Skunk Baxter: Hostage Negotiations in the Studio

Wong Notes

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<div class="span index">1</div> <span><a class="" data-remote="true" data-type="html" href="/series/the-vanished">The Vanished</a></span>

1
The Vanished

إلغاء الاشتراك

منذ 6 weeksمنذ 6w ago

إلغاء الاشتراك

شهريا

Join us on a journey into the perplexing world of disappearances, where individuals vanish without a trace, leaving behind a void filled with questions and speculation.

منذ عام واحد 59:31

MP3•منزل الحلقة

That was just the beginning. Baxter’s interest and background in electronics, science, and recording technology gained him a position in the U.S. defense industry. Turns out, a lot of digital music gear shared similar principles with emergent defense tech. “Basically, a radar is just an electric guitar on steroids,” says Baxter, noting the same four fundamental forces at work over everything in our universe.

Wong and Baxter trades notes on how to navigate studio sessions (“Just shut the hell up,” offers Baxter), early conversions of pitch into digital signals, and how Baxter cut his solo on Donna Summer’s “Hot Stuff” on a $25 guitar. And can mediating between artists and producers feel like high-stakes hostage negotiations? Sometimes.

Visit Skunk Baxter: https://www.jeffskunkbaxter.com/

Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong

Hit us up: wongnotes@premierguitar.com

Visit Cory: https://www.corywongmusic.com

Visit Premier Guitar: http://premierguitar.com

IG: https://www.instagram.com/wongnotespod

Produced by Jason Shadrick and Cory Wong

Additional Editing by Shawn Persinger

Presented by DistroKid

95 حلقات

#Premier Guitar #Music

Wong Notes

Skunk Baxter: Hostage Negotiations in the Studio

Wong Notes

129 subscribers

published منذ عام واحد

MP3•منزل الحلقة

Visit Skunk Baxter: https://www.jeffskunkbaxter.com/

Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong

Hit us up: wongnotes@premierguitar.com

Visit Cory: https://www.corywongmusic.com

Visit Premier Guitar: http://premierguitar.com

IG: https://www.instagram.com/wongnotespod

Produced by Jason Shadrick and Cory Wong

Additional Editing by Shawn Persinger

Presented by DistroKid

95 حلقات

#Premier Guitar #Music

كل الحلقات

Wong Notes

1
Don’t Call Grace Bowers a Blues-Rock Guitarist 50:34

منذ 26 يومًا50:34

50:34

Grace Bowers just released her debut record, 2024’s Wine on Venus , with her band the Hodge Podge, but she’s already one the most well-known young guitarists in America. On this episode of Wong Notes , Bowers talks through the ups, downs, and detours of her whirlwind career. Bowers started out livestreaming performances on Reddit at age 13, and came into the public eye as a performer on social media, so she’s well acquainted with the limits and benefits of being an “Instagram guitarist.” She and Cory talk about session work in Nashville (Bowers loathes it), her live performance rig, and Eddie Hazel’s influence. Bowers plugs the importance of networking as a young musician: If you want gigs, you gotta go to gigs, and make acquaintances. But none of that elbow-rubbing will matter unless you’re solid on you’re instrument. “No one’s gonna hire you if you’re ass,” says Bowers. “Practice is important.” Tune in to learn why Bowers is ready to move on from Wine on Venus , her takes on Nashville versus California, and why she hates “the blues-rock label.” Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong Visit Grace Bowers: https://www.gracebowers.com/ Hit us up: wongnotes@premierguitar.com Visit Cory: https://www.corywongmusic.com Visit Premier Guitar: http://premierguitar.com IG: https://www.instagram.com/wongnotespod Produced by Jason Shadrick and Cory Wong Additional Editing by Shawn Persinger Presented by DistroKid…

Wong Notes

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“Crank That Sh*t Up!” Greg Koch on Teaching, Mistakes, Modeling, and Modern Blues 1:06:37

