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المحتوى المقدم من CREECA at the University of Wisconsin-Madison, Center for Russia, East Europe, and Central Asia at the University of Wisconsin. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة CREECA at the University of Wisconsin-Madison, Center for Russia, East Europe, and Central Asia at the University of Wisconsin أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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Laurie Anderson, Emigre Culture, the KGB, and the Dream of Connecting: (Soviet) Latvian Artists in (West) Berlin, 1977-1992

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Manage episode 479658141 series 1567208
المحتوى المقدم من CREECA at the University of Wisconsin-Madison, Center for Russia, East Europe, and Central Asia at the University of Wisconsin. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة CREECA at the University of Wisconsin-Madison, Center for Russia, East Europe, and Central Asia at the University of Wisconsin أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
About the Lecture: In this presentation, Karnes will talk about Maija Tabaka, who was the first Soviet citizen to be awarded the DAAD fellowship. Tabaka unwittingly opened doors to over a decade of artistic exchanges between Riga and West Berlin. She also provided an enduring model for arranging such collaborations, with offices of the Latvian KGB partnering with Latvian emigres to broker relationships, awards, and creative possibilities. Mining archives in Berlin and Riga, this talk traces the origins of such exchanges in the 1970s, their evolution in the time of perestroika, and their end in an ill-fated endeavor to support the dream of the Latvian musician Hardijs Lediņš to record with Laurie Anderson in a newly reunited Berlin. About the Speaker: Kevin C. Karnes is Samuel Candler Dobbs Professor of Music and Divisional Dean of Arts at Emory University and Visiting Professor of Musicology at the Jāzeps Vītols Latvian Academy of Music. His most recent book is Sounds Beyond: Arvo Pärt and the 1970s Soviet Underground (2021). His latest research considers techno music and club culture as both product and reflection of transnational exchange across reimagined European borders at the turn of the 1990s.
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Artwork
iconمشاركة
 
Manage episode 479658141 series 1567208
المحتوى المقدم من CREECA at the University of Wisconsin-Madison, Center for Russia, East Europe, and Central Asia at the University of Wisconsin. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة CREECA at the University of Wisconsin-Madison, Center for Russia, East Europe, and Central Asia at the University of Wisconsin أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
About the Lecture: In this presentation, Karnes will talk about Maija Tabaka, who was the first Soviet citizen to be awarded the DAAD fellowship. Tabaka unwittingly opened doors to over a decade of artistic exchanges between Riga and West Berlin. She also provided an enduring model for arranging such collaborations, with offices of the Latvian KGB partnering with Latvian emigres to broker relationships, awards, and creative possibilities. Mining archives in Berlin and Riga, this talk traces the origins of such exchanges in the 1970s, their evolution in the time of perestroika, and their end in an ill-fated endeavor to support the dream of the Latvian musician Hardijs Lediņš to record with Laurie Anderson in a newly reunited Berlin. About the Speaker: Kevin C. Karnes is Samuel Candler Dobbs Professor of Music and Divisional Dean of Arts at Emory University and Visiting Professor of Musicology at the Jāzeps Vītols Latvian Academy of Music. His most recent book is Sounds Beyond: Arvo Pärt and the 1970s Soviet Underground (2021). His latest research considers techno music and club culture as both product and reflection of transnational exchange across reimagined European borders at the turn of the 1990s.
  continue reading

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