#125 Fireside Chat: Bigger but Better?

Hunger Games Fireside Chat Podcast

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Exile

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Episode 10: From Refugee to Radical 44:09

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When a young Eva Kollisch arrives as a refugee in New York in 1940, she finds a community among socialists who share her values and idealism. She soon discovers ‘the cause’ isn’t as idyllic as it seems. Little does she know this is the beginning of a lifelong commitment to activism and her determination to create radical change in ways that include belonging, love and one's full self. In addition to Eva Kollisch’s memoirs Girl in Movement (2000) and The Ground Under My Feet (2014), LBI’s collections include an oral history interview with Eva conducted in 2014 and the papers of Eva’s mother, poet Margarete Kolllisch, which document Eva’s childhood experience on the Kindertransport. Learn more at www.lbi.org/kollisch . Exile is a production of the Leo Baeck Institute , New York | Berlin and Antica Productions . It’s narrated by Mandy Patinkin. Executive Producers include Katrina Onstad, Stuart Coxe, and Bernie Blum. Senior Producer is Debbie Pacheco. Associate Producers are Hailey Choi and Emily Morantz. Research and translation by Isabella Kempf. Sound design and audio mix by Philip Wilson, with help from Cameron McIver. Theme music by Oliver Wickham. Voice acting by Natalia Bushnik. Special thanks to the Kollisch family for the use of Eva’s two memoirs, “Girl in Movement” and “The Ground Under My Feet”, the Sophia Smith Collection at Smith College and their “Voices of Feminism Oral History Project”, and Soundtrack New York.…

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In Episode 125 of Fireside Chat, we compare the first film in the Hunger Games franchise with what we've seen of Catching Fire thus far. With its bigger budget, improved CGI (Weta, anyone?), and reassuring quotes/decisions from director Francis Lawrence, it seems as though we're in store for something truly grand come November 22. Some even believe that Catching Fire has the power to surpass $1 billion in worldwide ticket sales. But is bigger necessarily better? In recent weeks, many fans have been quick to praise Lawrence while being very vocally negative about Gary Ross and The Hunger Games. Is this fair? How have our own opinions of the first movie changed since March of 2012? We discuss. (Of course, we also want to know what you think. So leave a comment on our website with your thoughts on the topic and let us know if/how your perceptions of The Hunger Games and Gary Ross have changed now that you've gotten a good taste of what to expect from Francis Lawrence.)

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