منذ 6 weeks1:06:37

1:06:37

You might not know Greg Koch, but we’ll bet your favorite guitarist does. In 2012, Fender called the Wisconsin blues-guitar phenom one of the top 10 best unsung guitarists, and in 2020, Guitar World listed Koch among the 15 best guitar teachers. He’s been inducted into the Wisconsin Area Music Industry Hall of Fame. Koch is a bonafide midwest guitar god. He joins Cory Wong on this round of Wong Notes for this meeting of the Middle-America minds, where the duo open with analysis of music culture in Wisconsin and Minnesota—Koch taught at Saint Paul’s now-shuttered McNally Smith College of Music, which Wong attended. Koch and Wong zero in on the blues roots of most modern music and talk through soloing theories: It can be as easy or as hard as you want it to be, but Koch shares that he likes to “paint himself into a corner,” then get out of it. Koch and Wong swap notes on the pressures of studio performance versus the live realm, and how to move on from mistakes made onstage in front of audiences. Plus, Koch has created scores of guitar education materials, including for Hal Leonard. Tune in to find out what makes a good guitar course, how to write a guitar book, Koch’s audio tips for crystalline live-stream sessions, and why he still prefers tube amps: “I like to crank that sh*t up!” Visit Greg Koch: https://www.gregkoch.com/ Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong Hit us up: wongnotes@premierguitar.com Visit Cory: https://www.corywongmusic.com Visit Premier Guitar: http://premierguitar.com Twitter: https://twitter.com/wongnotespod IG: https://www.instagram.com/wongnotespod Produced by Jason Shadrick and Cory Wong Additional Editing by Shawn Persinger Presented by DistroKid…

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The Journey of Jazz Guitarist Mike Stern 59:25

منذ 9 weeks59:25

59:25

Mike Stern has been around the block. The jazz-guitar virtuoso earned his stripes through the ’70s and ’80s in New York’s jazz scene, playing 6-string with drummer Billy Cobham before tapping in with artists like Miles Davis and Jaco Pastorius—even at a time when guitar wasn’t necessarily a cornerstone piece of a jazz outfit. In this episode of Wong Notes , Stern fills Cory Wong in on the ups and downs of 50 years spent in one of the most complex and underappreciated music genres. Stern made the leap to New York from Boston when Davis invited him to join his band (back when jazz was the pop music of the day, notes Stern), but it was a rocky ride—Stern says he and many other musicians were “bottoming out” from addiction, until a friend went sober and convinced them to give sobriety a try. Stern talks about Miles’ hidden love for the guitar, and how he succeeded in fitting into non-guitar environments. Wong and Stern touch on the decline of arts spaces and cultures in America (thanks, Stern says, to misallocated funding), playing gigs where the band outnumbers the audience members, the benefits of running the same rig in every room, and how to pick the right pick—for Stern, that involves a bit of wig glue. Tune in to get the details, and be sure to check out our 2018 Rig Rundown with Stern, too. Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong Visit Mike Stern: https://www.mikestern.org/ Hit us up: wongnotes@premierguitar.com Visit Cory: https://www.corywongmusic.com Visit Premier Guitar: http://premierguitar.com Twitter: https://twitter.com/wongnotespod IG: https://www.instagram.com/wongnotespod Produced by Jason Shadrick and Cory Wong Additional Editing by Shawn Persinger Presented by DistroKid…

Wong Notes

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“Get It Right, Get It Fast”: Jerry Douglas on Bluegrass History, Technicality, and Session Secrets 1:06:09

