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المحتوى المقدم من Emily Doyle Moore and The Santa Fe Opera. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Emily Doyle Moore and The Santa Fe Opera أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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Jamie Barton on Epic Singing, Queer Characters, and the Heart and Complication in Tristan und Isolde

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Manage episode 334511138 series 2944105
المحتوى المقدم من Emily Doyle Moore and The Santa Fe Opera. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Emily Doyle Moore and The Santa Fe Opera أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

There’s no such thing as a “little” Wagner. Host Jane Trembley catches up with internationally acclaimed mezzo-soprano Jamie Barton in anticipation of the epic Santa Fe Opera debut of Tristan und Isolde.

The pair chat about the thrill of performing this legendary tale of love and betrayal––and why Richard Wagner’s music is totally worth leaving the house for! Jamie also discusses interpreting her characters through a queer lens and transcending the score to create meaningful art.

“I love this character!” says Jamie of the empathetic Brangäne. “She reminds me of myself in a lot of ways.” For this production, loyal maid Brangäne is cast as Isolde’s sibling. That sisterly bond provides a fresh emotional counterpoint to the titular lovers’ physical attraction. Exploring such nuances suits Jamie, a big, queer girl who advocates for bringing one’s whole self to the stage. “My job is to story-tell, and one of the baseline things I allow myself to do is come with my own honest perspective.”

Jamie, a self-professed Wagner nerd, asserts that Tristan und Isolde sets the bar for all other works in the German composer’s canon, if not all of modern musical composition. “It's overwhelming! This particular opera inspired so much of the 20th-century stuff that we know.”

Still, some folks might need additional coaxing to venture out. For them, Jamie plays her most persuasive card: The Crosby Theatre itself. “We're starting this before sunset, so there’ll be this daytime-to-nighttime transition. That’s an element that’s difficult to get in any other sort of typical theater.”

FEATURING

Jamie Barton – Mezzo-Soprano

Website

Instagram

Twitter

TikTok

Facebook

CREDITS

Destination Santa Fe Opera is a Santa Fe Opera podcast, produced and edited by Andrea Klunder at The Creative Impostor Studios.

Post-Production Audio: Edwin R. Ruiz

Hosted by: Jane Trembley

Show Notes by: Lisa Widder

***

Learn more about the Santa Fe Opera and plan your visit at https://www.santafeopera.org.

We'd love for you to join us on Instagram, Twitter, Facebook, and TikTok @santafeopera.

  continue reading

32 حلقات

Artwork
iconمشاركة
 
Manage episode 334511138 series 2944105
المحتوى المقدم من Emily Doyle Moore and The Santa Fe Opera. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Emily Doyle Moore and The Santa Fe Opera أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

There’s no such thing as a “little” Wagner. Host Jane Trembley catches up with internationally acclaimed mezzo-soprano Jamie Barton in anticipation of the epic Santa Fe Opera debut of Tristan und Isolde.

The pair chat about the thrill of performing this legendary tale of love and betrayal––and why Richard Wagner’s music is totally worth leaving the house for! Jamie also discusses interpreting her characters through a queer lens and transcending the score to create meaningful art.

“I love this character!” says Jamie of the empathetic Brangäne. “She reminds me of myself in a lot of ways.” For this production, loyal maid Brangäne is cast as Isolde’s sibling. That sisterly bond provides a fresh emotional counterpoint to the titular lovers’ physical attraction. Exploring such nuances suits Jamie, a big, queer girl who advocates for bringing one’s whole self to the stage. “My job is to story-tell, and one of the baseline things I allow myself to do is come with my own honest perspective.”

Jamie, a self-professed Wagner nerd, asserts that Tristan und Isolde sets the bar for all other works in the German composer’s canon, if not all of modern musical composition. “It's overwhelming! This particular opera inspired so much of the 20th-century stuff that we know.”

Still, some folks might need additional coaxing to venture out. For them, Jamie plays her most persuasive card: The Crosby Theatre itself. “We're starting this before sunset, so there’ll be this daytime-to-nighttime transition. That’s an element that’s difficult to get in any other sort of typical theater.”

FEATURING

Jamie Barton – Mezzo-Soprano

Website

Instagram

Twitter

TikTok

Facebook

CREDITS

Destination Santa Fe Opera is a Santa Fe Opera podcast, produced and edited by Andrea Klunder at The Creative Impostor Studios.

Post-Production Audio: Edwin R. Ruiz

Hosted by: Jane Trembley

Show Notes by: Lisa Widder

***

Learn more about the Santa Fe Opera and plan your visit at https://www.santafeopera.org.

We'd love for you to join us on Instagram, Twitter, Facebook, and TikTok @santafeopera.

  continue reading

32 حلقات

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مرحبًا بك في مشغل أف ام!

يقوم برنامج مشغل أف أم بمسح الويب للحصول على بودكاست عالية الجودة لتستمتع بها الآن. إنه أفضل تطبيق بودكاست ويعمل على أجهزة اندرويد والأيفون والويب. قم بالتسجيل لمزامنة الاشتراكات عبر الأجهزة.

 

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