‘An Intense Couple of Days’

The Ankler Podcast

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Exile

1
Episode 10: From Refugee to Radical 44:09

منذ 2 years44:09

التشغيل لاحقا

قوائم

إعجاب

احب

44:09

When a young Eva Kollisch arrives as a refugee in New York in 1940, she finds a community among socialists who share her values and idealism. She soon discovers ‘the cause’ isn’t as idyllic as it seems. Little does she know this is the beginning of a lifelong commitment to activism and her determination to create radical change in ways that include belonging, love and one's full self. In addition to Eva Kollisch’s memoirs Girl in Movement (2000) and The Ground Under My Feet (2014), LBI’s collections include an oral history interview with Eva conducted in 2014 and the papers of Eva’s mother, poet Margarete Kolllisch, which document Eva’s childhood experience on the Kindertransport. Learn more at www.lbi.org/kollisch . Exile is a production of the Leo Baeck Institute , New York | Berlin and Antica Productions . It’s narrated by Mandy Patinkin. Executive Producers include Katrina Onstad, Stuart Coxe, and Bernie Blum. Senior Producer is Debbie Pacheco. Associate Producers are Hailey Choi and Emily Morantz. Research and translation by Isabella Kempf. Sound design and audio mix by Philip Wilson, with help from Cameron McIver. Theme music by Oliver Wickham. Voice acting by Natalia Bushnik. Special thanks to the Kollisch family for the use of Eva’s two memoirs, “Girl in Movement” and “The Ground Under My Feet”, the Sophia Smith Collection at Smith College and their “Voices of Feminism Oral History Project”, and Soundtrack New York.…

منذ عام واحد 33:59

MP3•منزل الحلقة

“Everybody was feeling really optimistic going into this year,” says Elaine Low — and while there are encouraging signs for Hollywood, from new business models to a return to the fundamentals, she and Richard Rushfield tell Sean McNulty about friends who have lost homes, Richard’s memories of growing up in Pacific Palisades, and Elaine’s anxiety over suddenly preparing a go-bag. On a lighter note: They also dissect their night at Netflix’s WWE Raw premiere — with Richard announcing whom he’ll be fighting at the next WrestleMania.

We’re collecting stories of how the entertainment community is coping with the Los Angeles fires. Submit yours here.

Learn more about your ad choices. Visit megaphone.fm/adchoices

169 حلقات

#Showbiz #Business #News #TheAnkler.com

The Ankler Podcast

‘An Intense Couple of Days’

The Ankler Podcast

published منذ عام واحد

MP3•منزل الحلقة

We’re collecting stories of how the entertainment community is coping with the Los Angeles fires. Submit yours here.

Learn more about your ad choices. Visit megaphone.fm/adchoices

169 حلقات

#Showbiz #Business #News #TheAnkler.com

Все серии

1
The Lost Art of Hollywood Swagger 50:12

منذ 11 hours50:12

50:12

Hollywood execs want more “aggression” out of their young proteges, but Gen Z — raised in remote work and new rules — came to age without traditional role models. The Ankler team shares advice from their interviews with Greg Berlanti and Ted Hope for young creatives to stand out, something even more essential as the state of showbiz is begging for a new round of visionary leaders. If you’re a Gen Zer in Hollywood yourself, apply to The Ladder , our members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Broadcast TV Surge; WBD’s Sports Pause; Paramount Stalled 44:56

منذ 8 أيام44:56

44:56

Broadcast TV may be what “your uncle and your mom watches,” but it’s a bright spot for the studios. Series Business’ Lesley Goldberg joins Elaine Low to discuss her interview with CBS President Amy Reisenbach , why all those spinoffs and reboots give producers an “edge” and how year-round development helps “get the creative right.” Plus: Elaine, Sean McNulty and Richard Rushfield discuss what the earnings of CBS parent Paramount and Warner Bros. Discovery portend — no need for more sports, says Zaz! — and final Oscar thoughts before the big show. Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Michael Wolff on Trump's Coming 'Self-Destruction': 'He Will Pay the Price' 48:06

منذ 9 أيام48:06

48:06

The New York Times gave author Michael Wolff’s new book a glowing review, but President Donald Trump disagrees, calling it a “total FAKE JOB, just like the other JUNK he wrote.” As with Wolff’s three earlier books about the president, All or None is filled with juicy tidbits with fly-on-the-wall accounts from the chaos inside Trump’s orbit. In unsparing words, he talks to Janice Min about woeful Democrats, Elon Musk, Melania, media’s current panic and the threatening phone call he received from Trumpworld. Read the interview in an abridged Q&A format here . Subscribe to The Ankler for more entertainment and media news here. Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Hollywood’s New Mission Impossible: Greenlights 33:05

