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المحتوى المقدم من Charles Denson, Coney Island History Project, Charles Denson, and Coney Island History Project. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Charles Denson, Coney Island History Project, Charles Denson, and Coney Island History Project أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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Growing Up in the 1990s

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Manage episode 340697988 series 2843810
المحتوى المقدم من Charles Denson, Coney Island History Project, Charles Denson, and Coney Island History Project. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Charles Denson, Coney Island History Project, Charles Denson, and Coney Island History Project أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

Season Two’s theme is “Growing Up in Coney Island” through the decades, from the 1930s to the 21st century. In Episode Seven, narrators who grew up here in the 1990s share stories of loss and change. They remember living in Gravesend Houses and Sea Rise apartments as well as on West 5th, West 8th and West 19th Streets. The Boardwalk, the Beach, Astroland, the Cyclone Roller Coaster and the Wonder Wheel were their playgrounds.

The decade began with the Cyclone winning a spot on the National Register of Historic Places in 1991. The same year, a fire gutted the wooden house under Coney’s other surviving roller coaster from the 1920s, the still standing but nonoperational Thunderbolt. The house was known to film lovers as Woody Allen’s boyhood home in the movie Annie Hall, but it was originally built as the Kensington Hotel in the late 1800s. It was the last remaining structure from Coney’s original waterfront, since the shoreline at that time was much farther inland than it is now. The 1925 coaster was caught between an owner who neglected it, and City officials who considered it an eyesore. Some viewed the Thunderbolt as a symbol of Coney’s decline, but to many, it served as a monument to survival.

The oral histories in Episode Seven are with Tiana Camacho, Emmanuel Elpenord, Theresa Giovinni, Allen James, and Marina Rubin The interviews were conducted by Amanda Deutch, Katya Kumkova, Ali Lemer, Samira Tazari, and Tricia Vita between 2014 and 2020. This episode was produced by Charles Denson, Ali Lemer and Tricia Vita. Music by Blue Dot Sessions.

This program is sponsored in part by an Action Grant from Humanities New York with funding from the National Endowment for the Humanities.

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Artwork
iconمشاركة
 
Manage episode 340697988 series 2843810
المحتوى المقدم من Charles Denson, Coney Island History Project, Charles Denson, and Coney Island History Project. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Charles Denson, Coney Island History Project, Charles Denson, and Coney Island History Project أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

Season Two’s theme is “Growing Up in Coney Island” through the decades, from the 1930s to the 21st century. In Episode Seven, narrators who grew up here in the 1990s share stories of loss and change. They remember living in Gravesend Houses and Sea Rise apartments as well as on West 5th, West 8th and West 19th Streets. The Boardwalk, the Beach, Astroland, the Cyclone Roller Coaster and the Wonder Wheel were their playgrounds.

The decade began with the Cyclone winning a spot on the National Register of Historic Places in 1991. The same year, a fire gutted the wooden house under Coney’s other surviving roller coaster from the 1920s, the still standing but nonoperational Thunderbolt. The house was known to film lovers as Woody Allen’s boyhood home in the movie Annie Hall, but it was originally built as the Kensington Hotel in the late 1800s. It was the last remaining structure from Coney’s original waterfront, since the shoreline at that time was much farther inland than it is now. The 1925 coaster was caught between an owner who neglected it, and City officials who considered it an eyesore. Some viewed the Thunderbolt as a symbol of Coney’s decline, but to many, it served as a monument to survival.

The oral histories in Episode Seven are with Tiana Camacho, Emmanuel Elpenord, Theresa Giovinni, Allen James, and Marina Rubin The interviews were conducted by Amanda Deutch, Katya Kumkova, Ali Lemer, Samira Tazari, and Tricia Vita between 2014 and 2020. This episode was produced by Charles Denson, Ali Lemer and Tricia Vita. Music by Blue Dot Sessions.

This program is sponsored in part by an Action Grant from Humanities New York with funding from the National Endowment for the Humanities.

  continue reading

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