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المحتوى المقدم من Jenny Eliscu. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Jenny Eliscu أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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LSQ explicit
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Manage series 1734009
المحتوى المقدم من Jenny Eliscu. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Jenny Eliscu أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
Interviews focus on key moments of discovery, and the songs/artists that have soundtracked the guest's life. Hosted by journalist and radio presenter Jenny Eliscu (@jennylsq), these are laid-back but in-depth discussions about the journey to find their creative voice and process, and how it has evolved over their career. Episodes also occasionally feature clips from Eliscu's extensive archive, which includes 25 years' worth of interview audio.
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120 حلقات
وسم كل الحلقات كغير/(كـ)مشغلة
Manage series 1734009
المحتوى المقدم من Jenny Eliscu. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Jenny Eliscu أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
Interviews focus on key moments of discovery, and the songs/artists that have soundtracked the guest's life. Hosted by journalist and radio presenter Jenny Eliscu (@jennylsq), these are laid-back but in-depth discussions about the journey to find their creative voice and process, and how it has evolved over their career. Episodes also occasionally feature clips from Eliscu's extensive archive, which includes 25 years' worth of interview audio.
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120 حلقات
كل الحلقات
×When I learned that house and dance music legend Crystal Waters has been finishing her first new album since 1997 and was getting ready to share singles and do interviews and therefore might be up for talking with me, I was so geeked. I’ve been a fan since the early 90s when huge hits like "Gypsy Woman" and "100% Pure Love" were all over the radio, and it was an honor to get to connect with her for episode 120 and a conversation about her songwriting process, how she got her start in music, and why this current creative phase is one of the most exciting in her thirty-plus year career. Crystal recently shared a great new single called "You & Me" -- a collaboration with the Swedish duo ManyFew -- and she was also recently honored during Miami Music Week at the inaugural Femmy Awards with awards for The Voice of House and the Female Icon Award. And there will be a lot more new music coming from Crystal in the remainder of this year, and live shows, too!…
In episode 119, I catch up with Alexis Krauss and Derek Miller , the noise pop duo better known as Sleigh Bells . I have been a massive Sleigh Bells fan since their first few singles back in 2009 — brash, genre-defying bangers like “Crown on the Ground” and “Infinity Guitars” that sounded unlike anything else, combining elements of pop, metal, hardcore, hip-hop and punk. They’ve continued to blow my mind with the leaps they’ve made since then. The three of us are also old friends at this point, and though we’ve done shorter interviews in the past, it was great to finally get to ask them some of the classic LSQ podcast questions about all the shit they were into as kids. In this episode, Alexis talks about what she learned from her experience in a teen pop band, revelations she had at the punk and hardcore shows she frequented during her New Jersey youth, and learning to integrate the diverse parts of her musical voice. Derek describes falling in love with the soundtrack to La Bamba as a kid growing up in Florida, and then discovering 80s pop greats like Janet Jackson and Cyndi Lauper before venturing into alternative and hard rock ( Nirvana , Silverchair ) and then having his mind blown by ground-breaking artists such as Radiohead and Björk , and then eventually joining metal core band Poison The Well in his later teens. They also share the story of how they came together to form Sleigh Bells, and how their current approach builds on the foundational principles they established for the band more than fifteen years ago. Sleigh Bells’ new sixth studio album, B unky Becky Birthday Boy, comes out this week and it’s stellar. Find out more (and get tickets for their upcoming tour) at: tornclean.com…
It's a good thing ANOHNI and I decided to leave the cameras turned off for the interview included in episode 118 of the LSQ podcast, because there were moments when she was talking --about her creative process, about using her voice and her music as a survival strategy, about what it felt like to grow up as a trans femme amidst the violence of patriarchy -- that I was nearly in tears, so moved by the way she described her experience. And since crying while interviewing is as cringe as "crying in baseball," it was a relief not to be seen in those moments. It was fascinating to hear ANOHNI 's story of discovering her musical spirit as a child, motivated by a desire to reveal feminine emotion and power in a way that she felt her mother was not allowed to, and to learn how she developed her creative process from there. ANOHNI talks about drawing inspiration from artists such as Kate Bush, Boy George, Marc Almond, Alison Moyet, Nina Simone, Ray Charles, Diamanda Galas and more, and how she has learned to adapt musical forms to suit her voice (both the literal voice and the symbolic voice). She also shares about her relationship with her mentor, the late Lou Reed , how greatly he encouraged her early in her career, and what it was like to recently perform some of his music live for the first time since he passed. You can keep up with ANOHNI here . This is also the first video episode of the LSQ podcast, with awesome illustrations and animation crafted by Jess Rotter and Andrew Deselm . Thanks to them for the wonderful work!…

