In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Player FM - Internet Radio Done Right
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المحتوى المقدم من IFH Industries, Inc. and Bulletproof Screenwriting. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة IFH Industries, Inc. and Bulletproof Screenwriting أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
مشابه لـBulletproof Screenwriting™ Podcast
Every week, The Ringer's Andy Greenwald and Chris Ryan -- longtime friends and pop culture addicts -- break down the latest in TV, movies, and music.
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Who really killed Michael Jordan’s father? Follow the Truth is a true crime podcast re-investigating the murder of Michael Jordan’s dad, James R. Jordan Sr. and one of the men convicted of his murder. Daniel Green has served nearly three decades in a North Carolina prison maintaining his innocence in the killing. Veteran crime reporter Amanda Lamb questions the evidence, and explores whether this is a case of wrongful conviction.
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Do your eyes glaze over when looking at a long list of annual health insurance enrollment options – or maybe while you’re trying to calculate how much you owe the IRS? You might be wondering the same thing we are: Where’s the guidebook for all of this grown-up stuff? Whether opening a bank account, refinancing student loans, or purchasing car insurance (...um, can we just roll the dice without it?), we’re just as confused as you are. Enter: “Grown-Up Stuff: How to Adult” a podcast dedicated ...
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An award-winning cannabis podcast for women, by women. Hear joyful stories and useful advice about cannabis for health, well-being, and fun—especially for needs specific to women like stress, sleep, and sex. We cover everything from: What’s the best weed for sex? Can I use CBD for menstrual cramps? What are the effects of the Harlequin strain or Gelato strain? And, why do we prefer to call it “cannabis” instead of “marijuana”? We also hear from you: your first time buying legal weed, and how ...
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The Weekly Planet covers all things movies, TV shows and comics. Often considered the first and worst podcast on the Planet Broadcasting Network. Hosted on Acast. See acast.com/privacy for more information.
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In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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Travel, at its best, changes the way we see the world. Join us each week as we dig into stories from people who took a trip—and came home transformed. Travel Tales by AFAR is your ticket to the world, no passport required.
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DumTeeDum is a weekly podcast about The Archers featuring fans of Ambridge. Hosted on Acast. See acast.com/privacy for more information.
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Custom Manufacturing Industry podcast is an entrepreneurship and motivational podcast on all platforms, hosted by Aaron Clippinger. Being CEO of multiple companies including the signage industry and the software industry, Aaron has over 20 years of consulting and business management. His software has grown internationally and with over a billion dollars annually going through the software. Using his Accounting degree, Aaron will be talking about his organizational ways to get things done. Hi ...
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BPS 395: The Art of Television Cinematography w/ Jayson Crothers
Manage episode 452401227 series 2151605
المحتوى المقدم من IFH Industries, Inc. and Bulletproof Screenwriting. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة IFH Industries, Inc. and Bulletproof Screenwriting أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
Today on the show we have veteran cinematographer Jayson Crothers. Jayson had shot two dozen independent features before he joined the NBCUniversal hit show Chicago Fire in 2013. After serving as the 2nd unit DoP for 38 episodes during seasons 2 & 3 he was asked to helm the show. Serving as the sole DoP from seasons 4 to 6, he shot 74 episodes of the series for Dick Wolf. He also did additional photography for the backdoor pilot of Chicago Med.In 2019 Jayson photographed three features - the World War 2 true story drama Axis Sally, directed by Michael Polish, starring Al Pacino and Mitch Pileggi, the romantic comedy The Thing About Harry, directed by Peter Paige, and the hurricane action film Force of Nature, also directed by Michael Polish, starring Mel Gibson, Emile Hirsch, and Kate Bosworth.In between these films he also shot additional photography for the Starz series P-Valley as well as 2nd Unit for the Netflix feature Malibu Rescue - The Next Wave.In addition to his work being seen theatrically and on television, it’s also been seen across the festival circuit at SXSW, Tribeca, and Camerimage to name a few. Jayson also served as the Technical Editor for the acclaimed book on cinematography and lighting, A Shot In The Dark. In this episode, we discuss his career, how to get the most out of low-budget cinematography, and how COVID-19 has affected things behind the camera.
