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المحتوى المقدم من The WallBreakers and James Scully. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة The WallBreakers and James Scully أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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BW - EP152—019: D-Day's 80th Anniversary—Norman Corwin's Ode To Carl Sandburg

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Manage episode 422581689 series 2494501
المحتوى المقدم من The WallBreakers and James Scully. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة The WallBreakers and James Scully أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
Norman Corwin was twenty-seven years old when he was hired by CBS in April of 1938. For three years he honed his craft on shows like Words Without Music, The Pursuit of Happiness, So This is Radio and Forecast. In 1941 he was tasked with taking over The Columbia Workshop for twenty-six weeks. These plays are today known as “Twenty-Six By Corwin.” They ranged from whimsy, to romance, to high drama, to coming of age tales. CBS refused to offer the series up for sponsorship. Corwin’s programs weren’t about revenue, they were about advancing the medium itself. After the bombing of Pearl Harbor and Manilla on December 7th, 1941, Corwin penned a play in honor of the 150th anniversary of The Bill of Rights. It was at the behest of President Roosevelt. The play was called “We Hold These Truths,” and broadcast on December 15th. Simultaneously heard on all four networks, sixty-million tuned in. It was at that time, the largest ratings share of any dramatic program ever. By 1944 Corwin had free rein over his productions. The Workshop essentially became branded as Columbia Presents Corwin. Corwin had previously adapted Carl Sandburg’s The People, Yes three times. At 8PM over CBS on D-Day, Corwin presented the first in An American Trilogy on Carl Sandburg featuring Charles Laughton. The following two weeks he’d present part two on Thomas Wolfe and part three on Walt Whitman. Opposite, NBC broadcast a special version of the Ginny Simms show.
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iconمشاركة
 
Manage episode 422581689 series 2494501
المحتوى المقدم من The WallBreakers and James Scully. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة The WallBreakers and James Scully أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
Norman Corwin was twenty-seven years old when he was hired by CBS in April of 1938. For three years he honed his craft on shows like Words Without Music, The Pursuit of Happiness, So This is Radio and Forecast. In 1941 he was tasked with taking over The Columbia Workshop for twenty-six weeks. These plays are today known as “Twenty-Six By Corwin.” They ranged from whimsy, to romance, to high drama, to coming of age tales. CBS refused to offer the series up for sponsorship. Corwin’s programs weren’t about revenue, they were about advancing the medium itself. After the bombing of Pearl Harbor and Manilla on December 7th, 1941, Corwin penned a play in honor of the 150th anniversary of The Bill of Rights. It was at the behest of President Roosevelt. The play was called “We Hold These Truths,” and broadcast on December 15th. Simultaneously heard on all four networks, sixty-million tuned in. It was at that time, the largest ratings share of any dramatic program ever. By 1944 Corwin had free rein over his productions. The Workshop essentially became branded as Columbia Presents Corwin. Corwin had previously adapted Carl Sandburg’s The People, Yes three times. At 8PM over CBS on D-Day, Corwin presented the first in An American Trilogy on Carl Sandburg featuring Charles Laughton. The following two weeks he’d present part two on Thomas Wolfe and part three on Walt Whitman. Opposite, NBC broadcast a special version of the Ginny Simms show.
  continue reading

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