1 The Head And The Heart - Matty Gervais 49:59
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On the heels of the announcement last week of a much anticipated new album by indie folk band The Head and the Heart , I’m excited to be able to share the following conversation with the band’s Matty Gervais. This is one of your first chances to hear more about their exceptional new collection of tunes, Aperture , the band’s sixth LP, which will be out on May 9th. There are already a few beautiful introductory singles online now, including the anthemic "Arrow" and the newly shared album opener, "After The Setting Sun." It was a pleasure to connect over zoom with Matty to talk about the making of Aperture and how it heralds a new chapter of freedom and collaboration for THATH. We also talk about some earlier THATH history, how they have benefited in more recent years from band therapy, and his own personal creative process for this new album. And of course we start by delving into Matty’s early life experiences with music, growing up in Seattle during the grunge explosion, falling in love with recording his songs using a boombox technique he heard Dave Grohl describe in an interview, playing in bands with his brother and eventually joining THATH more than a decade ago. You can pre-order or pre-save Aperture , and get tickets for their upcoming shows HERE ! Preview: 3:30 - 13:00 - Early life experiences with music, learning to play drums, growing up during grunge, going to Bumbershoot with his parents, getting into Posies, Fastbacks, Supersuckers, The Presidents of the United States of America and other local bands 13:20 - 21:00 - Writing and recording his own songs using Dave Grohl’s boombox technique, developing his sound, playing in various bands leading up to joining THATH 21:15 - 31:00 - Observing THATH as a fan, joining the band, adapting to their fame: 31:00 - 34:00 - Band therapy and its benefits 35:15 - 40:00 - Aperture , how it started and the writing and recording processes that arose from there 40:30 - 49:00 - "Forest Bath": Walking through the woods writing melodies and lyrics; the inspiration for “After The Setting Sun”…
Welcome to season 8 of the LSQ podcast! I’m thrilled to kick off this season with an interview with Julien Baker & Torres , two artists whose music on their own I’ve admired for years: Julien , as a solo performer and member of boygenius, and Torres , which is the musical moniker of the singer-songwriter Mackenzie Scott. Last year, they revealed that they had been working together on a country project and they shared a beautiful debut single, “Sugar in the Tank” that I fell in love with instantly. Now there’s an album coming and it’s so good! Send A Prayer My Way , a collection of gorgeous tunes that Julien and Mackenzie collaborated on during the past couple of years, arrives on April 17th via Matador . In the interview, we talk about the inspiration for the project, as well as their respective childhoods, growing up in the South, surrounded by country music and country music culture, and how their relationship with the genre evolved over the years and how it ended up informing the album. We also delve into the other music they loved as kids: Mackenzie talks about her early obsessions with Britney Spears and Broadway musicals like The Phantom of the Opera and eventually writing songs that were country songs with “a little bit of John Mayer” flavor, and Julien shares how she went from loving Shania Twain to “being radicalized by Green Day” after seeing them on VH1 to discovering the metal bands like Underoath and Norma Jean that inspired her to start playing music herself.…

1 Big Thief's Adrianne Lenker & Tucker Zimmerman 39:16