Enjoy my conversation with Jayson Crothers.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
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Enjoy my conversation with Jayson Crothers.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
569 حلقات
مشاركةManage episode 452401227 series 2151605
المحتوى المقدم من IFH Industries, Inc. and Bulletproof Screenwriting. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة IFH Industries, Inc. and Bulletproof Screenwriting أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
Today on the show we have veteran cinematographer Jayson Crothers. Jayson had shot two dozen independent features before he joined the NBCUniversal hit show Chicago Fire in 2013. After serving as the 2nd unit DoP for 38 episodes during seasons 2 & 3 he was asked to helm the show. Serving as the sole DoP from seasons 4 to 6, he shot 74 episodes of the series for Dick Wolf. He also did additional photography for the backdoor pilot of Chicago Med.In 2019 Jayson photographed three features - the World War 2 true story drama Axis Sally, directed by Michael Polish, starring Al Pacino and Mitch Pileggi, the romantic comedy The Thing About Harry, directed by Peter Paige, and the hurricane action film Force of Nature, also directed by Michael Polish, starring Mel Gibson, Emile Hirsch, and Kate Bosworth.In between these films he also shot additional photography for the Starz series P-Valley as well as 2nd Unit for the Netflix feature Malibu Rescue - The Next Wave.In addition to his work being seen theatrically and on television, it’s also been seen across the festival circuit at SXSW, Tribeca, and Camerimage to name a few. Jayson also served as the Technical Editor for the acclaimed book on cinematography and lighting, A Shot In The Dark. In this episode, we discuss his career, how to get the most out of low-budget cinematography, and how COVID-19 has affected things behind the camera.
Enjoy my conversation with Jayson Crothers.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
…
continue reading
Enjoy my conversation with Jayson Crothers.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
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Bulletproof Screenwriting™ Podcast
1 BPS 409: How to Make Indie Films That Make REAL Money with J. Horton 1:10:00
1:10:00 
التشغيل لاحقا 
التشغيل لاحقا 
قوائم 
إعجاب 
احب1:10:00
التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احبToday on the show we have filmmaker and Filmtrepreneur J. Horton. Jason has been in the film industry for as long as I have and has been making movies ever since. What sets him apart from other filmmakers is that he actually makes a living making his films.Jason figured out the formula that would allow him to make a living doing what he loves to do. He produces low-budget feature films and uploads them to Amazon Prime . He collects TVOD and SVOD revenue. His key is volume. This year alone he produced 14 feature films.We discuss how he chooses his niche audience, how he shifted from only narrative films to directing niche-focused documentaries, and how he's able to produce so much content. Enjoy my conversation with J. Horton. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support .…
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Bulletproof Screenwriting™ Podcast
1 BPS 408: The Patronized Self-Distribution (PSD) Model with Zach Lona and Anthony Gibson 1:09:12
1:09:12 التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احب1:09:12
التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احبOur guests today are filmmakers and developers, Zach Lona and Anthony Gibson. Zach is the founder of Chicago-based film production company, Eleusinian Productions studio that invented the Patronized Self-Distribution (PSD) model. The Patronized self-distribution (PSD) uses NFTs essentially as an alternative film distribution model from traditional Hollywood distribution. It hoists and redefines the status of independent films to that of fine art while targeting the film’s specific audience (art collectors/patrons). After finishing up his feature mockumentary film directorial debut, He Who Lives In Hidden Lakes, at the end of 2020, and being reluctant to go the normal film distribution route, Zach sought an alternative and along with his team, invented the PSD model earlier this year. The fanatic beliefs of an internet mystic, a cult leader, and a rookie cop who went rogue are tested on the hunt for the "Hidden Man" -- an elusive forest-dwelling cryptid that terrorizes their idyllic suburb.He Who Lives In Hidden Lakes is now listed as Eleusinian Production’s first NFT auction on OpenSea NFT online marketplace. The NFT model is a huge incentive for independent filmmakers because the increase in viewers will lead to an increase in passive income and NFT value.As you can tell, this is a deep dive topic. So, I wanted to bring them to the show to talk about how all of it works. Efficient ways to implement Patronized Self-Distribution, Who really benefits from Patronized Self-Distribution models, and more. Enjoy my entertaining conversation with Anthony and Zach. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support .…
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Bulletproof Screenwriting™ Podcast
1 BPS 407: Unforgettable Storytelling Phillip Andrew on Creativity, Leadership, and Resilience 55:19
55:19 التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احب55:19
التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احبOn today's episode, we dive into the fascinating world of creativity, resilience, and the art of storytelling with Phillip Andrew, a multi-talented producer, motivational speaker, and DJ from Los Angeles. From his humble beginnings in Michigan to his relentless pursuit of opportunities in Hollywood, Phillip's journey is a testament to the power of determination, adaptability, and the enduring impact of great stories.Phillip reminisced about his early days navigating the entertainment industry, sharing candid insights about how unconventional networking—like a chance encounter on a basketball court—landed him his first job in production. Reflecting on this pivotal moment, he said, "You don't always know which door will open, but that's why you keep knocking on as many as possible." This philosophy underscores the importance of persistence, even when the odds seem insurmountable.In the heart of Hollywood, Phillip discovered the transformative power of storytelling. He spoke passionately about the evolution of stories—from ancient oral traditions to modern-day cinematic spectacles. Despite technological advancements, Phillip believes the core of storytelling remains unchanged: creating narratives that resonate deeply with people. He emphasized, “It doesn’t matter how advanced the technology is—if the story doesn’t connect, the audience won’t care.”Phillip's journey wasn’t without its challenges. From grappling with personal setbacks to navigating the unpredictable nature of film sets, he revealed how these experiences shaped his outlook. He humorously recounted a lesson from the legendary director Wes Craven, who once said, "Who told you things were ever supposed to go as planned?" This nugget of wisdom became a mantra for Phillip, helping him approach obstacles with creativity and a solutions-oriented mindset.A recurring theme in the conversation was leadership—on set and in life. Phillip shared a story about a showrunner who inspired him by personally crawling under a table to fix a light. This simple act of humility and teamwork left a lasting impression, reinforcing Phillip’s belief that effective leaders must lead by example. He noted, “When people see that you’re willing to do the work too, they’ll want to go the extra mile with you.”Phillip also touched on the current "golden age of content," highlighting both the opportunities and challenges it presents. With an explosion of platforms like Netflix, YouTube, and Hulu, the barrier to entry has never been lower. However, this democratization of content also means creators face more competition than ever. For Phillip, the solution is simple: focus on the power of the story. “If you don’t have a compelling reason for your audience to care, your content will get lost in the noise,” he warned. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support .…
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Bulletproof Screenwriting™ Podcast
1 BPS 406: Unveiling the Art of Screenwriting A Journey with Kristin Overn 55:31
55:31 التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احب55:31
التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احبThere’s a certain magic in the way creativity stirs the soul, and on today’s episode, we welcome Kristin Overn, a seasoned producer and the visionary behind the PAGE International Screenwriting Awards. With a career steeped in the art of storytelling, Kristin has spent years cultivating opportunities for writers to transform their ideas into scripts that resonate across the industry.Kristin’s journey began in the theater world, studying playwriting and directing at Northwestern University. Her love for stories soon led her westward, to the bustling hive of Hollywood. "I’ve always been fascinated by story," she reflects. "It’s the common thread that connects us all." In Los Angeles, she worked tirelessly—starting as an assistant and script reader, gradually earning her stripes in film production. But her heart’s true calling emerged as she realized a profound gap in the industry: connecting new writers with emerging producers.This insight birthed the PAGE Awards, a screenwriting competition designed not just to showcase talent but to bridge the divide between raw creativity and industry access. Kristin’s philosophy is simple yet profound: “Every great script deserves a champion, someone who sees its potential and helps it take flight.” Over the years, the competition has grown exponentially, now receiving over 6,000 entries annually. Its rigorous vetting process ensures that only the most compelling stories rise to the top—a beacon of hope for aspiring writers seeking their breakthrough.Kristin’s candid advice to screenwriters is a reminder of the industry’s complexity and the persistence it demands. “Find your voice,” she urges. “Don’t try to be the next Quentin Tarantino or Diablo Cody. Be unapologetically you.” Her anecdotes, drawn from years of working with writers and producers, illustrate the transformative power of authentic storytelling—where characters leap off the page and evoke emotions that linger.The episode dives deep into the intricacies of screenwriting competitions, the challenges of script development, and the significance of receiving professional feedback. Kristin’s passion for mentorship shines as she describes the thrill of connecting PAGE winners with managers, agents, and producers who can bring their stories to life. “There’s nothing quite like seeing a writer’s hard work pay off,” she says, with a palpable sense of joy.As the conversation unfolds, Kristin’s wisdom offers not just technical insights but a deeper understanding of the human connection that underpins all great storytelling. Her belief in the power of perseverance and the beauty of imperfection reminds us that the road to success is often paved with lessons learned from failure.“At the end of the day,” Kristin concludes, “the stories that move us are the ones that come from the heart. They’re honest, raw, and unapologetically human.” It’s a sentiment that echoes long after the episode ends, leaving listeners inspired to pick up their pens and tell their own truths. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support .…
