Episode 7: William Castle's HOMICIDAL + Mark Oates and Tom Rubnitz's PSYKHO III: THE MUSICAL

Cruising the Movies

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Andrianna Natsoulas: Don't Cage Our Oceans 40:50

منذ 7 أيام40:50

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40:50

“That's taxpayer’s money that is going to support research and development and pilot projects to develop a food system that is based on environmental destruction and greed and disregard for animals, fish, and any of the other marine mammals that might be around it.” - Andrianna Natsoulas Andrianna Natsoulas is the campaign director for Don't Cage Our Oceans, an organization that exists to keep our oceans free from industrial fish farms. Offshore finfish farming is the mass cultivation of finfish in marine waters, in underwater or floating net pens, pods, and cages. Offshore finfish farms are factory farms that harm public health, the environment, and local communities and economies that rely on the ocean and its resources. Don’t Cage Our Oceans are a coalition of diverse organizations working together to stop the development of offshore finfish farming in the United States through federal law, policies, and coalition building. And, although it is not yet happening, right now the US Administration and Congress are promoting this kind of farming, which would be nothing short of disastrous for the oceans, the planet and the people and animals who live here. dontcageouroceans.org…

منذ عام واحد 42:36

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In HOMICIDAL, the kind-hearted Miriam Webster is framed for the cold-blooded murder of a justice of the peace just as her absent brother Warren returns home from a long trip to Denmark after the death of their father. As tensions begin to flare over who will inherit the sizable fortune, Warren’s mysterious new wife will stop at nothing to make sure it doesn’t go to his sister.

With its insanely twisted take on gender and winkingly campy tone (not to mention the "Fright Break"—one of filmmaker William Castle's signature gimmicks), HOMICIDAL plays like something of a drag parody of Hitchcock's original film. Meanwhile, PSYKHO III: THE MUSICAL actually is a drag parody: a videotaped version of Mark Oates' musical adaptation of the Hitchcock film originally staged at the legendary Pyramid Club.

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#Cinema #Ask Any Buddy #Look A Film

Episode 7: William Castle's HOMICIDAL + Mark Oates and Tom Rubnitz's PSYKHO III: THE MUSICAL

Cruising the Movies

published منذ عام واحد

MP3•منزل الحلقة

57 حلقات

#Cinema #Ask Any Buddy #Look A Film

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Episode 11: Richard Benner's OUTRAGEOUS! 40:03

منذ 7 أيام40:03

40:03

Hello, welcome—and in the spirit of our neighbors to our north, bonjour bienvenue . In this month’s episode, we discuss a film that almost defies belief: a highly popular and critically acclaimed queer film from the 1970s about a drag queen’s ambitions for stardom and his tumultuous friendship with a mentally ill gal-pal—all produced through a deliberate and infamous loophole in the Canadian tax code. The story, and the film, is truly outrageous. Liz and KJ spend this episode discussing Richard Benner’s true gem of a film OUTRAGEOUS!, including how it actually made its star Craig Russell an international drag superstar. They dive into the era of Canadian tax shelter films, and discuss why the kinda-genre doesn’t entirely deserve its bad rap. Your hosts also consider the film’s provocative advertising campaign, what made this film take off as the beloved and acclaimed film in its time versus other 70s gay films, and what issues may have kept this from being seen as a key moment in drag and queer film history. You can catch OUTRAGEOUS! at the IFC Center in Manhattan on Thursday, February 27 at 7PM. If you’re in the New York City metro area, we’d love to see you there!…

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Episode 10: Gregg Araki's THREE BEWILDERED PEOPLE IN THE NIGHT (1987) 46:49

منذ عام واحد46:49

46:49

This month on the podcast, Liz and Keegan take a look at queer filmmaker Gregg Araki's first film. You might know it, it's about two HIV+ gay men on the run after killing a cop, who—oh, wait, no it's not THE LIVING END, it's Araki's actual first film, 1987's THREE BEWILDERED PEOPLE IN THE NIGHT. Shot for $5,000 with a crew of one and a wind-up Bolex, this no-budget wonder follows a gay performance artist, his video artist best friend, and her sexually confused photographer boyfriend, who fall into a disorienting bisexual love triangle over the course of a series of long dark nights in the coffee shops and bedrooms of Los(t) Angeles. Rarely screened theatrically and only ever released on VHS in Japan, THREE BEWILDERED PEOPLE IN THE NIGHT is a forgotten landmark of 80s queer cinema and a fascinating origin for one of the most beloved queer filmmakers of the past several decades. We'll be showing it TONIGHT at IFC Center in Manhattan at 7pm — it's the film's very first screening in New York in about a decade, so hope to see you there.…