منذ 12 weeks1:06:09

1:06:09

Bluegrass music is bigger than a genre. It’s become an entire world of ideas and feelings in the popular American imagination. And musician Jerry Douglas has been a key part of its celebration and revival over the past 30 years. “It's an old form of music that came from people in the south playing on the porch and became this juggernaut of a genre,” says Douglas. “It’s a character. It's a physical music.” Douglas has racked up an impressive cabinet of accolades, including Grammies, American Music Association Awards, and International Bluegrass Music Association Awards. He’s been dubbed the CMA Awards’ Musician of the Year three times, and played with everyone from Allison Krauss and Elvis Costello to Bela Fleck and John Fogerty. He’s an encyclopedic guide to contemporary American roots music, and on this episode of Wong Notes , he walks Cory Wong through the most important moments in his 50-year career. Tune in to hear Douglas’ assessment of bluegrass’ demanding nature (“Honestly, there's not so many genres nowadays that require as much technical facility as something like bluegrass”), what’s required of roots players (“Get it right, get it fast, make it hook”), and why the O Brother, Where Are Thou? soundtrack connected with so many listeners. Wondering how to get involved with session work? Douglas says there’s no one-size-fits-all answer, and what worked for him might not work today. The key is to be dynamic—and know when to keep your mouth shut. There are plenty of gems in this interview, like Douglas’ thoughts on what makes a good solo, but the most significant might be Douglas’ big takeaway from decades of sitting in on communal roots-music sessions. “We can play in all genres,” says Douglas. “We just have to listen.” Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong Visit Jerry Douglas: https://jerrydouglas.com/ Hit us up: wongnotes@premierguitar.com Visit Cory: https://www.corywongmusic.com Visit Premier Guitar: http://premierguitar.com Twitter: https://twitter.com/wongnotespod IG: https://www.instagram.com/wongnotespod Produced by Jason Shadrick and Cory Wong Additional Editing by Shawn Persinger Presented by DistroKid…

Wong Notes

1
Superstar Bassist Blu DeTiger: “Wanna Get Gigs? Be a Good Hang” 1:07:44

منذ 14 weeks1:07:44

1:07:44

At 26, Blu DeTiger is the youngest musician ever to have a signature Fender bass guitar. The Fender Limited Player Plus x Blu DeTiger Jazz Bass, announced in September, pays tribute to the bassist and singer’s far-reaching impact and cultural sway. She’s played with Caroline Polachek, Bleachers, FLETCHER, Olivia Rodrigo, and more, and released her own LP in March 2024. In 2023, Forbes feature her on their top 30 Under 30 list of musicians. So how did DeTiger work her way to the top? DeTiger opens up on this episode of Wong Notes about her career so far, which started at a School of Rock camp at age seven. That’s where she started performing and learning to gig with others—she played at CBGB’s before she turned 10. DeTiger took workshops with Victor Wooten at Berklee followed and studied under Steven Wolf, but years of DJing around New York City, which hammered in the hottest basslines in funk and disco, also imprinted on her style. (Larry Graham is DeTiger’s slap-bass hero.) DeTiger and Wong dish on the ups and downs of touring and session life, collaborating with pop artists to make “timeless” pop songs, and how to get gigs. DeTiger’s advice? “You gotta be a good hang.” Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong Visit Blu DeTiger: https://www.bludetiger.com/ Hit us up: wongnotes@premierguitar.com Visit Cory: https://www.corywongmusic.com Visit Premier Guitar: http://premierguitar.com Twitter: https://twitter.com/wongnotespod IG: https://www.instagram.com/wongnotespod Produced by Jason Shadrick and Cory Wong Additional Editing by Shawn Persinger Presented by DistroKid…

Wong Notes

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Mark Tremonti: “Play Like Grandma’s in the Room” 55:07

منذ 17 weeks55:07

55:07

There probably aren’t too many artists out there as busy as Mark Tremonti. Aside from his celebrated careers in alt-rock mainstays Creed and Alter Bridge, the guitarist, songwriter, and singer organizes guitar and songwriting clinics while on tour; has a line of signature PRS gear; and cut a 14-track charity record, Mark Tremonti Sings Sinatra . Did we mention he’s aiming to become a pinball kingpin, too? Tremonti joins Cory Wong on this episode of Wong Notes to dig into his musical trajectory since the late ’90s, when he blasted to the top of the charts with Creed. The band drew comparisons to other grunge-era staples like Pearl Jam, which irritated Tremonti but pleased Stapp. Tremonti discusses the gulf between the band’s popularity and the critical backlash they received: “People can be cruel, but it’s part of the world. You gotta deal with it.” Tremonti analyzes what makes a good riff and why everything in “the middle” is boring to him, and unveils his songwriting and demoing routines. (“I think melody is the most important part of everything,” he says.) But his biggest passion project these days is his step into classic crooner music. Inspired by his daughter to do a charity project to benefit the down syndrome community, Tremonti recorded a Frank Sinatra covers album, complete with more than a dozen musicians who played with Ol’ Blue Eyes himself. Tune in to hear all about Tremonti’s artistic life, plus a peek at what happens during his pre-show guitar and songwriting clinics on Creed’s fall 2024 tour. Expecting him to demonstrate some ferocious warmups? Think again: “I play like grandma’s in the room,” says Tremonti. Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong Visit Mark Tremonti: http://marktremonti.com Hit us up: wongnotes@premierguitar.com Visit Cory: https://www.corywongmusic.com Visit Premier Guitar: http://premierguitar.com Twitter: https://twitter.com/wongnotespod IG: https://www.instagram.com/wongnotespod Produced by Jason Shadrick and Cory Wong Additional Editing by Shawn Persinger Presented by DistroKid…