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I learned a new word during this interview you’re about to hear with Big Thief ’s Adrianne Lenker and the deeply under appreciated singer-songwriter Tucker Zimmerman : Numinous . It means “having a strong religious or spiritual quality; indicating or suggesting the presence of a divinity.” Numinous. That’s how Tucker described the experience of recording the album Dance of Love , with Big Thief as his backing band, and the album’s producer. Released in October, Dance of Love is a collection of absolutely gorgeous folk tunes, written and amassed by Tucker over many, many years. It’s beauty derives not only from what is actually on the album, but also from the spirit behind it — of kindred creative souls finding each other, across generations, across international miles, to make something gentle and singular and true. About twelve minutes into the interview, Adrianne tells the story of how she first heard Tucker’s 1980 album Square Dance while getting a tattoo in Colorado. She was instantly mesmerized, and introduced his music to her Big Thief bandmates. They were all baffled that they’d never heard of him before, baffled that he wasn’t more well-known, in general. Now 83 years old, Tucker began releasing albums back in 1969, and there are so many treasures to be discovered in his extensive catalog since then. In addition to discussing the collaboration and how it happened, they each share how they first connected with their own creativity as a child, and I couldn’t help but notice how profoundly their current artistic approach carries the long reverberation of their first, naive awareness of their creative side. It was a joy to get these two back together (along with Tucker’s wife, Marie Claire, who has a cameo at the beginning) for a conversation I feel honored to have witnessed. Tucker will be on tour in early 2025. Get tickets here . Adrianne's latest solo album, Bright Future , is nominated for the Grammy Award for Best Folk Album.…
“I’ve always been pretty attached to my dreams,” says singer-songwriter Jessica Pratt . “[Dreams have] consistently been this means of receiving symbolic information that feels important. They do feel somewhat connected — the mental space that I’m in when I’m writing and the way that I feel in certain kinds of dreams. Sometimes you have a dream where it feels very loaded and weighted in this way that you can’t really argue with, and I look forward to those. And sometimes it’s the same with songs, where you just get hit with something and you don’t know where it came from, and it feels like there’s no work involved, like it’s just sort of this thing that is delivered, and then that’s when you get really lucky.” It was a pleasure to have this conversation with Pratt, whose gorgeous fourth full-length, Here In The Pitch , is one of my favorite albums of this year, and has rightfully been among 2024’s most critically lauded LPs. Given how often folks describe the album as dreamlike or hypnagogic, it was fascinating to hear Jessica talk about the similarities between her dream life and her songwriting process — one of the many subjects touched upon in this episode. I was also fascinated to hear from Jessica about how, growing up in the same household as her great-grandmother influenced her toward an early affinity with a bygone era of film and fashion, while her mother’s adventurous taste in music inspired her own artful leanings toward “if you know, you know” type albums by Captain Beefheart or Nazz, at a time when other kids her age were probably listening to things like Eminem or Justin Timberlake. She also talks about how her songwriting process has evolved over the years and how her approach to making music continues to follow from intuition rather than ambition.…
What an incredible joy it was to spend some time talking face to face with one of my all-time favorite artists — Julian Casablancas of The Voidz and The Strokes — for episode 113 of the LSQ podcast. We met up for this interview backstage at LA’s Orpheum Theater just after The Voidz played a mind-blowing set, including music from their awesome new album, Like All Before You . Although we’re old friends and have done more than a few interviews over the years, this conversation allowed us to touch on subjects we’d never reached in the past. In addition to talking about both of his bands and how their goals have evolved, we discuss Julian’s own development as a songwriter and musician, starting with his teenage years learning to play songs by Nirvana and Green Day on guitar as a springboard for writing his own tunes, how he gained the confidence to begin sharing his music with friends (at one point pretending that his own composition was a Rancid tune, just to see what people thought of it), and how long it took before he finally felt like his writing was on the right track (turns out it wasn’t until the Strokes song “Soma,” during the bands early days). He also shares about his songwriting practice (sometimes they come to him in dreams) and about the moments when he feels most inspired by the creative process. And more! Keep up with The Voidz here !…
I kind of felt like I already knew Madi Diaz , even though we’d never met before, when we connected over Zoom this summer for the conversation in episode 112 of the LSQ podcast. That’s in part because we have many music friends in common, and I’ve heard a lot of great things about her over the years. But it’s even more the case because her songs are so beautifully direct and intimate; they give you a really vivid sense of her inner world, with all of its relatable nuances. You can hear that gift on full display on albums like her 2021 LP History of a Feeling , and even more powerfully on her latest one, Weird Faith , which came out earlier this year, and of which a deluxe edition arrives later this month. In this conversation, we talk about creative experiences that have impacted her since childhood, whether it’s doing laps around her house while listening to her dad play piano, or singing along with Whitney Houston and the Beatles and The Mamas & the Papas as a kid in rural Pennsylvania, or connecting with Patti Griffin ’s music during a difficult time in her family life, or learning to burst out of the constraints imposed by a judgmental guitar teacher during adolescence, in particular finding her voice and artistic footing during her recent years living in Nashville. Madi heads out on tour with Rainbow Kitten Surprise in early November - get tickets here .…
