المحتوى المقدم من I Hope This Message. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة I Hope This Message أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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When a young Eva Kollisch arrives as a refugee in New York in 1940, she finds a community among socialists who share her values and idealism. She soon discovers ‘the cause’ isn’t as idyllic as it seems. Little does she know this is the beginning of a lifelong commitment to activism and her determination to create radical change in ways that include belonging, love and one's full self. In addition to Eva Kollisch’s memoirs Girl in Movement (2000) and The Ground Under My Feet (2014), LBI’s collections include an oral history interview with Eva conducted in 2014 and the papers of Eva’s mother, poet Margarete Kolllisch, which document Eva’s childhood experience on the Kindertransport. Learn more at www.lbi.org/kollisch . Exile is a production of the Leo Baeck Institute , New York | Berlin and Antica Productions . It’s narrated by Mandy Patinkin. Executive Producers include Katrina Onstad, Stuart Coxe, and Bernie Blum. Senior Producer is Debbie Pacheco. Associate Producers are Hailey Choi and Emily Morantz. Research and translation by Isabella Kempf. Sound design and audio mix by Philip Wilson, with help from Cameron McIver. Theme music by Oliver Wickham. Voice acting by Natalia Bushnik. Special thanks to the Kollisch family for the use of Eva’s two memoirs, “Girl in Movement” and “The Ground Under My Feet”, the Sophia Smith Collection at Smith College and their “Voices of Feminism Oral History Project”, and Soundtrack New York.…
المحتوى المقدم من I Hope This Message. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة I Hope This Message أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
I Hope This Message Finds You Well is a podcast on curating hosted by Kris Dittel and Eloise Sweetman. In this episode, we talk with Zippora Elders with whom we delve into the imaginative realm of curating, connecting the personal to profound questions, and her approach to navigating institutions. Zippora Elders is the chief curator (head curatorial department & outreach) of the Gropius Bau in Berlin. Previously she was director of Kunstfort bij Vijfhuizen in the Netherlands, where she has since 2016 increased the visibility of this UNESCO heritage site as a thriving retreat for contemporary art and ecological exchange under the themes of Science Fiction and Enchantment, Healing, Fertility. In 2019 she also became co-curator of Sonsbeek 20-24: On Labour and its Sonic Ecologies. Formerly she was curator at Foam, museum for photography in Amsterdam. She studied Art History, Curatorial Practice and Museum Curatorship, with extracurricularly Public Administration and Philosophy. The episode was recorded in May 2022. If you have feedback we’d love to receive your email at ihopethismessagefindsyouwell@gmail.com; you can also follow us on Instagram @ihopethismessage and find us on SoundCloud @ihopethismessage. The jingle was made by the artist duo Momu & No Es and sound engineering by Nick Thomas. Graphic design by Christophe Clarijs. Show notes Institutions and exhibitions mentioned in this episode: Foam Museum Amsterdam https://www.foam.org/nl Kunstfort bij Vijfhuizen https://www.kunstfort.nl/ ‘Enchant embrace them you odd peninsula, A gathering with love, for Kunstfort’ https://www.kunstfort.nl/en/exhibitions/enchant-embrace-them-you-odd-peninsula/ Gropius Bau https://www.berlinerfestspiele.de/en/gropiusbau/start.html Sonsbeek 20-24 https://www.sonsbeek20-24.org/en/
المحتوى المقدم من I Hope This Message. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة I Hope This Message أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