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Bulletproof Screenwriting™ Podcast
1 BPS 405: How to Shoot 360 Video & Actually Make Money with Josh Gibson 54:38
54:38 التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احب54:38
التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احبToday, we welcome Josh Gibson, a pioneer in the realm of 360-degree video and the founder of 360 Video Academy. With a deep understanding of immersive storytelling, he guides us through the labyrinth of this ever-evolving technology, revealing its profound potential beyond mere entertainment.At first, 360 video may seem like an extension of traditional filmmaking, but as Josh Gibson explains, it is not just about capturing an image—it is about placing the viewer inside a world. Unlike conventional storytelling, where a director dictates the frame, 360 video invites audiences to choose their own focus, to explore, to be participants rather than mere observers. “It’s not just about framing a shot,” he says. “It’s about framing an experience.”The evolution of this technology has been astonishing. What started as a jumble of GoPro cameras rigged together has now led to compact spherical cameras, capable of seamlessly stitching together breathtaking landscapes and bustling cityscapes. As Josh points out, it is no longer just the domain of Hollywood or high-budget productions—this is a tool accessible to storytellers, educators, and explorers alike. The real estate industry, for instance, is already using it to provide virtual property tours, while educators take students on immersive field trips to ancient ruins or even the surface of Mars.Yet, for all its promise, there are challenges to consider. The mechanics of “stitching,” the art of blending multiple video feeds into a seamless 360-degree environment, remains both a technical and creative hurdle. Imperfections in stitching can disrupt immersion, snapping the viewer out of the dreamlike state that great 360 content aspires to create. This is where artistry meets technology, where patience and precision elevate an experience from mere footage to something truly transcendent.And what of narrative storytelling? Can a filmmaker truly control a viewer’s attention in a world without a frame? Here, Josh acknowledges the paradox. Traditional cinema directs the gaze, guiding emotion with each cut and composition. But 360 video asks something different of both the creator and the viewer—it invites presence. The horror genre, he notes, has embraced this shift masterfully, using space to intensify suspense, while documentary filmmakers have found it a tool for deeper empathy, placing audiences in the shoes of another’s lived experience.Perhaps, at its core, 360 video is less about replacing film and more about expanding consciousness. It is a step toward a future where reality is not confined to a screen but becomes a shared, navigable space. From medical training to meditation experiences, from historical reconstructions to virtual reality concerts, we are only beginning to understand what this technology can offer. Please enjoy my conversation with Josh Gibson. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support .…
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Bulletproof Screenwriting™ Podcast
1 BPS 404: Hollywood Directing: How to Choose the Right Lens for Your Shot with Gil Bettman 8:18
8:18 التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احب8:18
التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احبIn today’s episode, I wanted to give you a sneak peek of one of the best selling filmmaking courses on Udemy right now, Hollywood Film & Television Directing Masterclass with former guest and master film instructor Gil Bettman . On the show, you’ll hear a lesson on how you can AMP UP your static shots by choosing the right lenses. Enjoy! Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support .…
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Bulletproof Screenwriting™ Podcast
1 BPS 403: Cinematic Masterclass with Philip Bloom 1:22:52
1:22:52 التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احب1:22:52
التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احبToday on the show we have a legend in the filmmaking blogosphere, award-winning cinematographer Philip Bloom. Philip is a world-renowned filmmaker who, for the past 10 years of his 27-year career has specialized in creating incredible cinematic images no matter what the camera. He started blogging back in the early 2000s before anyone was really doing it. I personally have been following him for years. Philip even got an opportunity to shoot for the Jedi Master himself George Lucas. Enjoy my conversation with Philip Bloom. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support .…
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Bulletproof Screenwriting™ Podcast
1 BPS 402: Behind the Curtain of Blackmagic Design with President Dan May 1:03:36
