Tin House Live : Frank Bidart

Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

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Books

تمت الإضافة منذ قبل nine عام

المحتوى المقدم من David Naimon, Tin House Books, David Naimon, and Tin House Books. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة David Naimon, Tin House Books, David Naimon, and Tin House Books أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

This Is Woman's Work with Nicole Kalil

1
QUALIFIED: How Competency Checking and Race Collide at Work with Shari Dunn | 284 33:58

منذ 6 أيام33:58

التشغيل لاحقا

قوائم

إعجاب

احب

33:58

In this episode, we delve into the concept of being "qualified" in the workplace, examining who gets labeled as such, who doesn't, and the underlying reasons. We explore "competency checking"—the practice of scrutinizing individuals' abilities—and how it disproportionately affects underrepresented groups, often going unnoticed or unchallenged. Our discussion aims to redefine qualifications in a fair, equitable, and actionable manner. Our guest, Shari Dunn , is an accomplished journalist, former attorney, news anchor, CEO, university professor, and sought-after speaker. She has been recognized as Executive of the Year and a Woman of Influence, with her work appearing in Fortune Magazine, The Wall Street Journal, Ad Age, and more. Her new book, Qualified: How Competency Checking and Race Collide at Work , unpacks what it truly means to be deserving and capable—and why systemic barriers, not personal deficits, are often the real problem. Her insights challenge the narratives that hold so many of us back and offer practical solutions for building a more equitable future. Together, we can build workplaces and communities that don’t just reflect the world we live in, but the one we want to create. A world where being qualified is about recognizing the talent and potential that’s been overlooked for far too long. It’s not just about getting a seat at the table—it’s about building an entirely new table, one designed with space for all of us. Connect with Our Guest Shari Dunn Website& Book - Qualified: https://thesharidunn.com LI: https://www.linkedin.com/today/author/sharidunn TikTok: https://www.tiktok.com/@thesharidunn Related Podcast Episodes: How To Build Emotionally Mature Leaders with Dr. Christie Smith | 272 Holding It Together: Women As America's Safety Net with Jessica Calarco | 215 How To Defy Expectations with Dr. Sunita Sah | 271 Share the Love: If you found this episode insightful, please share it with a friend, tag us on social media, and leave a review on your favorite podcast platform! 🔗 Subscribe & Review: Apple Podcasts | Spotify | Amazon Music…

منذ عام واحد 1:10:19

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If you enjoyed today’s conversation, consider joining the Between the Covers community as a listener supporter. One possible benefit to choose from is the ever-growing bonus audio archive which includes a reading of and meditation on a Frank Bidart poem by Garth Greenwell. To learn more head over to the show’s Patreon page.

You can also find a playlist of past conversations with some of the most iconic poets writing today, from Layli Long Soldier to Jorie Graham, Carl Phillips to Dionne Brand, at the show’s YouTube Channel.

Finally here is the BookShop for today’s episode.

The post Tin House Live : Frank Bidart appeared first on Tin House.

373 حلقات

#Storytelling #Books and Writing #Fiction #Between #Stories #Authors #Writers #Writing #Novels #Interviews #Naimon #Poetry #David Naimon #Tin House Books #Books #Arts #David Naimon, Tin House Books #Cover

Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

Tin House Live : Frank Bidart

Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

281 subscribers

published منذ عام واحد

MP3•منزل الحلقة

Finally here is the BookShop for today’s episode.

The post Tin House Live : Frank Bidart appeared first on Tin House.