I Hope This Message Finds You Well is a podcast on curating hosted by Kris Dittel and Eloise Sweetman. In this episode, we talk with Zippora Elders with whom we delve into the imaginative realm of curating, connecting the personal to profound questions, and her approach to navigating institutions. Zippora Elders is the chief curator (head curatorial department & outreach) of the Gropius Bau in Berlin. Previously she was director of Kunstfort bij Vijfhuizen in the Netherlands, where she has since 2016 increased the visibility of this UNESCO heritage site as a thriving retreat for contemporary art and ecological exchange under the themes of Science Fiction and Enchantment, Healing, Fertility. In 2019 she also became co-curator of Sonsbeek 20-24: On Labour and its Sonic Ecologies. Formerly she was curator at Foam, museum for photography in Amsterdam. She studied Art History, Curatorial Practice and Museum Curatorship, with extracurricularly Public Administration and Philosophy. The episode was recorded in May 2022. If you have feedback we’d love to receive your email at ihopethismessagefindsyouwell@gmail.com; you can also follow us on Instagram @ihopethismessage and find us on SoundCloud @ihopethismessage. The jingle was made by the artist duo Momu & No Es and sound engineering by Nick Thomas. Graphic design by Christophe Clarijs. Show notes Institutions and exhibitions mentioned in this episode: Foam Museum Amsterdam https://www.foam.org/nl Kunstfort bij Vijfhuizen https://www.kunstfort.nl/ ‘Enchant embrace them you odd peninsula, A gathering with love, for Kunstfort’ https://www.kunstfort.nl/en/exhibitions/enchant-embrace-them-you-odd-peninsula/ Gropius Bau https://www.berlinerfestspiele.de/en/gropiusbau/start.html Sonsbeek 20-24 https://www.sonsbeek20-24.org/en/
As we are wrapping up the third season of the podcast, we’d like to share with you a short bonus episode, recorded at the gym. We talked about our relationship to exercise and understanding of our limits. We also discussed failure, body-work and writing via Kathy Acker, and writing as a physical experience. If you have feedback we’d love to receive your email at ihopethismessagefindsyouwell@gmail.com; you can also follow us on Instagram @ihopethismessage. The jingle was made by the artist Natalia Solzano and sound engineering by Nick Thomas. Graphic design by Christophe Clarijs. The episode was recorded in March 2024.…
In the fifth episode of the season we talked to Dr. Clémentine Deliss who works across the borders of contemporary art, critical anthropology, curatorial practice, and publishing. We talked about her curatorial beginnings and significant projects in her professional trajectory as an “artist to artist” curator. We also discussed her take on the exhibition that foregrounds and reflects a “conceptual intimacy”, where non-didactic learning, visual thinking and juxtapositions take center stage. Dr. Clémentine Deliss is Global Humanities Professor in History of Art, University of Cambridge, and Associate Curator at KANAL-Centre Pompidou in Brussels, where she runs the “Metabolic Museum-University”. Between 2020-23, she was Associate Curator at KW Institute for Contemporary Art Berlin. Her exhibition at KW “Skin in the Game” included seminal prototypes by Ruth Buchanan, Otobong Nkanga, Collier Schorr, Rosemarie Trockel, Joëlle Tuerlinckx and Andrea Zittel. Since 1996, she has published the artists and writers’ organ “Metronome”. In the introductory mini conversation we, Eloise and Kris, talk about our relationship to food, nourishment, AI friends and online communities. If you have feedback we’d love to receive your email at ihopethismessagefindsyouwell@gmail.com; you can also follow us on Instagram @ihopethismessage. The jingle was made by the artist Natalia Solzano and sound engineering by Nick Thomas. Graphic design by Christophe Clarijs. The episode was recorded in February 2024. SHOW NOTES: “Metabolic Museum-University” www.mm-u.online University of applied Arts Vienna, Ulay, Vito Acconci, Marina Abramović, Joseph Kosuth, Susan Hiller, Michael Oppitz, Valie Export, Rudi Fuchs, Kasper König, Harald Szeeman Hayward Gallery London DUACH, Mike Kelley, Rosemarie Trockel, Lubaina Himid, Jay Gorney, Jeff Koons “Lotte or the Transformation of the Object” https://formerwest.org/ResearchLibrary/LotteortheTransformationoftheObjectLotteoderderTransformationdesObjekts Haim Steinbach, Mr. Salt “Manifesto on Neighborly Dislike as Curatorial Critique” https://www.moussemagazine.it/magazine/manifesto-on-neighborly-dislike-as-curatorial-critique-clementine-deliss-2023/ “Skin in the Game” at KW Berlin https://www.kw-berlin.de/en/skin-in-the-game/ “Metronome, an artists’ and writers’ organ” https://en.wikipedia.org/wiki/Metronome_(artists%27_and_writers%27_organ) Paul Virilio, Issa Samb, Yinka Shonibare, Robert Loder, Gasworks London, Stuart Morgan, Artscribe magazine, John Akomfrah, June Givanni, Mark Sealy Africa95 https://en.wikipedia.org/wiki/Africa95 “Seven Stories About Modern Art in Africa” https://contemporaryand.com/magazines/seven-stories-about-modern-art-in-africa/ El Hadji Sy, Chika Okeke, Wanjiku Nyachae Cédric Fauq Okwui Enwezor Frieze Mathis Esterhazy Dilijan Arts Observatory https://mm-u.online/project/arts-observatory/ Theaster Gates Ruth Buchanan, Otobong Nkanga, Collier Schorr, Joëlle Tuerlinckx, Andrea Zittel…
In the fourth episode of the season we talked to Hendrik Folkerts, Curator of International Contemporary Art and Head of Exhibitions at Moderna Museet in Stockholm. With Hendrik we talked about the ways his former experience in curating performance and public programmes influenced his current curatorial practice and approach to exhibition-making. He sees the exhibition as a relational mechanism, manifested by his interest in scenography, staging artworks and the way bodies move through space. We also talked about Hendrik’s approach to curating and his recent projects: Seven Rooms and a Garden: Rashid Johnson and the Moderna Museet collection, and a large-scale solo exhibition Vaginal Davis: Magnificent Product. Hendrik Folkerts is Curator of International Contemporary Art and Head of Exhibitions at Moderna Museet in Stockholm. Previously he served as the Dittmer Curator of Modern and Contemporary Art at the Art Institute of Chicago between 2017–2021. He was also a member of the curatorial team of documenta 14 and served in Amsterdam as curator of performance, film, and discursive programs at the Stedelijk Museum. If you have feedback we’d love to receive your email at ihopethismessagefindsyouwell@gmail.com; you can also follow us on Instagram @ihopethismessage. The jingle was made by the artist Natalia Solzano and sound engineering by Nick Thomas. Graphic design by Christophe Clarijs. We have launched our I Hope This Message Finds You Well t-shirts, get them via our Everpress campaign: everpress.com/i-hope-this-message The episode was recorded in January 2024. Show notes: Stedelijk Museum Amsterdam https://www.stedelijk.nl/en Curatorial Programme at De Appel Arts Centre https://www.deappel.nl/en/curatorial-programme/518-intro Seven Rooms and a Garden: Rashid Johnson and the Moderna Museet collection https://www.modernamuseet.se/stockholm/en/exhibitions/rashid-johnson-seven-rooms-and-a-garden/ University of Amsterdam https://www.uva.nl/en Rachel Esner Marga van Mechelen Miriam van Rijsingen Sophie Berrebi If I Can't Dance, I Don't Want to be Part of Your Revolution https://ificantdance.org/ Tino Seghal Maria Hassabi Alexandra Bachzetsis Stuart Comer Catherine Wood Sharon Hayes Wu Tsang Every Ocean Hughes Rashid Johnson Ann Goldstein The Sovereignty of Quiet by Kevin Quashie https://www.rutgersuniversitypress.org/the-sovereignty-of-quiet/9780813553108/ Vaginal Davis Nationalmuseum Stockholm https://www.nationalmuseum.se/en/ Index Stockholm https://indexfoundation.se/ Accelerator Stockholm https://acceleratorsu.art/en/frontpage/ Tensta konsthall https://www.tenstakonsthall.se/en documenta 14 https://www.documenta14.de/en/ Adam Szymczyk The Art Institute of Chicago https://www.artic.edu/…
In the third episode of the season we talked to Puerto Rican curator and writer Sharmyn Cruz Rivera. As with all our guests this season, we discuss her views on the exhibition and the ways her practice aims to expand the boundaries of exhibition-making, with an emphasis on collaborations and dialogue. Sharmyn also explains to us how she listens to the exhibition, and we discuss how sound and listening resist the traditional exhibition structure of containment. We also talk about the ways communities are often taken for granted within an exhibition framework and how listening helps us tap into the world around us in different ways. In our