Wong Notes

1
Skunk Baxter: Hostage Negotiations in the Studio 59:31

منذ 19 weeks59:31

59:31

“Skunk” Baxter has had an interesting career. The Washington, D.C.-born musician was one of Steely Dan’s founding members in the early 1970s, and played on some of their most iconic numbers, like Can’t Buy a Thrill ’s’ “Reelin’ in the Years” and “Do It Again,” or Pretzel Logic ’s “Rikki Don’t Lose That Number.” Then, he moved on to join the Doobie Brothers, from roughly 1974 to 1979, where he fatefully invited Michael McDonald into the band. After that stint, he became a go-to session player for artists like Rod Stewart, Joni Mitchell, Dolly Parton, and Donna Summer, and a touring performer for Elton John and Linda Ronstadt, among others. That was just the beginning. Baxter’s interest and background in electronics, science, and recording technology gained him a position in the U.S. defense industry. Turns out, a lot of digital music gear shared similar principles with emergent defense tech. “Basically, a radar is just an electric guitar on steroids,” says Baxter, noting the same four fundamental forces at work over everything in our universe. Wong and Baxter trades notes on how to navigate studio sessions (“Just shut the hell up,” offers Baxter), early conversions of pitch into digital signals, and how Baxter cut his solo on Donna Summer’s “Hot Stuff” on a $25 guitar. And can mediating between artists and producers feel like high-stakes hostage negotiations? Sometimes. Visit Skunk Baxter: https://www.jeffskunkbaxter.com/ Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong Hit us up: wongnotes@premierguitar.com Visit Cory: https://www.corywongmusic.com Visit Premier Guitar: http://premierguitar.com IG: https://www.instagram.com/wongnotespod Produced by Jason Shadrick and Cory Wong Additional Editing by Shawn Persinger Presented by DistroKid…

Wong Notes

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Jason Newsted Wants You to Put Your Damn Phone Away 1:22:27

منذ 21 weeks1:22:27

1:22:27

Jason Newsted spent 15 years holding down the low end in Metallica, playing bass for the band from 1986 through 2001. That era included records like …And Justice For All and Metallica —AKA The Black Album —plus the iconic S&M live album with the San Francisco Symphony. But that was just the beginning for Newsted, an artistic polymath who has since pursued a life of balance and creative freedom. On this episode of Wong Notes , he opens up to Cory Wong about why he left Metallica, and details the “Olympian” physicality and discipline that hard international touring requires. Newsted needed a break; the band wanted to keep going. “You gotta sometimes give it a minute,” he says. Newsted shares his thoughts on Dave Mustaine and his predecessor Cliff Burton, and goes deep on the issue of cellphone usage at concerts. (Spoiler alert: He doesn’t like it very much, and he’s got good reasons for his disdain.) But Newsted isn’t just a performer. He talks about his painting and the way that practice differs from music-making, plus his private artistic journeys with theremin, mandolin, and sequencers and loopers—rabbit holes he might not have gone down if he stayed in Metallica. “I don’t say no to any medium,” he says. Maybe leaving Metallica created the need to explore. “I did not get to fulfill that journey,” he says, “so I’m making up for it.” Listen to the full episode here: https://bit.ly/WongNotes Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong Hit us up: wongnotes@premierguitar.com Visit Cory: https://www.corywongmusic.com Visit Premier Guitar: http://premierguitar.com Twitter: https://twitter.com/wongnotespod IG: https://www.instagram.com/wongnotespod Produced by Jason Shadrick and Cory Wong Additional Editing by Shawn Persinger Presented by DistroKid…