I’ll never forget the first time I heard the music of the iconic noise-rock band The Jesus Lizard — it was more than thirty years ago, thanks to my older brother Michael playing me their song “Seasick,” from the band’s second studio album, Goat , released in 1991 and produced by the legendary Steve Albini . That song blew my mind. It made me feel like I was actually inside of the tune itself, and that, like the narrator of the song, yowling about how he “can’t swim,” that I was somehow drowning in the music. Not in a scary way — in an empowering, visceral way. It’s a song I still go back to, and that album is one I go back to all the time. It was a thrill to get to ask David about that song, in particular, about working with Albini, and so much more. In this episode, David discusses his earliest creative inclinations as a visual artist, and as a music lover and musician, and how everything changed when he discovered punk rock at age twenty. We also delved into the making of the first new studio album by The Jesus Lizard in twenty-six years, their excellent, newly released LP Rack . Although he cites influences such as the Beatles and Queen and The Huns and Fear and Nick Cave ’s band The Birthday Party , what David does is a thing unto itself. He is truly an inimitable performer and it was an honor to speak to him for this episode.…
Remi Wolf is my favorite kind of modern artist: a young music-maker who truly doesn't give a flying eff what genre names folks might use to try to neatly categorize her sound. Remi knows that, as she once said, "genres are pretty obsolete at this point." She continued (in this interview with Spin ): "I think artists are their own genre, where every artist is creating such a world for themselves that they are becoming the sound and the thing." The world Remi has created over the course of the past several years and two full-length albums, including her awesome new sophomore LP Big Ideas , is kaleidoscopic and soulful and trippy and funky and full of humor. I had a blast talking to her about her childhood experiences with music and her own creativity, and how they overlapped with her experiences as a serious athlete who was involved in competitive skiing until music proved to be a stronger calling. We talked about the stuff she heard around the house -- Prince , Aerosmith , Led Zeppelin -- and the artists she got into on her own when she was a little older, from My Chemical Romance to the Red Hot Chili Peppers to Amy Winehouse to Snarky Puppy , and how they informed her own music. She also shares what she learned from her brief experience as a contestant on American Idol back when she was seventeen (you can see her audition here ), and how she found began to find her own sound as a songwriter during her college years. Remi and her band just started a huge North American tour and you can get tickets here .…
On the heels of Foster the People 's first new album in seven years, their excellent, uplifting and highly danceable new album Paradise State of Mind, hear from the project's creative mastermind about key moments in his musical journey: how he learned to play piano by ear as a kid, and was later inspired to play guitar by hearing Nirvana's "Smells Like Teen Spirit" on a kiosk at Cleveland's Rock and Roll Hall of Fame; how he discovered the value of a local music community through his city's metalcore scene; how his dad talked him out of joining the Air Force and persuaded him to move to Los Angeles to pursue his music dream instead; what he learned from the rejection and adversity of his early years in LA; how he overcame the fear he felt after having a hit with "Pumped Up Kicks" that he might not be able to do it again; what it felt like to open for his heroes The Beach Boys ; how his songwriting has evolved since then, and more. Paradise State of Mind is out now, and you can get tickets for Foster the People's upcoming shows here .…
On the eve of the release of her beautiful third studio album, Chaos Angel, singer-songwriter and actor Maya Hawke talks about how she arrived at her finest collection yet - a group of songs inspired by the idea of fighting one's own guardian angel. I loved getting to ask Maya about the creative path that led to this album, the music she was into as a kid, how she discovered her own musicality, the way her approach to songwriting and lyric writing has changed, even just in the months since she finished Chaos Angel, and more.…

1 Rodrigo y Gabriela - Gabriela Quintero 47:46