introductory short conversation with Eloise we talk about enchantment and exhibitions where we had that experience lately. About our guest: Sharmyn Cruz Rivera is a Puerto Rican curator and writer based in Rotterdam. Her curatorial practice seeks to expand the boundaries of exhibition-making to make way for emerging formats of interdisciplinary collaboration, presentation, and dialogue. Her work explores the politics of identity under the conditions of modernity, colonialism, and capitalism and how subversion manifests in creative acts of refusal. She often tackles the legacy of colonisation within the Caribbean context through the lens of contemporary artistic production and strategies of redress. If you have feedback we’d love to receive your email at ihopethismessagefindsyouwell@gmail.com; you can also follow us on Instagram @ihopethismessage. The jingle was made by the artist Natalia Solzano and sound engineering by Nick Thomas. Graphic design by Christophe Clarijs. We have launched our I Hope This Message Finds You Well t-shirts, get them via our Everpress campaign: everpress.com/i-hope-this-message The episode was recorded in January 2024. Show notes: Sharmyn Cruz Rivera https://www.sharmyncruzrivera.com/ Nibia Pastrana Santiago https://www.nibiapastrana.com/ Daniel Giles https://www.pzwart.nl/blog/2020/04/01/danny-giles/ The Josephine Baker house by Adolf Loos https://www.architectural-review.com/essays/loos-and-baker-a-house-for-josephine Fluister de Wind Waarop at De Appel https://www.deappel.nl/en/archive/events/1139-fluister-de-wind-waarop Lampo, Chicago https://lampo.org/ The Art Ensemble of Chicago https://www.artensembleofchicago.com/ Sun Ra Pauline Oliveros Max Neuhaus Connie Fredericks-Malone https://conniefredericksmalone.com/ Fuga, curated by Sharmyn at Shimmer https://shimmershimmer.org/ Félix González-Torres https://www.felixgonzalez-torresfoundation.org/…
Welcome to the second episode of the third season of I Hope This Message Finds You Well, a podcast on curating hosted by Kris Dittel and Eloise Sweetman. In this season we are focusing our conversations around “the exhibition”. With our guests we discuss its status for curating, and whether we take it for granted. We want to dig deeper into the exhibition as a location for the display and reception of artworks, a space of representation and liberation, and its limitations. In this episode, we are in conversation with curator, organizer, and researcher Eszter Szakács. We discussed her curatorial beginnings as a curator’s assistant to making the Curatorial Dictionary and her recent exhibition Dóra Maurer – SUMUS – We Are Together at De Appel in Amsterdam. For Szakács, the exhibition is a place of learning, as she says “When the exhibition is open, the work begins”. That work is learning from her mistakes to use as the launching pad for a new research and exhibition. The organizing work of making exhibitions and events political, which she discusses in her work with OFF Biennale. The episode was recorded in August 2023. If you have feedback we’d love to receive your email at ihopethismessagefindsyouwell@gmail.com; you can also follow us on Instagram @ihopethismessage. The jingle was made by the artist Natalia Solzano and sound engineering by Nick Thomas. Graphic design by Christophe Clarijs. We have launched our I Hope This Message Finds You Well t-shirts, get them via our Everpress campaign: everpress.com/i-hope-this-message Show notes: In this interview, we discussed & mentioned: De Appel https://www.deappel.nl/en/ OFF-Biennale Budapest https://offbiennale.hu/en/off-biennale-budapest/ Hajnalka Somogyi https://ccs.bard.edu/people/195-hajnalka-somogyi CCS Bard https://ccs.bard.edu/school Lívia Páldi, https://hvg.hu/360/20230728_nacionalizmus_idegengyulolet_eroszak_Paldi_Livia_kurator_A_Mu_interju Curatorial dictionary https://tranzit.org/curatorialdictionary/index.php/dictionary/ Lara Khaldi, https://soundcloud.com/ihopethismessage/i-hope-this-message-finds-you-well-lara-khaldi Paul O'Neill https://soundcloud.com/ihopethismessage/i-hope-this-message-finds-you-well-paul-oneill-s2-ep5 Maria Lind https://en.wikipedia.org/wiki/Maria_Lind Documenta fifteen https://documenta-fifteen.de/en/ lumbung https://documenta-fifteen.de/en/lumbung/ Dóra Maurer, SUMUS – We Are Together at De Appel https://www.deappel.nl/en/archive/events/1196-dra-maurer-sumus-we-are-together Works and Words, De Appel, Amsterdam, 1979: https://www.deappel.nl/en/archive/events/143-works-and-words Eszter Szakács, "State-Independent Art Institutions in Unsteady States: Con/Divergences of Postsocialist and Postcolonial Contexts", Artha – Journal of Social Sciences, 2021, Vol. 20 https://journals.christuniversity.in/index.php/artha/article/view/2980/2086…