373 حلقات

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1
Omar El Akkad : One Day, Everyone Will Have Always Been Against This 2:12:55

منذ 10 أيام2:12:55

2:12:55

In late October 2023, weeks into Israel’s bombing of northern Gaza, the novelist Omar El Akkad retweeted a video taken by a Gazan man. This video showed a lifeless moonscape with endless empty streets of rubble, every building, one to the next, a hollow blown-out shell of itself. No people, no animals, the only sound the strained breath of this man stumbling through this indiscriminately obliterated city that was once a home. El Akkad captioned his tweet with the words: “One day, when it’s safe, when there’s no personal downside to calling a thing what it is, when it’s too late to hold anyone accountable, everyone will have always been against this” a tweet that has now been viewed over ten million times. Despite El Akkad’s past as a journalist, one who reported on some of the most notorious and fraught moments in recent U.S. history—whether embedded in Afghanistan, down at Guantanamo Bay, or reporting from Ferguson, Missouri—it was the aftermath of October 7th that was a turning point for him in relation to the West and its notions of humanism and liberalism. Together we discuss his debut work of nonfiction that resulted from this, that many characterize as his breakup letter to the West. We look at the role of language in providing cover for the middle, the centrist, the well-meaning liberal to look away and the power of language to create a climate of dehumanization, allowing the unspeakable to seem tragic but necessary. For the bonus audio archive Omar contributes a reading of one of his favorite poems by Jorie Graham. This joins everyone from Isabella Hammad reading Walid Daqqa to Roger Reeves reading Ghassan Kanafani, to Zahid Rafiq reading Franz Kafka. If you enjoyed today’s conversation consider joining the Between the Covers community as a listener-supporter. You can find out about all the benefits and rewards of doing so, including how to subscribe to the bonus audio, at the show’s Patreon page . Finally, here is the Bookshop for today’s episode. The post Omar El Akkad : One Day, Everyone Will Have Always Been Against This appeared first on Tin House .…

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Hélène Cixous : Rêvoir 1:29:37

منذ 4 weeks1:29:37

1:29:37

Feminist and literary theorist, playwright, philosopher, memoirist and novelist Hélène Cixous returns to the show to discuss her latest genre-defying hybrid work of prose. Written during the first year of the pandemic, Rêvoir explores the effect of pandemic confinement on time, the effect of pandemic time on writing, and what plagues and confinement show us about the nature of time, memory, dreams, history, language, home, flight, cats, love and death. Struggling to find purchase on her own writing within the timelessness of that year, she conjures and contemplates the works of everyone from Thucydides to Kafka, Shakespeare to Shackleton, to uncover how literature always begins with an ending, always opens with no way forward. What does Cixous mean that language is haunted by writing? That it is not just the writer who writes, but the words themselves? Join us to find out! For the bonus audio, enjoy a long-form conversation with Cixous’ translator, the poet Beverley Bie-Brahic. Given that Cixous breaks the norms of form, syntax and punctuation, not in predictable or consistent ways, but from a place of instinct and intuition, and given that her playful use of homophones in French, an essential quality of her writing that often leads where her writing ultimately goes, Cixous’ writing presents some unusually difficult challenges for a translator. Something we explore with Bie-Brahic in this conversation. To learn how to subscribe to the bonus audio archive and about all the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter, head over to the show’s Patreon page . Finally here is the BookShop for today’s episode. The post Hélène Cixous : Rêvoir appeared first on Tin House .…

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Aria Aber : Good Girl 2:10:57

منذ 7 weeks2:10:57

2:10:57

Poet Aria Aber’s debut novel Good Girl , set in the club scene of Berlin, is a book brimming over with sex and drugs and music, true. But really at its heart it is a book of self-making and unmaking, of self-destruction and self-discovery, where 19 year old Nila navigates the irresolvable dialectics of being a second generation Afghan-German immigrant, finding home neither in the world of her family nor in Germany at large. A book coursing with desire and shame, flight and pursuit, Good Girl is ultimately about the desperate need to find oneself and one’s home, whatever the cost. Where home might not be a place or a people at all, but the world of art and literature itself. For the bonus audio archive Aria contributes a reading from Palestinian writer Yasmin Zaher’s debut novel, The Coin. This joins Isabella Hammad reading from Walid Daqqa’s prison writings, Zahid Rafiq reading Kafka, Rabih Alameddine reading Fernando Pessoa, Dionne Brand reading Christina Sharpe and much more. To learn how to subscribe to the bonus audio and the other potential benefits and rewards available when you join the Between the Covers community as a listener-supporter, head over to the show’s Patreon page . Finally, here is the BookShop for today’s conversation. The post Aria Aber : Good Girl appeared first on Tin House .…

