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المحتوى المقدم من 100 Things we learned from film. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة 100 Things we learned from film أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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Episode 166 - Videodrome

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المحتوى المقدم من 100 Things we learned from film. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة 100 Things we learned from film أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

This week we are delving back in to the Cronenberg Body Horror Well for the second time as we talk Betamax, Blondie, Why the Simpsons Lied to us and a better film if we'd followed Brolly.

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This episode was picked by Ciaran, a patron who got his name on our spinny wheel by giving us £1. you can also get on the wheel and get a shout out by supporting us at: https://www.patreon.com/100thingsfilm

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Follow us online at:

100thingswelearnedfromfilm.co.uk

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Videodrome is a 1983 Canadian science fiction body horror film written and directed by David Cronenberg and starring James Woods, Sonja Smits, and Debbie Harry. Set in Toronto during the early 1980s, it follows the CEO of a small UHF television station who stumbles upon a broadcast signal of snuff films. Layers of deception and mind-control conspiracy unfold as he attempts to uncover the signal's source, complicated by increasingly intense hallucinations that cause him to lose his grasp on reality.

Distributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. With the highest budget of any of his films to date, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget. The film received praise for the special makeup effects, Cronenberg's direction, Woods and Harry's performances, its "techno-surrealist" aesthetic, and its cryptic, psychosexual themes. Cronenberg won the Best Direction award and was nominated for seven other awards at the 5th Genie Awards.

Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres

  continue reading

191 حلقات

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iconمشاركة
 
Manage episode 462048251 series 2813024
المحتوى المقدم من 100 Things we learned from film. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة 100 Things we learned from film أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

This week we are delving back in to the Cronenberg Body Horror Well for the second time as we talk Betamax, Blondie, Why the Simpsons Lied to us and a better film if we'd followed Brolly.

---

This episode was picked by Ciaran, a patron who got his name on our spinny wheel by giving us £1. you can also get on the wheel and get a shout out by supporting us at: https://www.patreon.com/100thingsfilm

---

Follow us online at:

100thingswelearnedfromfilm.co.uk

---

Videodrome is a 1983 Canadian science fiction body horror film written and directed by David Cronenberg and starring James Woods, Sonja Smits, and Debbie Harry. Set in Toronto during the early 1980s, it follows the CEO of a small UHF television station who stumbles upon a broadcast signal of snuff films. Layers of deception and mind-control conspiracy unfold as he attempts to uncover the signal's source, complicated by increasingly intense hallucinations that cause him to lose his grasp on reality.

Distributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. With the highest budget of any of his films to date, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget. The film received praise for the special makeup effects, Cronenberg's direction, Woods and Harry's performances, its "techno-surrealist" aesthetic, and its cryptic, psychosexual themes. Cronenberg won the Best Direction award and was nominated for seven other awards at the 5th Genie Awards.

Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres

  continue reading

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