Welcome to the third season of I Hope This Message Finds You Well, a podcast on curating hosted by Kris Dittel and Eloise Sweetman. In this season we’ll be focusing our conversations around “the exhibition”. With our guests we discuss its status for curating, and whether we take the exhibition format for granted. We want to dig deeper into the exhibition as a location for the display and reception of artworks, a space of representation and liberation, and its limitations. Today's episode is with us getting back into the swing of things, and we discuss a lot. From comments from listeners to the job of curating, vulnerability, power dynamics, what kind of feelings are allowed in the exhibition space and the space of work. We also share perspectives on the exhibition and what we think it can and cannot do. The episode was recorded somewhere in August 2023. If you have feedback we’d love to receive your email at ihopethismessagefindsyouwell@gmail.com; you can also follow us on Instagram @ihopethismessage and find us on SoundCloud @ihopethismessage. The jingle was made by the artist Natalia Solzano and sound engineering by Nick Thomas. Graphic design by Christophe Clarijs. We have launched our I Hope This Message Finds You Well t-shirts, get them via our Everpress campaign: https://everpress.com/i-hope-this-message Show notes: Jindřich Chalupecký Society https://www.sjch.cz/en/ Happier in Hollywood https://happierinhollywood.com/ Joseph Grigely’s Conversation with the Hearing http://www.airdeparis.com/artists/joseph-grigely/oeuvres/conversations/conversations-grigely.html Shimmer, https://shimmershimmer.org/ Byung Chul Han's The Scent of Time https://www.google.nl/books/edition/The_Scent_of_Time/FGw3DwAAQBAJ?hl=en&gbpv=1&printsec=frontcover Temporary Gallery CCA https://www.temporarygallery.org/en/homepage-2/ Unruly Kinships exhibition https://www.temporarygallery.org/en/unruly-kinships-2/…
I Hope This Message Finds You Well is back! With this trailer we are launching the third season of the podcast on curating, hosted by Kris Dittel and Eloise Sweetman. In each episode we talk to our guests about their work, professional trajectory, motivation, and reasons to work as a curator or otherwise. In this season we focus on the topic of the exhibition – as format, medium, and device. We've talked to Eszter Szakács, Sharmyn Cruz Rivera, Hendrik Folkerts, Clémentine Deliss and others about the meaning, possibilities and limits of the exhibition. Our jingle is by Natalia Sorzano, an artist based between Bogotá (Colombia) and Rotterdam. She's working primarily with mixed media installations, music, and performances to video. In her work she inquires how relations between human and more-than-human species, objects and spaces unfold and how they affect our subjectivity. Find out more about her work at https://nataliasorzano.wordpress.com/ Our sound engineer is Nick Thomas. https://www.studiowolphi.net/ The third season of the podcast also got a makeover, courtesy of Christophe Clarijs. http://christopheclarijs.be/ We have launched our I Hope This Message Finds You Well t-shirts, get them via our Everpress campaign: https://everpress.com/i-hope-this-message…
