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المحتوى المقدم من MeFi Music. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة MeFi Music أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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Business Transformation Pitch with The CX Goalkeeper


1 #251: Fans favorite: Mastering the Art of Customer Experience: Insights from the CEO of the CXPA 29:41
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Greg Melia emphasizes that empathy and curiosity are the foundation of effective customer experience (CX). He believes that organizations must design systems proactively—through tools like journey mapping and predictive analytics—rather than relying solely on reactive fixes. Melia highlights the importance of understanding customer motivations and aligning internal operations to consistently deliver value across all touchpoints. He also stresses the need for cross-functional collaboration and leadership that models CX priorities. When hiring, Melia looks for individuals who demonstrate storytelling ability, problem-solving, and ownership—key traits for driving cultural transformation. His approach reinforces the idea that sustainable CX excellence requires intentional system design, emotionally intelligent talent, and unified leadership around customer-centric goals. About Greg Melia At the helm of CXPA, my focus revolves around championing the global customer experience profession through strategic communications and community building, honed over five transformative years in leadership. Our organization thrives on CX certification, publications, and community that empower customer experience professionals to excel. Resources Customer Experience Professional Association: https://www.cxpa.org/home https://www.cxpa.org/home Please, hit the follow button: Apple Podcast: http://cxgoalkeeper.com/apple Spotify: http://cxgoalkeeper.com/spotify We’d love to hear your thoughts — leave a comment and share your feedback! Follow Gregorio Uglioni on Linkedin: https://www.linkedin.com/in/gregorio-uglioni/ About Gregorio Uglioni: Transforming Business Into Value Generating Engines - Creating Long-Lasting Impact Leveraging Customer Experience - Host Of The Globally Recognized CX Goalkeeper Podcast “Customer Experience Goals” - Speaker at global events & at podcasts - Judge at International Awards - CX Lecturer for several institutions Listen to more podcasts on The Agile Brand network here: https://agilebrandguide.com/the-agile-brand-podcasts/…
MeFi Music
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Manage series 91358
المحتوى المقدم من MeFi Music. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة MeFi Music أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
The past 25 songs posted at MeFi Music as a podcast feed
…
continue reading
45 حلقات
وسم كل الحلقات كغير/(كـ)مشغلة
Manage series 91358
المحتوى المقدم من MeFi Music. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة MeFi Music أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
The past 25 songs posted at MeFi Music as a podcast feed
…
continue reading
45 حلقات
كل الحلقات
×Just fucking around a while back under the influence of Tequila. That first part is a bit of a Minutemen song. Be sure to check out my vid. I didn't really stick the landing but it doesn't suck. Cheers!
In honor of the Tour de France, which starts this weekend, here's a little techno track i made featuring samples from race commentators Phil Liggett and Bob Roll. Good workout music.
A song about a time when I felt incapacitated by my own anxiety, but like, make it fun, kinda. Lyrics: Defenseless Stripped of every habit that protects me Sexy If you like neurosis and fear of closeness Precocious Quick to fall apart thanks to a big headstart Red heart But what it pumps through me is Matte beige and unvivacious Afraid that I'm contagious Afraid to turn the pages And see what happens now But it'll happen anyhow Distracted Trapped in autopilot, blankly smiling Beguiling If you like 'em vacant-eyed and pacing Erasing Everything but that which found me hapless Cat piss Soaking all my idle time and I'm at Wit's end and feeling half-witty I don't want to want it but I need your pity If I don't get it I'll make do with my own And my head in a cone My life's completely blown I spent it all just dealing…
A quirky little 90s(ish) jungle track. It goes like: | A | B | a+b |
Synth Brass over more synth pings and wubs An Ambient Office installation with a little actual keyboard playing. Patch notes: Just Friends and Operat on pings and bass, with Mangrove put through Beads for the brassy notes. Teletype as sequencer.
I loved the song dangorma as played by Malian kora player Sanjally Jobarteh, so I arranged it for nylon-string guitar. For the guitar version, I use the dadf#be tuning that South African guitarist Derek Gripper figured out works well for most kora tunes. I really like sections where a steady repeating pulse ends up sounding syncopated because of what is going on under it, and this tune has two of those. There is also a muting thing I have never done before that is basically like playing a 0 fret harmonic.…
The repeating bassline is either stolen from or inspired by a performance by Wet Ink Ensemble that I was watching last night (thus the name). It got stuck in my head so hard that I had to stop the livestream and start working on this instead.
Post-rock instrumental. Guitars, bass, logic drummer. 110 BPM in D. Recorded through a Tonex One.
Kind of a lowkey ORGANic cover of the Depeche Mode tune. Video of me in different sweaters recording it.
is a song inspired by a trip to the high desert. Last year we traveled around the US looking for a place to settle down. The best place was Sedona, AZ. When we got back, I put this together on my Maschine. I worked a vocal sample from Sia that was part of a Native Instruments community pack (so there are no barriers to using it this way) into a short song that preserved for me the feeling of sitting on the mesa, connecting with everything. I lost my fear of heights there, lost my fear of flying, too. For now, we've given up on our dreams of moving, but we'll always have this song, and I will never be afraid of falling.…
Based on a harrowing incident my Wife and I experienced once. Also, Ford sucks.
This is another chiptune song played on the Sega Master System. I made a little music video for this one. The song title wasn't intended to be "Never Leave the House," but I liked the way the words looked in the title scene in the video, so that's what it's called now.
More Ambient Office modular jam music Lots of filter pinging and wavetable pads
A little art rock jam inspired by the posts on the Blue by chariot pulled by cassowaries .
Experimenting with Logic Pro's stem splitter tool and Flex Pitch tool led to this unlikely mashup that I heard in my head this morning and then decided to see if I was right.
