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المحتوى المقدم من Keith Lowell Jensen. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Keith Lowell Jensen أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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Dan McCoy - Shading At Pixar

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المحتوى المقدم من Keith Lowell Jensen. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Keith Lowell Jensen أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

It was great talking to my buddy Dan McCoy about his history in the tech world and the rise of Pixar as the animation powerhouse they are and what it was like before they were a household name right up until today’s pandemic “work-from-home” orders and how nothing stops them from creating. Hope you enjoy!

Also, we’re proud to welcome our newest sponsor Burly Beverages. https://www.burlybeverages.com/

(Listen to the episode for a discount code)

Daniel McCoy began his career with Pixar Animation Studios in March 1989 working with the RenderMan® software group for eight years. McCoy has been part of the shading team on a number of Pixar’s award-winning feature and short films including “Geri’s Game,” “A Bug’s Life,” “Toy Story 2,” “Monsters, Inc.,” “Finding Nemo,” “Up” “Ratatouille” and “Toy Story 3”. McCoy was the supervising technical director for the Academy Award ® -nominated short film “La Luna” which was released theatrically in 2012 in front of the Disney•Pixar feature “Brave.” He is currently developing new shading tools with Pixar's Software Tools group.

Prior to coming to Pixar, McCoy worked with the NASA/Ames Research Center and at Sun

Microsystems as a part of their computer graphics group. A native of San Jose, California, McCoy attended San Jose State University.

You can find Dan here:

FB: https://www.facebook.com/danielstevenmccoy

IG: @imccoy

Twitter: @dsmccoy

Website: https://dsmccoy.medium.com

  continue reading

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Manage episode 282266404 series 2807221
المحتوى المقدم من Keith Lowell Jensen. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Keith Lowell Jensen أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

It was great talking to my buddy Dan McCoy about his history in the tech world and the rise of Pixar as the animation powerhouse they are and what it was like before they were a household name right up until today’s pandemic “work-from-home” orders and how nothing stops them from creating. Hope you enjoy!

Also, we’re proud to welcome our newest sponsor Burly Beverages. https://www.burlybeverages.com/

(Listen to the episode for a discount code)

Daniel McCoy began his career with Pixar Animation Studios in March 1989 working with the RenderMan® software group for eight years. McCoy has been part of the shading team on a number of Pixar’s award-winning feature and short films including “Geri’s Game,” “A Bug’s Life,” “Toy Story 2,” “Monsters, Inc.,” “Finding Nemo,” “Up” “Ratatouille” and “Toy Story 3”. McCoy was the supervising technical director for the Academy Award ® -nominated short film “La Luna” which was released theatrically in 2012 in front of the Disney•Pixar feature “Brave.” He is currently developing new shading tools with Pixar's Software Tools group.

Prior to coming to Pixar, McCoy worked with the NASA/Ames Research Center and at Sun

Microsystems as a part of their computer graphics group. A native of San Jose, California, McCoy attended San Jose State University.

You can find Dan here:

FB: https://www.facebook.com/danielstevenmccoy

IG: @imccoy

Twitter: @dsmccoy

Website: https://dsmccoy.medium.com

  continue reading

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