I Hope This Message Finds You Well is a podcast on curating hosted by Kris Dittel and Eloise Sweetman. In this episode, we talk with Zippora Elders with whom we delve into the imaginative realm of curating, connecting the personal to profound questions, and her approach to navigating institutions. Zippora Elders is the chief curator (head curatorial department & outreach) of the Gropius Bau in Berlin. Previously she was director of Kunstfort bij Vijfhuizen in the Netherlands, where she has since 2016 increased the visibility of this UNESCO heritage site as a thriving retreat for contemporary art and ecological exchange under the themes of Science Fiction and Enchantment, Healing, Fertility. In 2019 she also became co-curator of Sonsbeek 20-24: On Labour and its Sonic Ecologies. Formerly she was curator at Foam, museum for photography in Amsterdam. She studied Art History, Curatorial Practice and Museum Curatorship, with extracurricularly Public Administration and Philosophy. The episode was recorded in May 2022. If you have feedback we’d love to receive your email at ihopethismessagefindsyouwell@gmail.com; you can also follow us on Instagram @ihopethismessage and find us on SoundCloud @ihopethismessage. The jingle was made by the artist duo Momu & No Es and sound engineering by Nick Thomas. Graphic design by Christophe Clarijs. Show notes Institutions and exhibitions mentioned in this episode: Foam Museum Amsterdam https://www.foam.org/nl Kunstfort bij Vijfhuizen https://www.kunstfort.nl/ ‘Enchant embrace them you odd peninsula, A gathering with love, for Kunstfort’ https://www.kunstfort.nl/en/exhibitions/enchant-embrace-them-you-odd-peninsula/ Gropius Bau https://www.berlinerfestspiele.de/en/gropiusbau/start.html Sonsbeek 20-24 https://www.sonsbeek20-24.org/en/…
I Hope This Message Finds You Well is a podcast on curating hosted by Kris Dittel and Eloise Sweetman. In this episode, we talk with Paul O'Neill. We discuss Paul’s professional trajectory from being an artist to becoming a curator; the many different modes one can work as a curator; the notion of failure as a threshold of learning, and accumulative exhibition models. Dr. Paul O’Neill is an Irish curator, artist, writer and educator. He is the Artistic Director of PUBLICS, a position he took up in September 2017. PUBLICS is a curatorial agency and event space with a dedicated library, and reading room in Helsinki. Between 2013-17, he was Director of the Graduate Program at the Center for Curatorial Studies (CCS), Bard College, New York. He is author of the critically acclaimed book The Culture of Curating and the Curating of Culture(s), (Cambridge, MASS., The MIT Press, 2012), which has been translated into many languages. His most recent coedited book is Curating After the Global: Roadmaps to the Present published with MIT Press, 2019. If you have feedback we’d love to receive your email at ihopethismessagefindsyouwell@gmail.com; you can also follow us on Instagram @ihopethismessage and find us on SoundCloud @ihopethismessage. The jingle was made by the artist duo Momu & No Es and sound engineering by Nick Thomas. Graphic design by Christophe Clarijs. The episode was recorded in March 2022. Show notes: People mentioned in this episode: Eduardo Padilha - https://eduardopadilha.com/bard-college/ B+B Sarah Pierce https://themetropolitancomplex.com/ Kathrin Böhm https://kathrinbohm.info/ Institutions mentioned in this episode: PUBLICS https://www.publics.fi/ Center for Curatorial Studies, Bard College https://ccs.bard.edu/ The Hessel Museum of Art https://ccs.bard.edu/museum SMART project space https://arcam.nl/architectuur-gids/smart-project-space/ Exhibitions mentioned in this episode Coalesce: With All Due Intent https://www.pauloneill.org.uk/www.pauloneill.org.uk/curatorial/projects/index.html Coalesce-Happenstance https://www.pauloneill.org.uk/www.pauloneill.org.uk/curatorial/projects/coalesce-happenstance/index.html We are the Center for Curatorial Studies https://www.pauloneill.org.uk/www.pauloneill.org.uk/curatorial/projects/center-curatorial-studies/index.html…