منذ 15 يومًا33:05

33:05

Budgets for studio theatrical slates and TV lineups are disappearing as fast as federal agencies these days. But there’s hope! Dealmakers ’ Ashley Cullins joins to break down the new rules for landing a greenlight for an original film today, while Elaine Low reveals ways to navigate new small screen realities, from acing that Zoom pitch to turning that blinking yellow light green. And despite the industry’s collective surrender , Sean McNulty explains why more data could flip the narrative of an industry perceived to be in decline. Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Hollywood’s DEI Cave-in; Post-Fires Leave L.A. Debate 37:30

منذ 22 يومًا37:30

37:30

As President Trump seeks to banish diversity, equity and inclusion, Disney buried its initiative this week, and Amazon continues to “evolve” its own. Sean McNulty, Elaine Low, Richard Rushfield and contributor Nicole LaPorte dive into whether Hollywood was ever committed to the cause — as Nicole says, “the erosion of DEI here has been going on for a quite a while ” — and how to tell a real pronouncement from a fake one. Plus: How the L.A. wildfires have fueled a real estate frenzy while TV workers debate whether to flee the city altogether. Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Inside #StayinLA; Two Minutes with Bob Iger; SpinCo Woe 40:28

منذ 29 يومًا40:28

40:28

Disney started its latest earnings call with an uncharacteristically terse Bob Iger avoiding a trio of unpleasant topics: linear TV, declining Disney+ subscriber totals and Donald Trump. What wasn’t said spoke volumes, but a few messages rang clear: film keeps churning out hits, ESPN has good/less good news, and the streaming division is firmly in the black. Meanwhile, SEC filings paint a bleak start to the future SpinCo , and a look inside the do-or-die #StayinLA movement . Sean McNulty, Elaine Low and Richard Rushfield break it all down. For more entertainment news, subscribe to The Ankler or apply to The Ladder , a new members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
A Dire Sundance, Indie Peril & the Creator Incursion 40:28

منذ 5 weeks40:28

40:28

Just two deals and Sundance is almost over? Ouch. Richard Rushfield, on the ground at the fest, gives his report on indie malaise and how to fix it . Plus: Sean McNulty, Elaine Low and Richard on Peacock and NBCU’s troubling Q4 , and Netflix’s showy 2025 slate, while Natalie Jarvey, author of the new Like & Subscribe newsletter, on why Hollywood absolutely should “work with” the creators upending entertainment. Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
'Creators Should Be in Charge': Sean Evans, Rhett & Link 33:48

منذ 5 weeks33:48

33:48

Natalie Jarvey , author of Like & Subscribe , Ankler Media's new newsletter about the creator economy, speaks with YouTube stars Sean Evans , host of Hot Ones , and Rhett McLaughlin and Link Neal — aka Rhett & Link , hosts of Good Mythical Morning . With 40 million subscribers between them, these digital innovators unpack the opportunities — creative, collaborative and financial — that come with betting on themselves. "If we can be even a small part of the story of another creator taking back something that they initiated and then taking the reins and leading, that’s the type of story that we love and we want to champion," says Neal. "We believe creators should be in charge." The trio also map out the next moves for their brands. Boneless Hot Ones , anyone? Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
The New Showbiz: Hollywood, Creators, & Brands 45:02

منذ 5 weeks45:02

45:02

The entertainment industry for years turned its nose up at brand-backed film and TV, but in a disrupted Hollywood scrambling for new business models and fresh voices, the tide is turning. Natalie Jarvey , the writer of Like & Subscribe , Ankler Media's new standalone newsletter about the creator economy , moderates a discussion with four top stakeholders — Oscar-winning producer Dan Cogan (“Icarus”), Adobe Chief Brand Officer Heather Freeland , creator Jordan Howlett and UTA Entertainment Marketing Co-Head Julian Jacobs — about how marketers, filmmakers and creators are collaborating on innovative and meaningful storytelling. “Everybody loves a good story, and brands are aligning with that in a lot of interesting ways,” says Howlett, who as Jordan the Stallion boasts nearly 14 million followers on TikTok. Adds Jacobs, “The rule book is being unwritten and written as we speak.” Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Hollywood’s New Trick to Screw Writers 36:30