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Episode 9: Arthur J. Bressan, Jr.'s DADDY DEAREST (1984) 41:50

منذ عام واحد41:50

41:50

What better way to wrap up the year than with a beautiful work of gay adult cinema from a still-underappreciated director? This month, Liz and KJ cover Arthur J. Bressan, Jr.’s DADDY DEAREST—an adult film about the making of an adult film that’s just as dreamlike and wistful as is relentlessly horny. DADDY DEAREST isn’t Bressan’s most famous work—nowhere near as famous as his San Francisco adult films PASSING STRANGERS and FORBIDDEN LETTERS, the foundational documentary GAY USA, the controversial ABUSE, nor his crossover masterpiece BUDDIES—but it truly showcases Bressan’s daring storytelling, clever cinematography, thoughtful editing, and spot-on casting. In this episode, we go through what we love about both Bressan and this film in particular: his love of film history; his talent for blending multiple realities, and his brilliance for representing unbridled desire and pleasure on film. We are screening DADDY DEAREST at the IFC Center on Monday, December 9, at 7pm, in a brand-new 2K restoration by Altered Innocence and the Bressan Project. If you love what you see and also live in New York City, make sure to also check out Adam Baran’s Narrow Rooms series at Anthology Film Archives, where he will be screening another underrated Bressan feature, JUICE, on Saturday, December 14th.…

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Episode 8: Gordon Willis's WINDOWS (1980) 47:41

منذ عام واحد47:41

47:41

This month on Cruising the Movies , Liz and KJ take a look at what is undoubtedly one of the most controversial lesbian films ever made: cinematographer-turned-director Gordon Willis's 1980 film, Windows . Talia Shire stars as Emily, a mousy stutterer who endures a bizarre assault at the hands of a stranger after returning home from work one night. While she initially finds comfort and protection in poet Andrea (Elizabeth Ashley), she later comes to find out there's more to her friend than meets the eye. Over the course of the episode, we compare the final film to its radically different originaly screenplay and talk about how it fits in with the other three controversial queer New York films from 1980: Can't Stop the Music (dir. Nancy Walker), Cruising (dir. William Friedkin), and Dressed to Kill (dir. Brian De Palma). And if you're in the New York area, we'll be presenting a very rare 35mm screening of the film at IFC on Monday, November 24th at 7pm!…

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Episode 7: William Castle's HOMICIDAL + Mark Oates and Tom Rubnitz's PSYKHO III: THE MUSICAL 42:36

منذ عام واحد42:36

42:36

This month on CRUISING THE MOVIES, Liz and KJ take a look at two very different—but similar!—riffs on Alfred Hitchcock's analyzed-to-death PSYCHO: William Castle's 1961 film HOMICIDAL and Mark Oates and Tom Rubnitz's 1985 video short, PSYKHO III: THE MUSICAL. In HOMICIDAL, the kind-hearted Miriam Webster is framed for the cold-blooded murder of a justice of the peace just as her absent brother Warren returns home from a long trip to Denmark after the death of their father. As tensions begin to flare over who will inherit the sizable fortune, Warren’s mysterious new wife will stop at nothing to make sure it doesn’t go to his sister. With its insanely twisted take on gender and winkingly campy tone (not to mention the "Fright Break"—one of filmmaker William Castle's signature gimmicks), HOMICIDAL plays like something of a drag parody of Hitchcock's original film. Meanwhile, PSYKHO III: THE MUSICAL actually is a drag parody: a videotaped version of Mark Oates' musical adaptation of the Hitchcock film originally staged at the legendary Pyramid Club.…

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Episode 6: Rosa von Praunheim's ARMY OF LOVERS OR REVOLT OF THE PERVERTS (1979) 55:07

منذ عام واحد55:07

55:07

On this episode of CRUISING THE MOVIES, Liz and KJ discuss what they consider one of the best documentaries of all time, regardless of topic: Rosa Von Praunheim's ARMY OF LOVERS OR REVOLT OF THE PERVERTS. Made by the prodigious German filmmaker in the aftermath of his groundbreaking and controversial IT IS NOT THE HOMOSEXUAL WHO IS PERVERSE BUT THE SOCIETY IN WHICH HE LIVES—and at the same time as several other of his New York-based features—ARMY OF LOVERS documents the peaks and valleys of gay liberation in the US during the 1970s. Along the way, Praunheim meets both the historical catalysts of gay liberation as well as a cavalcade of characters, including Rev. Troy Perry, sex god Fred Halsted, and more than one person on the fringes of acceptability. Tune in as we talk about Rosa's longstanding fascination and celebration of the United States, warts and all, his distinctive storytelling style, and this documentary still feels provocative and salient five decades later.…