I Hope This Message Finds You Well is a podcast on curating hosted by Kris Dittel and Eloise Sweetman. In this episode we talk with Sofia Lemos who shares with us her curatorial trajectory, how she relates to art institutions and her interest in bringing together the discursive, the spiritual and the artistic. We also discuss the meaning of utopia and how art can help us to envision new worlds, alongside the question of intimacy as a possibility and the limits of institutional care. Sofia Lemos is a curator and writer. She is curator at TBA21– Academy where she leads Meandering, a new live research program centring contemplative and creative practices for social and environmental justice. From 2018–2021 she was curator of public programmes and research at Nottingham Contemporary and was associate editor at The Contemporary Journal. Recently Lemos was Associate Curator Public Programmes to the 2nd Riga International Biennial of Contemporary Art – RIBOCA (2020), with previous curatorial and research roles at HKW, Berlin, PRAXES, Berlin, DRAF, London, and MACBA, Barcelona. Her writing has been featured in various contemporary art and culture publications as well as exhibition catalogues and artist monographs. The episode was recorded in November 2021. If you have feedback we’d love to receive your email at ihopethismessagefindsyouwell@gmail.com; you can also follow us on Instagram @ihopethismessage and find us on SoundCloud @ihopethismessage. The jingle was made by the artist duo Momu & No Es and sound engineering by Nick Thomas. Graphic design by Christophe Clarijs. Show notes: People mentioned in this episode: Paul B. Preciado https://monoskop.org/Paul_B._Preciado Sophie Lewis https://www.versobooks.com/books/3756-full-surrogacy-now Avery Gordon https://www.soc.ucsb.edu/people/avery-gordon Hazel Carby https://www.lse.ac.uk/News/Latest-news-from-LSE/2021/j-October-21/Hazel-Carby-joins-LSE-as-Centennial-Professor Pilvi Takala https://pilvitakala.com/the-stroker Anselm Franke https://www.hkw.de/en/programm/beitragende_hkw/persons/personenseite_195251.php Federico Campagna https://www.federicocampagna.eu/blank-3 Omar Kasmani https://omarkasmani.com/ Institutions mentioned in this episode: tba 21 https://www.tba21.org/#item--february-september-2020--2054 Nottingham Contemporary https://nottinghamcontemporary.org/?gclid=CjwKCAjwm8WZBhBUEiwA178UnHltUM8PpIFGuIpoRxaXqnQyhDnnc4aLOnGl890vSBsXgAkhZhospxoCLaUQAvD_BwE 2nd Riga International Biennial of Contemporary Art https://www.rigabiennial.com/en/riboca-2…
I Hope This Message Finds You Well is a podcast on curating hosted by Kris Dittel and Eloise Sweetman. In this episode we talk to the three core members of Sarmad: Alireza Abbasy, Golnar Abbasi, and Arvand Pourabbasi. Sarmad is an independent, non-profit interdisciplinary platform for research, publishing, collective thinking, and education in the fields of art, architecture and design. In this episode we discuss editorial practices and their possible links to curating, how curating can be understood as a way of redistributing resources; navigating relationships towards audiences and funding bodies; and the work of making space for others. The episode was recorded in October 2021. If you have feedback we’d love to receive your email at ihopethismessagefindsyouwell@gmail.com; you can also follow us on Instagram @ihopethismessage and find us on SoundCloud @ihopethismessage. The jingle was made by the artist duo Momu & No Es and sound engineering by Nick Thomas. Graphic design by Christophe Clarijs. Show notes: https://sarmadmagazine.com/ https://worknot.info/ Golnar Abbasi https://golnarabbasi.com/ Alireza Abassy https://eyneyneyn.com/ Sarmad Fiction Writing Club https://sarmadmagazine.com/about-fiction-writing-club-2 Fiction Writing Club 2021 Collection https://sarmadmagazine.com/Fiction-club-2021 Fictioning Comfort project at Showroom Mama https://thisismama.nl/en/events/home-en/fictioning-comfort/ Fictioning Comfort, online platform http://www.fictioningcomfort.space/ People mentioned in this episode: Tomi Hilsee Bik van der Pol Institutions mentioned in this episode: Showroom MAMA…
