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Ep. 10: Twelfth Night on stage — advantages
Manage episode 397586597 series 171088
المحتوى المقدم من 21st Folio and Discussing modern Shakespeare productions of stage. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة 21st Folio and Discussing modern Shakespeare productions of stage أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
In this episode, we talk about the advantages of doing Twelfth Night on stage, through the lens of the 2012 Shakespeare's Globe production starring Mark Rylance (directed by Tim Carroll). We make some comparisons with Trevor Nunn's 1996 film to illuminate the advantages of the Globe's production.For detailed show notes, visit: http://21stfolio.com/2016/06/02/ep-10-twelfth-night-stage/ 00:00–00:50 Intro00:50–4:31 Where scenes are set in the Nunn film4:31–9:42 Trap doors and spatial metaphors on stage9:42-11:44 Thrust stages, proscenium stages, and how Twelfth Night works in different theatrical spaces11:44- 14:37 How did the Globe production work as a recording? 14:37–19:54 How do you capture these landmark productions for posterity when interaction with the audience is so key?19:54–23:27 Things that only work on stage & the problem with dealing with soliloquies23:27–24:11 OutroHost: Alex Heeney (@bwestcineaste)Guests: Dan Beaulieu (@DanBeauKnows), Caitlin Merriman (@CaitlinSnark), Craig Ruttan (@crut)Sound recordist and editor: Cam White (@JediDusk)Follow us on Twitter @21stFolio. For more information about the podcast, visit http://21stfolio.com
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