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Dave Navarro on Trainwrecks, Rabbit Holes, and the “Navarro Smear” 1:08:34

منذ 23 weeks1:08:34

1:08:34

We know what you’re thinking: Dave Navarro is gonna talk about the onstage brawl. But Cory Wong starts this episode of Wong Notes with an important caveat. This show was recorded long before the awful breakdown and confrontation between Navarro and Jane’s Addiction vocalist Perry Farrell, so don’t expect any salacious gossip. But that just makes this episode all the more interesting. Navarro talks Wong through his formative influences, from Hendrix, Zeppelin, and the Doors to Maiden, heavy metal, and goth. That melting pot, he says, became one of Jane’s Addiction’s calling cards: “Perry and Eric [Avery] ended up in a band that is influenced by bands they hate,” laughs Navarro, who geeks out on Rush and prog-rock. Navarro discusses how Jane’s Addiction has a propensity for jamming live, a practice developed out of a mutual appreciation for nontraditional song structures. But the delineations can sometimes go wrong. “We do run into trainwrecks,” says Farrell. “Sometimes we’ll find ourselves in a part that we’re vibing on, and we’ll keep going, and Perry doesn’t know what we’re doing. He’ll come in and it’s in the wrong place, and we’re fucking him up.” Tune in to hear Navarro talk his “rabbit hole de jour” practice style, how to exercise your fingers and your brain, and a lead technique he calls “the Navarro smear.” All this and more on this latest episode of Wong Notes . Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong Visit Dave Navarro: https://www.instagram.com/davenavarro/ Hit us up: wongnotes@premierguitar.com Visit Cory: https://www.corywongmusic.com Visit Premier Guitar: http://premierguitar.com Twitter: https://twitter.com/wongnotespod IG: https://www.instagram.com/wongnotespod Produced by Jason Shadrick and Cory Wong Additional Editing by Shawn Persinger Presented by DistroKid…

Wong Notes

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Keith Urban: “I’m Not Chasing Tone, I’m Pursuing Inspiration” 51:54

منذ 25 weeks51:54

51:54

Keith Urban has spent decades traveling the world and topping global country-music charts, and on this episode of Wong Notes , the country-guitar hero tells host Cory Wong how he conquered the world—and what keeps him chasing new sounds on his 6-string via a new record, High , which releases on September 20. Urban came up as guitarist and singer at the same time, and he details how his playing and singing have always worked as a duet in service of the song: “When I stop singing, [my guitar] wants to say something, and he says it in a different way.” Those traits served him well when he made his move into the American music industry, a story that begins in part with a fateful meeting with a 6-string banjo in a Nashville music store in 1995. It’s a different world for working musicians now, and Urban weighs in on the state of radio, social media, and podcasts for modern guitarists, but he still believes in word-of-mouth over the algorithm when it comes to discovering exciting new players. And in case you didn’t know, Keith Urban is a total gearhead. He shares his essential budget stomps and admits he’s a pedal hound, chasing new sounds week in and week out, but what role does new gear play in his routine? Urban puts it simply: “I’m not chasing tone, I’m pursuing inspiration.” Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong Visit Keith Urban: https://keithurban.com Hit us up: wongnotes@premierguitar.com Visit Cory: https://www.corywongmusic.com Visit Premier Guitar: http://premierguitar.com Twitter: https://twitter.com/wongnotespod IG: https://www.instagram.com/wongnotespod Produced by Jason Shadrick and Cory Wong Additional Editing by Shawn Persinger Presented by DistroKid…