I Hope This Message Finds You Well is a podcast on curating hosted by Kris Dittel and Eloise Sweetman. In this episode we talk to Sara Giannini, curator, writer and educator currently affiliated with the Amsterdam based organisation If I Can’t Dance, I Don’t Want To Be Part of Your Revolution. We discussed Sara’s approach to curating, which usually includes experimental situations and platforms that continue over time; how the loneliness of freelancing led her to take an institutional position; and the thin line between friendships and professional responsibilities. The episode was recorded in October 2021. If you have feedback we’d love to receive your email at ihopethismessagefindsyouwell@gmail.com; you can also follow us on Instagram @ihopethismessage and find us on SoundCloud @ihopethismessage. The jingle was made by the artist duo Momu & No Es and sound engineering by Nick Thomas. Graphic design by Christophe Clarijs. Show notes: Maquillage as Meditation: Carmelo Bene and the Undead https://ificantdance.org/maquillage-as-meditation-carmelo-bene-and-the-undead/ Heterotropics, an independent research and curatorial platform http://heterotropics.com/about Institutions mentioned in this episode If I Can't Dance, I Don't Want To Be Part Of Your Revolution, Amsterdam Dutch Art Institute…
Welcome to the second season of I Hope This Message Finds You Well, a podcast on curating hosted by Kris Dittel and Eloise Sweetman. This episode is with us. We return to our initial conversation in 2020 and discuss what we have learned from our guest in season 1, and what has changed in our personal and professional lives since then. The episode was recorded in April 2022. If you have feedback we’d love to receive your email at ihopethismessagefindsyouwell@gmail.com; you can also follow us on Instagram @ihopethismessage and find us on SoundCloud @ihopethismessage. The jingle was made by the artist duo Momu & No Es and sound engineering by Nick Thomas. Graphic design by Christophe Clarijs. Show notes: Lara Khaldi’s episode https://soundcloud.com/ihopethismessage/i-hope-this-message-finds-you-well-lara-khaldi Jo-ey Tang’s episode https://soundcloud.com/ihopethismessage/i-hope-this-message-finds-you-well-jo-ey-tang Fierce Pussy https://fiercepussy.org/ Paul O´Neill - Exhibitions as Readymades, Attentiveness and Escape https://www.youtube.com/watch?v=z8sw0KcVvZw Shanta Rao http://shantarao.net/ Aneta Rostkowska and their collaborative project with Kris https://www.medienwerk.nrw/en/projects/3955/ Clementine Edwards, The Material Kinship Reader https://www.onomatopee.net/exhibition/the-material-kinship-reader/#publication_19309 Katie West https://katiewularniwest.com/home.html Joseph Grigely https://www.youtube.com/watch?v=vG_cZjUP088…
I hope this message finds you well, heading into 2022! What a year it’s been! We are thankful for the genuine and joyful conversations to all our guests. As we are wrapping up our first season, we’d like to share with you some cheerful moments full of laughter. We will be back soon with Season 2. ~ Stay tuned ~ As always, if you have feedback, we’d love to receive your email at ihopethismessagefindsyouwell@gmail.com; you can also follow us on Instagram @ihopethismessage and find us on SoundCloud @ihopethismessage. Our music is by Difficult and sound engineering by Nick Thomas. Graphic design by Christophe Clarijs. Transcript: https://docs.google.com/document/d/1Mzt5SOk6LOCxCc_Ta2KoBH5rGVkOMQ3fr-GR7NHJU7Q/edit?usp=sharing…
In this bonus episode of I Hope This Message Finds You Well we share fragments of conversations with our guests that did not make it into the final edit. With Cédric Fauq we discuss our “professional crushes”, curators we hold in high regard. We also talk about what it means to involve the audience into the thinking and making process. With Jo-ey Tang we consider email protocols in pandemic times and beyond. Last but not least, with Clare Butcher we talk about office life vs. freelance time management, and the way the pandemic shaped our comfort to meet others in person. If you have feedback we’d love to receive your email at ihopethismessagefindsyouwell@gmail.com; you can also follow us on Instagram @ihopethismessage and find us on SoundCloud @ihopethismessage. Our music is by Difficult and sound engineering by Nick Thomas. Graphic design by Christophe Clarijs. Episode transcript: https://docs.google.com/document/d/1Fou5zuBfUeUbTtRvxGsZBY0wFFuV5O4ElwzSti654C4/edit?usp=sharing…
مرحبًا بك في مشغل أف ام!
يقوم برنامج مشغل أف أم بمسح الويب للحصول على بودكاست عالية الجودة لتستمتع بها الآن. إنه أفضل تطبيق بودكاست ويعمل على أجهزة اندرويد والأيفون والويب. قم بالتسجيل لمزامنة الاشتراكات عبر الأجهزة.