“The Substance” and the New Horror of the Modified Body

Critics at Large | The New Yorker

In “The Substance,” a darkly satirical horror movie directed by Coralie Fargeat, Demi Moore plays an aging Hollywood actress who strikes a tech-infused Faustian bargain to unleash a younger, “more perfect” version of herself. Gruesome side effects ensue. Fargeat’s film plays on the fact that female aging is often seen as its own brand of horror—and that we’ve devised increasingly extreme methods of combating it. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss “The Substance” and “A Different Man,” another new release that questions our culture’s obsession with perfecting our physical forms. In recent years, the smorgasbord of products and procedures promising to enhance our bodies and preserve our youth has only grown; social media has us looking at ourselves more than ever before. No wonder, then, that horror as a genre has been increasingly preoccupied with our uneasy relationship to our own exteriors. “We are embodied. It is a struggle. It is beautiful. It’s something to wrestle with forever. Just as you think that you’ve caught up to your current embodiment, something changes,” Schwartz says. “And so how do we make our peace with it?”

Read, watch, and listen with the critics:

“A Clockwork Orange” (1971)
“The Substance” (2024)
“A Different Man” (2024)
“Psycho” (1960)
“The Ren & Stimpy Show” (1991-96)
“The Bluest Eye,” by Toni Morrison
“Passing,” by Nella Larsen
“The Power of Positive Thinking,” by Norman Vincent Peale
“Titane” (2021)
“The Age of Instagram Face,” by Jia Tolentino (The New Yorker)
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