When a young Eva Kollisch arrives as a refugee in New York in 1940, she finds a community among socialists who share her values and idealism. She soon discovers ‘the cause’ isn’t as idyllic as it seems. Little does she know this is the beginning of a lifelong commitment to activism and her determination to create radical change in ways that include belonging, love and one's full self. In addition to Eva Kollisch’s memoirs Girl in Movement (2000) and The Ground Under My Feet (2014), LBI’s collections include an oral history interview with Eva conducted in 2014 and the papers of Eva’s mother, poet Margarete Kolllisch, which document Eva’s childhood experience on the Kindertransport. Learn more at www.lbi.org/kollisch . Exile is a production of the Leo Baeck Institute , New York | Berlin and Antica Productions . It’s narrated by Mandy Patinkin. Executive Producers include Katrina Onstad, Stuart Coxe, and Bernie Blum. Senior Producer is Debbie Pacheco. Associate Producers are Hailey Choi and Emily Morantz. Research and translation by Isabella Kempf. Sound design and audio mix by Philip Wilson, with help from Cameron McIver. Theme music by Oliver Wickham. Voice acting by Natalia Bushnik. Special thanks to the Kollisch family for the use of Eva’s two memoirs, “Girl in Movement” and “The Ground Under My Feet”, the Sophia Smith Collection at Smith College and their “Voices of Feminism Oral History Project”, and Soundtrack New York.…
Stefan Hutchinson's "Sam", Joe Blevins' theory on Doctor Loomis as the real bogeyman, projection, pranks, moments of darkness, and looking past the wall. ★ Support this podcast on Patreon ★
Stefan Hutchinson's "Sam", Joe Blevins' theory on Doctor Loomis as the real bogeyman, projection, pranks, moments of darkness, and looking past the wall. ★ Support this podcast on Patreon ★
how to fix #HalloweenKills and #HalloweenEnds by combining them... maybe; the enda prologue, the #thorncult, and making sense of corey. ★ Support this podcast on Patreon ★
Firefighters responding to no call, just going home, being Enda, characters lacking arcs or personality, dumb chants, and so much more wrong with #HalloweenKills. ★ Support this podcast on Patreon ★
End credits, one final IMDb goof, the Halloween II novelization, the nature of evil, and a part of Michael Myers we weren't supposed to see. ★ Support this podcast on Patreon ★
The film proper comes to an end, with looks back into the novelization, into Chaos Comics, into Michael's childhood and ancestry, and a look forward into Halloween II ★ Support this podcast on Patreon ★
Alan Sanders of The Wilder Ride is with me again as Michael falls, Loomis can't really see the lawn below, and Laurie magically knows that the boogeyman isn't really dead. ★ Support this podcast on Patreon ★
Alan Sanders of The Wilder Ride joins me (sort of) as Loomis arrives just in time to recognize and shoot Michael Myers. ★ Support this podcast on Patreon ★
Laurie sends the kids to the MacKenzies, 3 years later in Halloween 2 the dialogue is just slightly different, and outside Loomis' "evil radar" has failed him. ★ Support this podcast on Patreon ★
Michael's supressed sexuality, Loomis' madness, and the stupid mistakes that reviewers, writers, filmmakers, and fans make. ★ Support this podcast on Patreon ★
In the novelization, Laurie listens for the Shape's sounds downstairs; in the film, she gets the kids ready to make a run for it; and the bogeyman arrives to foil those plans. ★ Support this podcast on Patreon ★
Laurie is in her head in the novelization as she waits for Michael to strike. He strikes, she strikes back. He falls to the floor. ★ Support this podcast on Patreon ★
From flying geraniums to flightless astronauts, matching phones to mismatched houses, as a teenage girl's mind is broken when she realizes the phone doesn't work. ★ Support this podcast on Patreon ★
مرحبًا بك في مشغل أف ام!
يقوم برنامج مشغل أف أم بمسح الويب للحصول على بودكاست عالية الجودة لتستمتع بها الآن. إنه أفضل تطبيق بودكاست ويعمل على أجهزة اندرويد والأيفون والويب. قم بالتسجيل لمزامنة الاشتراكات عبر الأجهزة.