightful read.

Vanessa Kelly, a bestselling author of historical mystery and historical romance, has also written contemporary romance and romantic suspense novels with her husband under the pen name of V.K. Sykes. Murder in Highbury is her latest novel.

C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels. Her next book, Song of the Steadfast, is due in 2025.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

  continue reading

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