منذ 6 weeks36:30

36:30

Who loves doing free work? No one. Who loves getting free work? The studios. “If-come” deals — where a writer develops a show under contract but only sees money if the show sells — are on the rise post-Writers Guild strike and have led to a new “involuntary servitude,” even among big-name scribes. Ashley Cullins joins Sean McNulty, Elaine Low and Richard Rushfield to outline what’s happening and who’s fighting back. Plus: Katey Rich breaks down Oscar nominations , and Elaine shares the state of the unscripted market . Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
L.A. Production Spiral. Trump to the Rescue? 43:13

منذ 7 weeks43:13

43:13

Can Jon Voight save Hollywood? Probably not. But President Trump ’s announcement that the Midnight Cowboy, Mad Max ( Mel Gibson ) and Rocky ( Sylvester Stallone ) would be his “special envoys” in L.A. on the eve of his inauguration followed the latest report on L.A.’s continued production exodus . Sean McNulty , Elaine Low and Richard Rushfield dissect the numbers and where the industry is heading in 2025. Plus: How is Gen Z outfoxing studio and streaming marketers? Matthew Frank explains. Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
‘An Intense Couple of Days’ 33:59

منذ 8 weeks33:59

33:59

“Everybody was feeling really optimistic going into this year,” says Elaine Low — and while there are encouraging signs for Hollywood, from new business models to a return to the fundamentals , she and Richard Rushfield tell Sean McNulty about friends who have lost homes, Richard’s memories of growing up in Pacific Palisades, and Elaine’s anxiety over suddenly preparing a go-bag. On a lighter note: They also dissect their night at Netflix’s WWE Raw premiere — with Richard announcing whom he’ll be fighting at the next WrestleMania. We’re collecting stories of how the entertainment community is coping with the Los Angeles fires. Submit yours here . Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Tales From the ’90s: How New Line Dominated the Decade 1:03:57

منذ 9 weeks1:03:57

1:03:57

For the capstone of his Hollywood Stories series exploring the 1990s — an era of explosive creativity and innovation in the entertainment industry — Richard Rushfield talks to two execs who helped New Line Cinema become the movie studio of that golden moment. Mike De Luca is today the co-chair and CEO of Warner Bros. Motion Picture Group, but in the ’90s he was the head of production at New Line, a powerful role he stepped into at the tender age of 27. Richard Brener started as a temp at New Line in 1995 and never left, working his way up to run the studio (now a division of Warner Bros.) as its president and chief creative officer. Together they recall how the indie house launched by Bob Shaye in 1967 struck gold nearly 30 years later with comedy blockbusters ( Austin Powers , Dumb and Dumber , Rush Hour , The Wedding Singer ) and revered auteur-driven dramas ( American History X , Boogie Nights , Se7en ). As an indie, "you were kind of locked into lower-budget acquisitions and films — that all coalesced into a business plan of sleeper hits," De Luca says. “We were not afraid of trying things that we liked, even if other people had passed on them.” Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Lively vs. Baldoni: Lawsuits! Exposés! Rumors! 40:23

منذ 9 weeks40:23

40:23

Blake Lively alleges a full-on smear campaign aimed against her. Justin Baldoni claims the star of his It Ends With Us used the New York Times to destroy his reputation. Sean McNulty, Elaine Low and Richard Rushfield discuss the fallout of the feud heard round the world, the YouTube journalist roped into the ruckus, and why Richard boils it all down to typical Hollywood bluster. Plus: The crew breaks down how animation and IP defined the 2024 box office. Learn more about your ad choices. Visit megaphone.fm/adchoices…

1
Tales From the ’90s: Ain’t It Cool News’ ‘Titanic’ Impact on Hollywood 57:23

منذ 10 weeks57:23

57:23

At the dawn of the internet as we know it today, long before social media exploded the Hollywood hierarchy, there was Ain’t It Cool News, an in-your-face site, launched in 1996, that covered the movie business — passionately, disruptively and absolutely without fear or favor. Drew McWeeny , who joined Harry Knowles ’ Austin startup in its earliest days, writing from L.A. under the pseudonym Moriarty , tells Richard Rushfield how Ain’t It Cool News remade entertainment journalism, confounded the studios and enraged execs from Tom Rothman to Rupert Murdoch . Among other breaks with industry-coverage norms, McWeeny and his colleagues were the first to publish reports and reviews from test screenings, changing the fortunes of films including Batman & Robin and, most famously, Titanic . “I was addicted to Premiere, Movieline, all those magazines,” McWeeny recalls. “But it was all very carefully stage managed with the studios, and it had to be. We were the response to that, which was the most punk rock version of: No , not only do we not deal with the studios, but fuck the studios.” Learn more about your ad choices. Visit megaphone.fm/adchoices…

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