Something a bit different, working on recording stuff and developing material with a friend. So instruments pre-recorded and I jump on vox only. No signal blue = digital no connection. New job in theatre. Ambivalence.
Like something that I could have made with my kid's Casio RapMan back in the day.
umbuzinho and I gave ourselves a 45 minute limit from coming up with the idea, to recording this vaguely goat simulator-y ditty. It was as good a way as any to pass the time during his Spring break from 7th grade. Until he told me, I had no idea that possums and opossums were different animals.
For May Day, a medieval song; the manuscript source dates from the 1260s. The original earworm. Extremely twee. There is a tambourine. I kept it in the original key which, at modern pitch, is probably honestly a bit too high for me-- apologies. Percussion is me thumping the piano lid. The tambourine once belonged to the Mediaeval Baebes, if you remember them.…
Something we recorded a bit more properly than we usually manage in the rehearsal room at the start of the year Happy to be back. We've been playing a long time. Have been playing with a drummer for the past year or so, which makes such a difference rather than drum machines. This is heavy pop, confessional mode. Something to do with the police, Hasidic traditions, and a kid who, tragically drowned.…
I woke up this morning and weighed my options. Should I do some work, or record a Yanni-style version of the Fugazi classic Waiting Room? I chose the latter. No regerts
Back with some new modular action - pretty simple patch with a delay as a sound source. Reorganized my case around Mannequins modules - this song is using the BBD delay in the Silhouette module as a main feature. Enjoy
A weird shambolic mess of a song about so-called real life intruding on my attempts to appreciate the miracle of existence, the wonder and improbability of life including my own, the majestic splendor of the natural world, blah blah blah Finally got my recording setup isolated enough to where I can do irresponsible things with my vocal tracks without worrying that one of my condo neighbors will call 911. Lyrics: I know that what makes me me has been recycled a billion times And I know it's only separated by a dotted line And when I smell the lavender as I walk by It should remind me that there's really no such thing as I But it's kinda hard to believe it As long as there's a me to perceive it Yeah it's not enough to make it real I mean who else is gonna pay these bills I know that every time I breathe it's a miracle It takes a billion little engines in tandem to keep me alive And when I see a sparrow or a new green stem It should remind me that the very same is true of them But it'll never amaze me It's just that work has been so crazy I feed the crows and it bothers the neighbors Can't even live without selling my labor I traded wonder for comfort and it feels like the deal was raw sometimes And every morning I sit on a rock and I talk to a tree Real low so no one approach and notice me Desperately clawing back what I can from every crack in the unnatural grind I hope there's still something to find…
Little bit of angry background folk punk. Quick and dirty. Double feature, today. Mostly recorded while lying down and being sad. Lyrics in fold. From the redlines to the green mines, I think I've had enough of your kind. For all the merit that you'd find, needles hang with hungry eyes. The camels are swinging high. I want the end of the world. No, I don't want no one to get hurt. But, I want the last to be first like it says in the bible. Failing this, it would suffice for either the dead or the oceans to rise, the stars all to fall, the bombs all to drop, or whatever. Oh i want the end of the world. It's true. Yeah, don't you?…
My a cappella cover of a 1949 folk song ("Tomorrow Is A Highway" -- words by Lee Hays, music by Pete Seeger) that I love. In 2017 I wrote about this song : I've been listening over and over to "Tomorrow Is A Highway". It's got some lovely stark lines, like "leave this evil year behind." Time and space have unified; it doesn't say that we'll walk into the future, but rather, that the future is this journey, and there are only two time durations in this song, days and years -- tomorrow is a highway upon which we'll travel to a better year. And it's sort of a mix of prescriptive and descriptive, prophetically defining us as the people who are making this tomorrow. This song does not explicitly say "this might happen" or "we should hope for this to happen"; instead it combines "this will happen" and "let's make it happen". It's less a song of hope, and more a song of faith and promise and invitation. It can be hard to let go of hope, and it can be hard to let go of dread..... I can't seem to find my copy of Ursula K. Le Guin's The Dispossessed at the moment -- did I lend it to you? In it, Shevek thinks a few times about how our conception of time and promises and intentions work together -- a coherent future doesn't just happen, it's intentional human actions that make a "road" and breaking promises denies and breaks that "road" connecting past, present, and future. I have been feeling as though nothing is solid under my feet..... for the sake of my own forward motion I shall work as though the next stretch of the road exists too -- perhaps every step is in some measure a leap of faith. The lyrics: Tomorrow is a highway broad and fair, And we are the many who'll travel there. Tomorrow is a highway broad and fair, And we are the workers who'll build it there; And we will build it there. Come, let us build a way for all mankind, A way to leave this evil year behind, To travel onward to a better year Where love is, and there will be no fear, Where love is and no fear. Now is the shadowed year when evil men, When men of evil thunder war again. Shall tyrants once again be free to tread, Above our most brave and honored dead? Our brave and honored dead. O, comrades, come and travel on with me, We'll go to our new year of liberty. Come, walk upright, along the people's way, From darkness, unto the people's day. From dark, to sunlit day. Tomorrow is a highway broad and fair And hate and greed shall never travel there But only they who've learned the peaceful way Of brotherhood, to greet the coming day. We hail the coming day. (I seriously was not thinking of the "What's the one subsite you've never posted to?" MetaTalk when I first decided this morning to record and post this, but in retrospect, now I have collected the set!)…
مرحبًا بك في مشغل أف ام!
يقوم برنامج مشغل أف أم بمسح الويب للحصول على بودكاست عالية الجودة لتستمتع بها الآن. إنه أفضل تطبيق بودكاست ويعمل على أجهزة اندرويد والأيفون والويب. قم بالتسجيل لمزامنة الاشتراكات عبر الأجهزة.