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Episode 5: Edward D. Wood, Jr.'s GLEN OR GLENDA (1953) 1:17:15

منذ عام واحد1:17:15

1:17:15

On this episode of CRUISING THE MOVIES, our hosts dive into another queer film classic: Edward D. Wood, Jr..’s GLEN OR GLENDA. Calling anything Ed Wood made a genuine “classic” is a relatively new phenomenon in many film circles. Ed Wood used to be the laughingstock of lazy (and bigoted) critics—his name being shorthand for poorly done and confusing work. Now, amid what would’ve been the filmmaker’s 100th birthday, many more people are seeing his films as fascinating looks at gender, desire, and dreamlike feelings that can’t even be put into words. At once earnest and surreal, we make the case that GLEN OR GLENDA should be seen as a foundational trans film—and how Wood’s personal life shaped some of the storylines you see onscreen. We then continue this conversation with Willow Catelyn McClay, co-author of CORPSES, FOOLS, AND MONSTERS: THE HISTORY AND FUTURE OF TRANSNESS IN CINEMA. Liz, KJ, and Willow all discuss how you don’t get to David Lynch without Ed Wood, why domesticity is a recurring tension in trans film images, and where trans cinema may (hopefully) go next. You can watch a rare 35mm print (!) of GLEN OR GLENDA with us at the IFC Center on Tuesday, August 20 at 7PM. We are pairing it with the short VALERIE, which is a gem of a short about a Black trans woman in 1970s Ohio. CORPSES, FOOLS, AND MONSTERS is available wherever you do reputable book business.…

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Episode 4: Fatale Video's SUBURBAN DYKES (1991) and SAFE IS DESIRE (1993) 1:30:08

منذ عام واحد1:30:08

1:30:08

On this episode of Cruising the Movies, Liz and KJ discuss two classic dyke porn shorts: Fatale Video's SAFE IS DESIRE and SUBURBAN DYKES. Born from the same minds who created On Our Backs magazine, Fatale was the first adult film studio dedicated to making movies by and for lesbians, showcasing lesbian sex and sexuality in a way rarely seen in movies before: diverse, kinky, funny, and above all hot. Our hosts explain how Fatale brought the spirit of On Our Backs into film, why they successfully merged heavy kink and safe sex in SAFE IS DESIRE, and how they took on the myth of lesbian bed death in SUBURBAN DYKES. And if that isn't enough, Liz then interviews the producer of both videos, Nan Kinney! You can catch both films—and Nan!—at our monthly screening series at the IFC Center, on Monday July 22nd at 7 pm.…

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Episode 3: Frank Ripploh's TAXI ZUM KLO (1980) 54:10

منذ عام واحد54:10

54:10

On this episode, Liz and KJ are excited to discuss one of their all-time favorites: Frank Ripploh's 1980 debut, TAXI ZUM KLO. Still more thrilling and funny than most of the films that have taken inspiration from it over the past four decades, TAXI ZUM KLO continues to spark conversations about community, identity, and commitment that still feel relevant. We talk about the film’s thin (and sometimes invisible) line between truth and fiction, the bigger tensions in West German gay liberation, the recurring theme of gay teachers in queer Western films in the 70s and 80s, and the very real reason why this film actually may hit you differently depending on when and where you see it. Speaking of: if you’re in the New York City area, make sure to catch our screening of TAXI ZUM KLO at the IFC Center on Tuesday, June 11 at 7:00PM. We’re screening an all-new restoration—and it’s the first time the film has played in the city in five years! See you there!…

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Episode 2: Bob Clark's SHE-MAN: A STORY OF FIXATION (1967) and QUEENS AT HEART 1:43:29

منذ عام واحد1:43:29

1:43:29

This month on CRUISING THE MOVIES, Liz and KJ take you into the twilight world of men turned into women with BLACK CHRISTMAS filmmaker Bob Clark’s feature debut, SHE-MAN: A STORY OF FIXATION. Made in Florida with a cast largely drawn from the stage of New York’s legendary 82 Club, SHE-MAN tells the story of Lt. Albert Rose, a macho soldier who finds himself forced to take estrogen as part of a blackmail scheme led by the mysterious Dominita. The shocking part? He likes it. THEN, KJ speaks with Caden Mark Gardner, co-author of the upcoming book "Corpses, Fools, and Monsters: The History and Future of Transness in Cinema." SHE-MAN will return to New York for the first time in decades for a rare 35mm screening with its original co-feature, the trans documentary short QUEENS AT HEART, at IFC Center on Monday, May 13th at 7pm.…

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Episode 1: Bruce LaBruce's NO SKIN OFF MY ASS (1991) 1:34:41

