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المحتوى المقدم من Climbing Business Journal. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Climbing Business Journal أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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What Is a “Chaos Bomb”? – Annabelle Spingler

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Manage episode 447930606 series 3454588
المحتوى المقدم من Climbing Business Journal. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Climbing Business Journal أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

On this episode of The Impact Driver Podcast, host Holly Chen meets with Annabelle Spingler. Annabelle has been climbing and working in climbing gyms since she was 17. She started as a birthday party belayer and coach but has always been intrigued by routesetting. So, when the headsetter accidentally stripped too much of the gym for a competition, she asked if she could set a few boulders to fill in the space, and that's how her routesetting journey began. Annabelle also loves setting for competitions, having set for two NACS competitions, Jackalope and other events, and she is currently a USAC L3 routesetter.

In their chat today, Annabelle and Holly dissect an age-old concept: aesthetics versus function. To start, Annabelle defines aesthetics a little differently. They then talk about how function in a competition might be hard to nail down just by looking at results on paper; they bounce some ideas around on how to introduce advanced comp movement to a newer audience (Annabelle calls it spoon feeding); and they discuss what aesthetics means in a gym with tens of thousands of dollars to spend on macros and fiberglass versus a gym without those funds. Holly and Annabelle also chat about whether movement is finite or whether routesetters can “discover new movement.” And Annabelle lists some ways to help routesetters focus on aesthetics by giving them “zones.”

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Artwork
iconمشاركة
 
Manage episode 447930606 series 3454588
المحتوى المقدم من Climbing Business Journal. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Climbing Business Journal أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

On this episode of The Impact Driver Podcast, host Holly Chen meets with Annabelle Spingler. Annabelle has been climbing and working in climbing gyms since she was 17. She started as a birthday party belayer and coach but has always been intrigued by routesetting. So, when the headsetter accidentally stripped too much of the gym for a competition, she asked if she could set a few boulders to fill in the space, and that's how her routesetting journey began. Annabelle also loves setting for competitions, having set for two NACS competitions, Jackalope and other events, and she is currently a USAC L3 routesetter.

In their chat today, Annabelle and Holly dissect an age-old concept: aesthetics versus function. To start, Annabelle defines aesthetics a little differently. They then talk about how function in a competition might be hard to nail down just by looking at results on paper; they bounce some ideas around on how to introduce advanced comp movement to a newer audience (Annabelle calls it spoon feeding); and they discuss what aesthetics means in a gym with tens of thousands of dollars to spend on macros and fiberglass versus a gym without those funds. Holly and Annabelle also chat about whether movement is finite or whether routesetters can “discover new movement.” And Annabelle lists some ways to help routesetters focus on aesthetics by giving them “zones.”

  continue reading

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