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I had the best time getting to know the wonderful Gabriela Quintero of Grammy-winning psychedelic guitar duo Rodrigo y Gabriela for this episode of the LSQ podcast. We recently met over Zoom for a conversation exploring important moments in her personal creative evolution — things like seeing an all-girl Japanese metal band when she was 10; or discovering Metallica thanks to the mixtape her sister’s boyfriend had made, as part of his romance strategy; meeting her bandmate Rodrigo Sánchez at a local culture house where they grew up in Mexico City; how their friendship and mutual love for playing guitar led them to playing together, eventually moving to Zihuatanejo and starting the band; their adventures busking in Ireland at the end of the 90s, and how that helped kickstart their career; and lots of other stuff, including their awesome latest album, In Between Thoughts… A New World. Rodrigo y Gabriela are on tour right now; get tickets here.…
Garage rock prince Ty Segall joins the LSQ podcast on the heels of his awesome fifteenth (!!!) studio album, Three Bells , to talk about the roots of his sound: how he first fell in love with rock and roll thanks to oldies radio ( Beatles , Ronettes , Kinks ) and a pile of vinyl records gifted by a Laguna Beach neighbor ( Alice Cooper , Black Sabbath , Bowie ), doing musical theater in high school, moving to San Francisco in search of like-minded weirdos and finding his community there, and more. We also talk about his quest to always be trying something new, and what sounds and styles he still hopes to explore. Ty and his band are on tour in North America now. Get tickets and details here .…
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Since there was a major influx of new listeners thanks to last week's episode 105 with Vampire Weekend 's Ezra Koenig, I wanted to bring back this super fun 2021 interview with VW bassist (Chris) Baio , which we recorded in the lead-up to his solo album Dead Hand Control . This is an abbreviated version of the episode, but you can find the full interview HERE . We talked about Sex and the City , Burnt , Spin Doctors, "Bohemian Rhapsody," Akron/Family, his dad's Columbia House CD collection, seeing Cranberries at Jones Beach Amphitheater, VW's early days at Columbia University, and more.…
Some bands, you love them almost instantly, and that was the deal for me with Vampire Weekend , who I was fortunate to be tipped off to early on, through some mutual friends in NYC. My love for them has only grown with each new album, as VW continue to explore new sonic terrain, including on their brilliant latest LP, Only God Was Above Us , which is out now. In this interview, VW frontman Ezra Koenig — one of my mega-favorite songwriters, and also one of my favorite dudes — talks about his mega favorites. And, somewhat unsurprisingly, we have at least a few in common — The Kinks and Belle and Sebastian , among the ones he talks about here. Ezra also shares how his music tastes were shaped by the 50s and 60s pop hits he loved listening to as a kid, on his local oldies station, and how that shifted into discovering Scott Walker and Neil Young and 90s hip-hop and early aughts Radiohead and a whole eclectic swath of other music, including 21st century faves like M.I.A. and Lana Del Rey . We also discuss the evolution of Vampire Weekend, and how his view of what the band can be continues to expand.…
There is no other artist quite like Beth Ditto , the brilliant singer, songwriter, actor, clothing and cosmetics designer, and frontwoman for the legendary indie band Gossip. Her voice is singular and her energy is magical. In episode 104, Ditto talks about the making of Gossip 's exciting new album, Real Power , as well as her early experiences with music -- worshiping Cyndi Lauper and singing along with Skid Row during her childhood in Searcy, Arkansas, finding community in Olympia, Washington's riot grrrl scene in the late 90s and receiving crucial guidance from Sleater-Kinney back when Gossip was first starting, among other key moments. Find out more about the new Gossip album and their upcoming tour here .…
Last fall, singer-songwriter and film score composer Dhani Harrison released a dynamic new solo album called Innerstanding, which gave me the perfect opportunity to finally interview him in depth. "To innerstand is to comprehend from a place of love and detachment, where you’re not forcing yourself or being forced," he explains. "If you come at things from a place of love, then you’ll always end up on the right side of history." I’ve known Dhani for nearly twenty years, and I was so glad to have him as a guest on the LSQ podcast, and to ask him about his personal musical evolution. We connected over Zoom late last year, and he shared memories of how he first discovered and explored his musical talents, with encouragement from his dad, George Harrison , how skateboarding with his cousin in LA as a kid sparked his obsession with the Wu-Tang Clan , why, in spite of his abiding love for Jimi Hendrix , he never wanted to be a shredder, why he was so geeked to have Blur 's Graham Coxon play (both guitar and saxophone) on Innerstanding , how he started writing film scores back in 2013 with the music for Beautiful Creatures , why he returned to living in the forest in recent years, leading up to the new album, and more. Innerstanding is available on vinyl here .…