منذ عام واحد1:34:41

1:34:41

In this inaugural episode of CRUISING THE MOVIES, Liz and KJ take a look at the controversial (and oft-censored) debut feature from one of queer cinema's great provocateurs: Bruce LaBruce. A loose remake of Robert Altman's THAT COLD DAY IN THE PARK, LaBruce's NO SKIN OFF MY ASS tells the story of the strange love affair between a swishy gay hairdresser and a skinhead. Then, Liz and KJ speak with filmmaker Henry Hanson, whose recent short BROS BEFORE was heavily inspired by LaBruce's early work. Both NO SKIN OFF MY ASS and BROS BEFORE play at IFC Center in New York on Monday, April 29th at 7pm.…

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Episode 44: A New Chapter... 15:13

منذ عام واحد15:13

15:13

We know it's been a while since you last heard from us, so we wanted to let you know about our new project. It's a spiritual successor to ASK ANY BUDDY called Cruising the Movies: a monthly podcast and film screening series at IFC Center in New York City exploring the fringes of queer cinema history. As with ASK ANY BUDDY, each episode will provide a deeper dive into the history, production, and impact of these films and feature interviews, archival sources, and conversations with filmmakers, critics, and historians. Our first episode and screening will feature Bruce LaBruce's NO SKIN OFF MY ASS and Henry Hanson's BROS BEFORE. The episode will be on this same feed next week, with the screening occuring Monday, April 29th at 7pm. Tickets now on sale at ifccenter.com.…

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Episode 43: 'ASK ANY BUDDY and the Golden Age of All-Male Adult Cinema' Preview 1:01:04

منذ عامين1:01:04

1:01:04

We're back! This week, we return from our extended summer break with a look at something that's been in the works for nearly three years: the ASK ANY BUDDY and the Golden Age of All-Male Adult Cinema series happening at New York's Anthology Film Archives beginning this Thursday, October 20th and running through the 25th. This series marks the first theatrical screenings of ASK ANY BUDDY since early 2021 and also includes seven other films from the era, including five extremely rare 16mm screenings and the world premiere of a new 2K restoration of Peter Berlin's THAT BOY. Over the course of this episode, we'll talk about each of those seven films, the challenges of programming sex films, and the historical value of seeing these films on film.…

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Episode 42: Arthur J. Bressan, Jr.'s DADDY DEAREST (1984) 1:17:14

منذ 3 أعوام1:17:14

1:17:14

This week on the podcast, we’re celebrating the release of Altered Innocence’s new Blu-ray release of Arthur J. Bressan, Jr.’s seminal PASSING STRANGERS and FORBIDDEN LETTERS by taking a look at his 1984 film, DADDY DEAREST. The third and final film in Bressan’s self-described ‘personal/porno trilogy,’ DADDY DEAREST tells the story of Edward Thompson, a gay porn director with artistic aspirations who finds his personal life and private fantasies bleeding into the production of his latest film. One of Bressan’s most ambitious explorations of fantasy, memory, and reality, DADDY DEAREST is a hidden gem waiting to be rediscovered and a fitting conclusion to a gay film trilogy unlike any other. There’s a lot to talk about with this one and over the course of the episode we’ll use several early screenplay drafts to trace the development of the film and its core themes, explore the way it (perhaps misleadingly) exploits the then-nascent Daddy phenomenon, and place it in context with the rest of Bressan’s filmography.…

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Episode 41: Jean Estienne's "AND... GOD CREATED MEN" (1978) 1:32:46

منذ 3 أعوام1:32:46

1:32:46

This week on the podcast, we wrap up our month in Paris with the film that trailers described as being “the gayest… Frenchest… French gay porn film which will fill your heart’s desire,” Jean Estienne’s 1978 romantic drama, ET... DIEU CRÉA LES HOMMES ("AND... GOD CREATED MEN) . The first feature-length effort by a poster artist and filmmaker whose previous film was banned for “degrading the human spirit,” ET... DIEU CRÉA LES HOMMES is an unheralded lost masterpiece of French gay cinema. Over the course of this episode, we’ll dig a little deeper into the French gay film scene of the late 1970s, explore the erotic possibilities of a landline phone, and celebrate an early Fistmas in April.…

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Cruising the Movies « » Episode 7: William Castle's HOMICIDAL + Mark Oates and Tom Rubnitz's PSYKHO III: THE MUSICAL

Episode 7: William Castle's HOMICIDAL + Mark Oates and Tom Rubnitz's PSYKHO III: THE MUSICAL

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Episode 7: William Castle's HOMICIDAL + Mark Oates and Tom Rubnitz's PSYKHO III: THE MUSICAL