Wong Notes

1
Kurt Rosenwinkel Weighs In 56:11

منذ 40 weeks56:11

56:11

This time on Wong Notes , guitar legend Kurt Rosenwinkel joins Cory Wong to go deep on all things jazz. The genre has always been a haven for free-thinkers and adventurers, so it’s little surprise when Rosenwinkel reveals that he’s incorporated a Fractal FM9 into his live rig—though it’s still working in tandem with a good ol’ Fender tube amp. Rosenwinkel divulges the details on his “softer, darker” attack, which combined with his approach to tone—including a fair bit of top-end roll-off—constitutes a big piece of his signature sound. Rosenwinkel’s forthcoming live record, The Next Step Band (Live at Smalls 1996) , captures this sound in the place that formed it: New York City. Rosenwinkel takes Wong back to the halcyon days of the city’s kinetic 1990s “hardcore” bebop and free-jazz scene, where Mitch Borden’s legendary Smalls Jazz Club was an artistic hotbed (and crash pad) for players of all stripes. Nowadays, more and more artists are forming their connections online rather in a jazz club. But can TikTok and Instagram replace an all-night jazz joint for up-and-coming players? Tune in, and be sure to check out Kurt’s career-spanning new Ultimate Book of Compositions . Listen to the full episode here: https://bit.ly/WongNotes Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong Visit Kurt Rosenwinkel: https://kurtrosenwinkel.com/ Hit us up: wongnotes@premierguitar.com Visit Cory: https://www.corywongmusic.com Visit Premier Guitar: http://premierguitar.com IG: https://www.instagram.com/wongnotespod Produced by Jason Shadrick and Cory Wong Additional Editing by Shawn Persinger Presented by DistroKid…

Wong Notes

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Al Di Meola: Friday Night at Olive Garden 49:31

منذ 46 weeks49:31

49:31

The legendary shred maestro—best known for his work as a solo artist and as a member of Return to Forever and other high-profile, hot-shot collabs—drops by to chat with Cory about his new epic full-length, Twentyfour . It features “sixteen brand-new compositions and they’re all very involved. I hope I don’t have to do this again.” One of Di Meola’s biggest projects is, of course, the guitar trio he shared with John McLaughlin and Paco de Lucía and their thrilling 1981 record, Friday Night in San Francisco , which elevated the acoustic guitar ensemble to the level of high art. Di Meola shares the behind-the-scenes stories of that tour and the 2022 archival release from the next night’s concert, Saturday Night in San Francisco . He calls the ensemble’s dynamic a “real healthy competition” and explains, “I knew I was up against two guys who were relentless in their delivery of phenomenal ideas. When they finished a solo, it was like, ’ Oh my god, what am I gonna come up with.” No chat with Di Meola, who famously opened up his kitchen in the post-lockdown part of the pandemic, would be complete without a survey of Southern Italian food. Why is sfogliatelle the maestro’s favorite pastry, and where does he get his? If he’s on tour and there’s nowhere to eat but an Olive Garden, what’s his order? And much, much more. Listen to the full episode here: https://bit.ly/WongNotes Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong Visit Al Di Meola: https://www.aldimeola.com/ Hit us up: wongnotes@premierguitar.com Visit Cory: https://www.corywongmusic.com Visit Premier Guitar: http://premierguitar.com Twitter: https://twitter.com/wongnotespod IG: https://www.instagram.com/wongnotespod Produced by Jason Shadrick and Cory Wong Additional Editing by Shawn Persinger Presented by DistroKid…

Wong Notes

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Marcus King and the Medicine of Music 49:15