Joe Talbot, frontman for the ferocious U.K. band Idles , explores his artistic roots -- how his sculptor dad taught him the value of a creative purpose, how his love for hip-hop evolved as he became more politically aware, the inspiration he drew from Van Morrison's Astral Weeks , how the early oughts breakthrough by the Strokes influenced him, what it was like for Idles to find their sound in Bristol's fertile music scene, and how they learned to try new things, with help from producers Nigel Godrich and Kenny Beats, on their excellent new album Tangk .…
On the eve of her incredible sophomore solo album, What Now (out February 9th), hear Brittany Howard share the story of her creative journey as a singer, songwriter and performer, explaining how she first discovered her voice and where she still hopes to go with it, how bonding with her friends over music like Black Sabbath and Kings of Leon led into starting her own band, the Alabama Shakes, with some of those same friends, how seeing Sharon Jones and the Dap Kings in concert several years ago infused her with a whole new perspective on her career, and more, in episode 101.…
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1 Future Islands - Samuel T. Herring 1:14:28
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Welcome to a super special episode -- not just because it’s the 100th episode, though I've gotta say I’m pretty proud of that, and so grateful to all of the artists who’ve given their time and been open to this conversation, but also because this episode features one of my favorite interviews from the podcast so far. I have been a deep admirer of Future Islands ' music, and Samuel T. Herring’s soulfulness and poeticism as a singer and writer, since the band's early albums, and I loved hearing him share so many meaningful facets of his creative journey in this conversation. We talked about the excellent new Future Islands album, People Who Aren't There Anymore , as well as Sam's recent work on his own - the music he’s been releasing as Hemlock Ernst and his recent acting role in the Apple TV series The Changeling , and much more.…
Carrie Brownstein and Corin Tucker of Sleater-Kinney join Jenny for episode 99, to talk about their new album, Little Rope , growing up in the burgeoning Northwest indie scene of the late Eighties and arriving at Olympia, Washington's Evergreen College just in time for the birth of riot grrrl in the early Nineties. They discuss their early days together, how they found their songwriting method, and how it has grown and evolved over the course of three decades and eleven albums. Get a copy of Little Rope here .…
Proof of Life , the excellent fourth studio album by Nashville-based singer-songwriter Joy Oladokun , has been one of my favorite LPs of 2023, and it's been awesome to see Joy's star rise in recent months. It was a true joy - if you'll pardon the pun - to meet Joy over Zoom and get to know more about their creative journey, growing up in Casa Grande, Arizona, as a child of Nigerian immigrants, coming to terms with their queerness against the backdrop of their religious upbringing. Joy talks about discovering artists such as Tracy Chapman and Bob Marley and King Sunny Adé as formative moments, as well as getting their first guitar at age 10 and discovering their ability to bring comfort to themself and others through their songs. Joy is currently finishing a US tour. You can get tickets here .…
After years of admiring Jason Isbell's gifts as a songwriter and storyteller, I finally got to ask the alt-country artist about his earliest sparks of creativity, and it was fascinating to hear his memories of sitting on the front porch, singing with members of his extended family during weekly Sunday evening gatherings, and of listening to his Pentecostal preacher grandfather playing guitar, and introducing him to gospel and mountain songs and bluegrass and the blues. "Music was something that was presented to me as something that was directly tied with family," he says. "The way creative pursuits were presented to me, it was something people did because it made them feel better, and because they could control the machines. And they had grown up very poor and didn't have control over much else. I think that combination of lack of options and just a genuine love for the way the arts were presented to me from the beginning culminated in my identifying with it so closely. And then something sort of made me a fool. Something in there somewhere told me to actually pursue this to the ends of the earth if I had to. That's the part I don't exactly understand." Isbell also talks about his love for Hendrix and Pearl Jam, about the lessons he learned from teaching guitar in his early twenties, how his songwriting process has evolved, and more. Jason and his band the 400 Unit are playing shows at Nashville's legendary Ryman Auditorium this week and have additional US dates early next year. Following the awesome new Isbell & The 400 Unit album Weathervanes earlier this year, he recently put out a deluxe, 10th anniversary reissue of 2013's Southeastern . You can get a copy, and tickets for the upcoming date, here . Isbell can also be seen in the new Martin Scorsese film Killers of the Flower Moon.…