1:03:36 التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احب1:03:36
التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احبIf you are an avid listener of this podcast you know how much I LOVE Blackmagic Design products. From giving away Davinci Resolve for free to releasing a 4K Pocket Camera with RAW, Blackmagic is truly in the corner of every filmmaker. Their motto is…“Power to the people!”I always wanted to know how and why they make such amazing products for filmmakers at such ridiculously affordable prices. Today’s guest, Dan May – President of Blackmagic Design, would be the man to ask. I go deep into the weeds on how the company works, why they make their products so accessible to so many people and why they care so much about the little guy.Just to clarify, no I was not paid for this interview at all. I really wanted to get into the mind of one of my favorite camera and post production companies. We also talk a little bit about gear. Enjoy this rare look behind the curtain at Blackmagic Design with President Dan May. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support .…
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Bulletproof Screenwriting™ Podcast
1 BPS 401: iPhone Filmmaking & Cinematography with Jason Van Genderen 1:00:33
1:00:33 التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احب1:00:33
التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احبToday on the show I have iPhone filmmaking master and TEDTalk Speaker Jason Van Genderen. I've wanted to have Jason on the podcast for a long time. He is a true inspiration to anyone who wants to pick up a camera and tell a story. He has made an industry out of professional shooting with iPhones for corporate clients, on commercials, music videos, and short films. Here's some more info on our guest.No script, storyboard or crew. No exposure to focus controls. A resolution of 640 x 480 pixels and a total memory of just 160MB. That was Jason’s unexpected entry into the global filmmaking stage back in 2008.‘Mankind is No Island’ went on to win numerous prestigious accolades at film festivals around the globe and was one of the very first exemplar films to champion a whole new emerging medium of iPhone filmmaking.With screenings and awards from Tropfest NY, Aspen Shortsfest, Palm Springs, San Francisco Short Film Festival, Edinburgh International Film Festival right through to Sundance London, Jason’s made mobile stories that matter, becoming an unexpected voice for marginalized or emerging storytellers. It’s the very reason he proudly labels himself a Filmbreaker.An equally passionate educator, Jason’s talks have inspired audiences from TEDx Newy to the Aspen Ideas Festival; from countless televisions, how appearances to keynote addresses at film schools and festivals. His masterclass workshops continue to inspire both beginners and seasoned professionals alike. Jason Van Genderen has also consulted and collaborated with some of the world’s largest imaging brands, from Sony and Nokia to Nikon and currently Apple Australia. This year he also commenced an on-air role presenting guest segments on Channel 7’s ‘Get Arty’ children show, and has recently consulted to 7 West Media Group on broadcast applications for smartphone technology.When your introduction to puberty is selling pet rocks and wearing a back brace, you'd have to hope that the ability to think creatively comes naturally. For Jason, his life of creative problem solving was seeded by 20 years hard labor in the advertising & design industry… before turning his hand to short films. His reputation for quick thinking under challenging circumstances saw him carve an early niche, being a four-time winner in the 24-hour in-camera film festival The Shoot Out.Always a custodian of content over craft, in 2008 he experimented with filming on his mobile phone, making a short with no script, storyboard, actors, narration or budget. ‘Mankind is no Island' went on to win Tropfest NY and numerous other accolades globally, by breaking every rule in the book. His unorthodox approach to filtering story with low-tech simplicity has seen him in demand internationally as a presenter on pocket filmmaking. There are NO MORE EXCUSES ANYMORE. You can tell your story with what's in your pocket. Enjoy my conversation with Jason Van Genderen. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support .…
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Bulletproof Screenwriting™ Podcast
1 BPS 400: How I Made $100K+ Selling Stock Footage with James Forsher 1:02:44
1:02:44 التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احب1:02:44
التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احبToday on the show we have the Stock Footage Yoda James Forsher. James has nearly forty years of experience in producing, writing, and directing documentaries and television commercials. Forsher's productions, ranging from half-hour shows to feature-length documentaries, have aired on the Discovery Channel, The Movie Channel, Cinemax, A & E, and PBS.Forsher's productions range from this year's hour-long show Elvis and the Girl from Vienna back to his 1977 documentary Conrad Hilton: Insight into a Giant. Forsher has also taught film and video production at the college and university level for nearly two decades directed the broadcast program at California State University, East Bay, and has taught communication courses as a Fulbright Scholar in Europe. His new book Stock Footage + Everything Under the Sun: Using Archival Material to Make Your Good