منذ 49 weeks49:15

49:15

Marcus King has already been through the wringer, but he’s on the come-up. His hotly anticipated third LP, Mood Swings , drops this Friday, April 5, and on this episode of Wong Notes , the earnest, honest 28-year old South Carolinian goes deep on his career with Cory Wong. The two shredders open by swapping notes on how touring has changed post-pandemic. Costs are way up, but they’re managing to make it work. King reveals to Wong that on his upcoming tour, he’s wrangled a few sizeable, must-have creature comforts into the trailers—tune in to find out what King brings on the road. King walks us through his custom amp and cabinet setups, detailing why he prefers 10" speakers to 12", how he became friends with Orange Amplifiers founder Cliff Cooper, and the family history that led to his signature Gibson Marcus King 1962 ES-345, complete with sideways vibrola. He and Wong get down to the nitty-gritty, too. Marcus talks about pressure to conform to certain genre communities, his struggles with self-medicating, and how sometimes, music feels like the only medicine we’ve got on hand. Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong Visit Marcus King: https://www.marcuskingofficial.com/ Hit us up: wongnotes@premierguitar.com Visit Cory: https://www.corywongmusic.com Visit Premier Guitar: http://premierguitar.com Twitter: https://twitter.com/wongnotespod IG: https://www.instagram.com/wongnotespod Produced by Jason Shadrick and Cory Wong Additional Editing by Shawn Persinger Presented by DistroKid…

Wong Notes

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Respect, Psychedelics, and the Future of Bluegrass With Billy Strings 50:03

منذ 1 year50:03

50:03

The ascendant roots shredder shares intimate details from his musical upbringing and gets philosophical on the past and future of bluegrass. Millennial folk philosopher Billy Strings joins this episode of Wong Notes . The Grammy-winning acoustic picker is an open book—nothing is off limits with Billy, from recounting his days selling magic mushrooms in exchange for passing grades in math class, to an emotional drunk-driving revelation that might have saved his life. Now, Strings can recount war stories of playing with his heroes in the bluegrass scene, and learning important lessons from the greats about respect while onstage. Strings is at the intersection of the old and the new, often stuck between the traditionalists and the new era of American folk music. He says he doesn’t belong to one or the other; his music is more of “a goulash of all the things put together.” Speaking of which, Billy and Cory connect for a brilliant mashup of Cory’s funk stylings and Billy’s bluegrass flatpicking, proving that music really can be a universal language. Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong Visit Billy Strings: http://billystrings.com Hit us up: wongnotes@premierguitar.com Visit Cory: https://www.corywongmusic.com Visit Premier Guitar: http://premierguitar.com Twitter: https://twitter.com/wongnotespod IG: https://www.instagram.com/wongnotespod Produced by Jason Shadrick and Cory Wong Additional Editing by Shawn Persinger Presented by DistroKid…

Wong Notes

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Joe Dart Talks Bass Philosophy and the Benefits of High Action 1:03:05

منذ 1 year1:03:05

1:03:05

This time on Wong Notes, Cory is joined by his Vulfpeck and Fearless Flyers copilot Joe Dart. Wong doesn’t waste any time, diving in by asking Dart, by now renowned as a modern bass wizard with flawless fundamentals, how he developed he signature “voice” on the bass. As Dart explains, it came from listening to players who had their own distinct “voice,” who sound like “they’re singing a part within the song,” he says. These “philosophers of the low-end,” like Flea, imprinted the value of total intention and feeling in every note, as if any single one could be your last. Dart throws it back to his first bass—a Samick—and remembers how it’s ridiculously high action was like weight training for the rest of his career. He still likes his strings suspended up higher than most, which allows his “brute force” slapping. Wong and Dart trade notes on practice regimes, and Dart offers advice for young players: Learn your scales, sure, but most importantly, “play with as many different people as you can.” Plus, Dart breaks down his differing approaches to instrumental and vocal tracks. Later on, the bandmates ponder the mental trap of the social media comparison game, and wonder at how algorithms impact which music rises to the top of the heap. What does Dart hope to remembered for? With any luck, he’ll have works as iconic as his grandfather’s, Israel Baker, whose violin playing you’ll recognize not just from collabs with Frank Sinatra and Ella Fitzgerald, but some of the most famous film scores and TV show theme songs. Listen to the full episode here: https://bit.ly/WongNotes Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywong Visit Joe Dart: Hit us up: wongnotes@premierguitar.com Visit Cory: https://www.corywongmusic.com Visit Premier Guitar: http://premierguitar.com Twitter: https://twitter.com/wongnotespod IG: https://www.instagram.com/wongnotespod Produced by Jason Shadrick and Cory Wong Additional Editing by Shawn Persinger Presented by DistroKid…

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