Alvvays have made some of my favorite indie music of the past decade, and although I’ve interviewed them briefly in the past, I loved going long with Molly Rankin from the band for episode 96. We talked about Alvvays’s awesome latest album, Blue Rev , the origins of “Archie, Marry Me,” which had it's 10th anniversary this year, about how Molly started writing songs as a teenager, inspired by learning the chords to her favorite Oasis tunes, what it was like growing up in a famous musical family (her father was among the members of The Rankins, the acclaimed Celtic folk group), how her songwriting practice began and how it has evolved, about her love of gardening and my love of Columbo, and more.…
On the eve of Blonde Redhead ’s first new album in nine years, their excellent Sit Down For Dinner , the band’s Kazu Makino joins the LSQ podcast for episode 95. She talks about how the experience of making her own solo album a few years ago inspired a new confidence going into this Blonde Redhead album; the influence she took from growing up in a household where classical music was playing at a soft volume at all times; the evolution of her songwriting within the band; how a good performance feels like a trance; and more. Blonde Redhead’s North American tour begins in mid-October. Get tickets here .…
Episode 94 features an interview with singer, songwriter and producer Andrew Wyatt , whose voice and tunes you probably know from a few different contexts: In addition to being the frontman and lead songwriter for alt-pop band Miike Snow, Wyatt keeps incredibly busy collaborating as a writer and producer with artists like Dua Lipa, Charlie XCX, Caroline Polachek, Lorde, Yeah Yeah Yeahs and many others. The New York native is also a Grammy and Academy award-winning writer of movie music, notably for A Star Is Born , and the chart-topping soundtrack for Barbie , for which he co-wrote key tracks such as “I’m Just Ken.” AND, as if that wasn't enough, Wyatt is currently on the cusp of putting out his first solo album in a decade, Someday It Won’t Feel Like Dying . The album comes out this fall, but a couple of its singles are online here now Wyatt is also a pal of mine, and it was a pleasure to finally do the LSQ podcast with him!…
Fresh off releasing "Two Songs I Wrote in 1993 & Recorded Last Week," legendary Australian singer-songwriter Ben Lee joins me for episode 93 (pure numerological coincidence!) to reflect on key moments of musical discovery -- seeing Nirvana play at Big Day Out, starring in a school musical called Uncle Moishe and his Mitzvah Men , recording fucked-up sounding songs on his Tascam 244, hoping to emulate Appetite for Destruction but coming up with something even cooler, figuring out how to get his demo to a record label, and more recent insights about longevity and staying true to your unique vision. He also discusses his songwriting practice today, prioritizing playfulness, supporting young artists, and more. Ben and his wife, Ione Skye, host an awesome weekly podcast called Weirder Together, and their Weirder Together podcast network presents shows hosted by J. Mascis, Lou Barlow and Jello Biafra, among others. Ben will be on tour in September. Get tickets here .…
"I always said, I felt like, when the five of us are together, the universe does something different," says Albert Hammond Jr , guitarist for The Strokes , of his band's cosmic connection. "From the moment I met them, even before we did anything, all of a sudden the world felt different. I can only explain it like in the Matrix when he sees the numbers, so then it didn't feel that weird when stuff would happen. I didn't know what was gonna happen, but it felt like something was gonna happen." I had a blast interviewing Albert for episode 92 of the LSQ podcast. I am a massive fan of The Strokes (like, Top 5 all-time favorite bands kind of thing), and feel lucky to have a long history with them. Albert and I have known each other since the band's early days, when I got to write about them a bunch for Rolling Stone , and it's been awesome to watch his solo career develop alongside his band's. His new solo LP, Melodies On Hiatus , is one of his best -- 19 tracks that explore new facets of his musical personality while still brandishing his signature sound. In this interview, we talk about his childhood influences, an era when he was a rollerskating champion, the beginning of The Strokes, his songwriting process, and hopes for the future such as this one: "I'd love to create with [The Strokes], as I'm older. Because I feel like we're so interesting at different times with each other. So even at 60, I wonder what we would create? What would the band sound like? What would we do? Would our strengths and weaknesses change and how would that make our sound change? It still feels so exciting."…
مرحبًا بك في مشغل أف ام!
يقوم برنامج مشغل أف أم بمسح الويب للحصول على بودكاست عالية الجودة لتستمتع بها الآن. إنه أفضل تطبيق بودكاست ويعمل على أجهزة اندرويد والأيفون والويب. قم بالتسجيل لمزامنة الاشتراكات عبر الأجهزة.