Film Great is the bible of stock footage. It is the only book that gives an overview of the use of archival footage and how it played an expanding and crucial role in documentary and TV films. Readers learn how to research images and clear the rights. Part One is an overview of archival footage, reviewing exactly what constitutes archival material and how it fits within the broader history of film and TV production. It also introduces the areas of research and legal parameters to the reader. Part Two examines the variety of styles of entertainment programming that use archival footage, including separate sections on network magazine formats, cable reality shows, webisodes, PBS documentaries, feature-length documentaries, and how documentaries can sway public opinion. Each Part offers interviews with experts who give a realistic idea of how they’ve used stock footage in their own work. Part Three covers Visual Literacy 101, a short course on how to “read” a film. By looking at only a few seconds of footage, one can deduce some very important facts about the film. This part makes a detective out of any researcher or editor who is determined to find the most authentic setting and context for their film. Part Four discusses how to use archival footage, writing a script that includes archival material, editing archival material, negotiating rights and budgeting constraints. If you ever wanted to know how to get, use or sell stock and archival footage for your film get ready to take notes.Enjoy my conversation with James Forsher. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support .…
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Bulletproof Screenwriting™ Podcast
1 BPS 399: FBI Witness Relocation Interview with Boris The Cinematographer from Shooting for the Mob 1:14:46
1:14:46 التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احب1:14:46
التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احبToday we have a very special episode. My guest is coming from an undisclosed location somewhere in Los Angeles. His code name is BORIS: The Cinematographer. We changed his voice and image for his protection. Boris was my cinematographer on the film I almost directed for the mob. I met him while prepping the infamous feature film discussed in my book Shooting for the Mob . Here's a summary on the book:A bipolar gangster, a naive, young film director, and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob.From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood. Huge movie stars, billion-dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? Alex did.By the way, did we mention that this story is based on true events? no, seriously it is.If you want to watch Boris' interview check it out in its entirety below.I asked Boris, an industry-recognized cinematographer if he would be willing to do an interview on his experience working with Jimmy the gangster, the craziness that happened all those years ago and what it was like being in the center of that filmmaking tornado with me.Boris jumped at the chance but he asked that we change his voice to protect his identity. He doesn't want to put himself out there at this time. Trust me you are going to love this episode.Boris lets loose on all things Shooting for the Mob and even tells me stories I didn't know about. If you want to know what it's like trying to shot an indie feature film for a bi-polar, egomaniacal gangster then perk up those ears cause you are going to love this extremely entertaining episode. Enjoy my EPIC conversation with BORIS – The Cinematographer. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support .…
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Bulletproof Screenwriting™ Podcast
1 BPS 398: Inside the World of Cooke Optics with Les Zellan 58:41
58:41 التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احب58:41
التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احبToday on the show we have the chairman of the legendary Cooke Optics empire. For over 100 years, Cooke has been at the centre of the filmmaking business. We've been listening to the community of which we are a part. We lead by introducing new products such as /i Technology, and we remember our success is built on a simple idea – do what the filmmaker needs.From Cooke Optics website:Our factory in Leicester, England has generations from the same family working side by side. That experience is un-beaten anywhere. We manufacture a full range of primes and zooms for 35mm, digital and Super 16mm photography, plus a range of large format stills lenses.We know our customers, and they know us, as individuals. Our rental partners do their training next to the craftsman who built their lenses. There are no barriers. We meet our customers at our factory, at trade events, distributors and rental houses and of course on the set.We're intolerant when it comes to tolerances. We research continuously to drive innovation. Our lenses are dependable and practical in use on the set; our optics superb. The lenses are straightforward to maintain – which is why so many rental facilities carry our products. Our manufacturing and testers keep going until we get each lens within our very tight specification. We get it right, whatever it takes. At the heart of what makes Cooke special is the “Cooke Look”. The Cooke Look® is about the science of creating beautiful images for the motion picture industry.As a result, for over a century, cinematographers have chosen Cooke lenses for a smooth roundness and dimensionality to the picture and for the velvety skin tones that flatter. Enjoy my conversation with Les Zellan. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support .…
