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المحتوى المقدم من Editors Anonymous Podcast. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Editors Anonymous Podcast أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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Episode 04 - Enrica Gatto 🇮🇹

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Manage episode 285631322 series 2866001
المحتوى المقدم من Editors Anonymous Podcast. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Editors Anonymous Podcast أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

Enrica Gatto, who studied directing at the Zelig Film School, began her career as an editor almost by chance, editing the documentary “Valentina Postika in attesa di partire” (Best Italian Documentary at the Turin Film Festival 2009) by her schoolmate Caterina Carone. Since then, Enrica has edited some of the most interesting Italian documentaries of the last decade (“L’apprendistato” by Davide Maldi, “The Strange Sound of Happiness” by Diego Pascal Panarello, and “La natura delle cose” by Laura Viezzoli), along with some forays into comedy (“Fräulein: una fiaba d’inverno” by Caterina Carone and “Odio l’estate” with Aldo, Giovanni, and Giacomo). Therefore, we couldn’t help but ask her what the difference is between editing a documentary and a comedy.

Hosted by: Gabriele Borghi and Pierpaolo Filomeno.

Language: Italian

Editors Anonymous is a podcast dedicated to film editing. We now offer episodes in either Italian or English! Find out more at ⁠⁠⁠⁠⁠editorsanonymous.com⁠⁠⁠⁠, follow us on ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠. The language of each episode is indicated in the title.

***

Enrica Gatto, che alla scuola di cinema Zelig aveva studiato regia, ha cominciato la sua carriera da montatrice quasi per caso, montando il documentario “Valentina Postika in attesa di partire” (miglior documentario italiano al Torino Film Festival 2009) della sua compagna di scuola Caterina Carone. Da allora Enrica ha montato alcuni dei più interessanti documentari italiani dell’ultimo decennio (“L’apprendistato” di Davide Maldi, “The strange sound of happiness” di Diego Pascal Panarello e “La natura delle cose” di Laura VIezzoli) con qualche scorribanda nella commedia (“Fräulein: una fiaba d’inverno” di Caterina Carone e “Odio l’estate” con Aldo, Giovanni e Giacomo). Non potevamo allora non chiederle che differenza c’è tra montare un documentario e una commedia
Conducono: Gabriele Borghi e Pierpaolo Filomeno

Montatori Anonimi è nato nel 2021 come podcast in italiano, ma ora offre episodi in italiano o in inglese. La lingua di ogni episodio è indicata nel titolo. Seguite Montatori Anonimi su ⁠⁠⁠Instagram⁠⁠⁠ e ⁠⁠⁠Facebook⁠⁠⁠, e su ⁠⁠⁠montatorianonimi.it⁠

Volete rimanere aggiornati su tutto ciò che riguarda il montaggio? Abbiamo lanciato Match Frame, la nostra ⁠⁠⁠newsletter⁠⁠⁠ gratuita!

  continue reading

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Manage episode 285631322 series 2866001
المحتوى المقدم من Editors Anonymous Podcast. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Editors Anonymous Podcast أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

Enrica Gatto, who studied directing at the Zelig Film School, began her career as an editor almost by chance, editing the documentary “Valentina Postika in attesa di partire” (Best Italian Documentary at the Turin Film Festival 2009) by her schoolmate Caterina Carone. Since then, Enrica has edited some of the most interesting Italian documentaries of the last decade (“L’apprendistato” by Davide Maldi, “The Strange Sound of Happiness” by Diego Pascal Panarello, and “La natura delle cose” by Laura Viezzoli), along with some forays into comedy (“Fräulein: una fiaba d’inverno” by Caterina Carone and “Odio l’estate” with Aldo, Giovanni, and Giacomo). Therefore, we couldn’t help but ask her what the difference is between editing a documentary and a comedy.

Hosted by: Gabriele Borghi and Pierpaolo Filomeno.

Language: Italian

Editors Anonymous is a podcast dedicated to film editing. We now offer episodes in either Italian or English! Find out more at ⁠⁠⁠⁠⁠editorsanonymous.com⁠⁠⁠⁠, follow us on ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠. The language of each episode is indicated in the title.

***

Enrica Gatto, che alla scuola di cinema Zelig aveva studiato regia, ha cominciato la sua carriera da montatrice quasi per caso, montando il documentario “Valentina Postika in attesa di partire” (miglior documentario italiano al Torino Film Festival 2009) della sua compagna di scuola Caterina Carone. Da allora Enrica ha montato alcuni dei più interessanti documentari italiani dell’ultimo decennio (“L’apprendistato” di Davide Maldi, “The strange sound of happiness” di Diego Pascal Panarello e “La natura delle cose” di Laura VIezzoli) con qualche scorribanda nella commedia (“Fräulein: una fiaba d’inverno” di Caterina Carone e “Odio l’estate” con Aldo, Giovanni e Giacomo). Non potevamo allora non chiederle che differenza c’è tra montare un documentario e una commedia
Conducono: Gabriele Borghi e Pierpaolo Filomeno

Montatori Anonimi è nato nel 2021 come podcast in italiano, ma ora offre episodi in italiano o in inglese. La lingua di ogni episodio è indicata nel titolo. Seguite Montatori Anonimi su ⁠⁠⁠Instagram⁠⁠⁠ e ⁠⁠⁠Facebook⁠⁠⁠, e su ⁠⁠⁠montatorianonimi.it⁠

Volete rimanere aggiornati su tutto ciò che riguarda il montaggio? Abbiamo lanciato Match Frame, la nostra ⁠⁠⁠newsletter⁠⁠⁠ gratuita!

  continue reading

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