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Bulletproof Screenwriting™ Podcast
1 BPS 397: The Art of Low-Budget Cinematography with Suki Medencevic, A.S.C 1:12:32
1:12:32 التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احب1:12:32
التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احبToday I welcome back returning champion award-winning cinematographer Suki Medencevic A.S.C. I brought Suki back on the show to discuss Covid-19 and what Hollywood will look like after it passes, how to approach low-budget filmmaking from the cinematography side, and his game-changing cinematography course Light and Face – The Art of Cinematography from IFH Academy .This workshop will walk you through how to light the most important and emotional subject you could put in front of your lens, the enigmatic face on a low budget. This workshop is unique in that it will literally guide you through the entire process of making your film.Suki attended the renowned National Film School (FAMU), Prague, Czech Republic, where he earned a Master’s Degree with Honors in cinematography. Shortly thereafter, he went to the USA looking for his big break. Since his first feature film shoot in 1994, he has been working steadily in the film industry, making numerous features and made-for-TV films, television shows, commercials, and documentaries including American Horror Story for FX.He was involved in several high-profile documentaries for Pixar, ILM, The Hearst Corporation, and he recently completed The History of Imagineering for Disney+.In 2010, he became a member of the American Cinematographers Society (ASC), the world’s most prestigious cinematographers’ organization. I can't tell you how excited I am to bring this interview to you. Please enjoy my conversation with Suki Medencevic. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support .…
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Bulletproof Screenwriting™ Podcast
1 BPS 396: How to Become an Indy Mogul with Ted Sim 1:31:16
1:31:16 التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احب1:31:16
التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احبToday on the show we have host, filmmaker, entrepreneur, and president of Aputure Ted Sim. Ted is the host of the Indy Mogul Podcast and Youtube Channel. He took over the reins of the legendary Indy Mogul Youtube channel last year and has really created some amazing content.Ted Sim is a Los Angeles filmmaker, originally from Baltimore, MD. Though he has been living in California since 2009, he has traveled to over 45 different countries for work and to meet with local filmmakers from all around the world. He is an alumnus of UCLA's Film Program and is passionate about education.In 2014, Ted started working as President of Aputure USA. Aputure is a cinema technology company that designs and manufactures high-end lighting solutions and filmmaking equipment for digital creators. Ted and I talk shop, lighting, and making it in the film business. I love Aputure lights so much that I exclusively used them in the making on my last feature film On the Corner of Ego and Desire. I had a ball talking shop with Ted. This episode is going to be fun. Enjoy! Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support .…
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Bulletproof Screenwriting™ Podcast
1 BPS 395: The Art of Television Cinematography w/ Jayson Crothers 1:21:52
1:21:52 التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احب1:21:52
التشغيل لاحقا التشغيل لاحقا قوائم إعجاب احبToday on the show we have veteran cinematographer Jayson Crothers. Jayson had shot two dozen independent features before he joined the NBCUniversal hit show Chicago Fire in 2013. After serving as the 2nd unit DoP for 38 episodes during seasons 2 & 3 he was asked to helm the show. Serving as the sole DoP from seasons 4 to 6, he shot 74 episodes of the series for Dick Wolf. He also did additional photography for the backdoor pilot of Chicago Med.In 2019 Jayson photographed three features - the World War 2 true story drama Axis Sally, directed by Michael Polish , starring Al Pacino and Mitch Pileggi, the romantic comedy The Thing About Harry, directed by Peter Paige, and the hurricane action film Force of Nature, also directed by Michael Polish, starring Mel Gibson, Emile Hirsch, and Kate Bosworth.In between these films he also shot additional photography for the Starz series P-Valley as well as 2nd Unit for the Netflix feature Malibu Rescue - The Next Wave.In addition to his work being seen theatrically and on television, it’s also been seen across the festival circuit at SXSW, Tribeca, and Camerimage to name a few. Jayson also served as the Technical Editor for the acclaimed book on cinematography and lighting, A Shot In The Dark. In this episode, we discuss his career, how to get the most out of low-budget cinematography, and how COVID-19 has affected things behind the camera. Enjoy my conversation with Jayson Crothers. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support .…
مرحبًا بك في مشغل أف ام!
يقوم برنامج مشغل أف أم بمسح الويب للحصول على بودكاست عالية الجودة لتستمتع بها الآن. إنه أفضل تطبيق بودكاست ويعمل على أجهزة اندرويد والأيفون والويب. قم بالتسجيل لمزامنة الاشتراكات عبر الأجهزة.
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مشابه لـBulletproof Screenwriting™ Podcast
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