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Zahid Rafiq : The World With Its Mouth Open 2:04:14

منذ 9 weeks2:04:14

2:04:14

Today’s guest Zahid Rafiq discusses his debut short story collection The World With Its Mouth Open , eleven remarkable stories set in modern-day Kashmir. Prior to writing fiction Rafiq was a journalist and we explore the ways the stories he tells now, and the stories he wrote then, differ and overlap, We look at how fiction can contain the unsaid, the unknown even; how it can create space for silence, and, unlike journalism, tell the stories behind the stories. We explore the relationship of art and politics, especially when writing stories about ordinary lives and ordinary days, stories often described as quiet and understated, when they are, at the same time, set in one of the most contested and militarized places on earth. For the bonus audio archive Zahid contributes a reading from the writings of one of the most important writers for him, Franz Kafka. He reads from the chapter “Waiting for Klamm” from his novel The Castle. To learn how to subscribe to the bonus audio archive and about all the other potential rewards and benefits of joining the Between the Covers community as a listener-supporter head over to the show’s Patreon page . Finally, here is the BookShop for today’s conversation. The post Zahid Rafiq : The World With Its Mouth Open appeared first on Tin House .…

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Tin House Live : Denis Johnson : 2004 1:10:23

منذ 10 weeks1:10:23

1:10:23

We started 2024 with an archival recording of Denis Johnson from the first ever Tin House Writers Workshop in 2003. That episode was a three-part episode: Denis Johnson reading from the manuscript of his novella Train Dreams, then being interviewed by Chris Offutt, and finally, Denis, Chris and Charles D’Ambrosio performing the first act of his play Psychos Never Dream . It turns out Denis returned to the Tin House workshop the following year, the summer of 2004. It seems a fitting way to round out the year to have the last episode of 2024 be an archival recording of his return. This episode is a two-part episode. The first half is a reading from the manuscript of what would become his National Book Award-winning novel Tree of Smoke . The second half is an extended interview of Denis by Charles D’Ambrosio. A deep dive into Johnson’s process and philosophy, and into questions of craft and influence. If you enjoy today’s episode, consider joining the Between the Covers community as a listener-supporter. You can find out about all the potential rewards and benefits of doing so at the show’s Patreon page. The post Tin House Live : Denis Johnson : 2004 appeared first on Tin House .…

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Rodrigo Fresán : Melvill 1:57:43

منذ 12 weeks1:57:43

1:57:43

How can a novel set during one brief moment near the end of Herman Melville’s father’s life, a moment lost to history and now fully overshadowed by his son’s enduring literary legacy, become a portal to discuss the world entire? Melvill is a novel about reading and writing, about parenthood and legacy, about madness and memory, about time and ghosts and the dead who never die. Jorge Luis Borges once called Moby Dick an “infinite novel,” one that “page by page, expands and even exceeds the size of the cosmos.” And today’s conversation with Rodrigo Fresán seems animated by this very spirit. Somehow a conversation about Herman Melville’s father not only becomes a deep meditation on Moby Dick but also, at the very same time, at the very same moment, a meditation on Argentinian literature, on imagination and place, on style and plot, on vampires and footnotes, on Borges, Bolaño, Bob Dylan, Vladimir Nabokov, and on and on into the infinite cosmos. For those subscribed to the bonus audio archive, today’s contribution is a long-form conversation with Melvill ‘s translator Will Vanderhyden. We explore Will and Rodrigo’s ongoing collaboration and friendship, the challenges and joys of translating Rodrigo’s work and Will’s own journey as a translator. To learn more about the bonus audio and the other potential benefits of joining the Between the Covers community as a listener-supporter head over to the show’s Patreon page . Finally here is the Bookshop for today’s episode. The post Rodrigo Fresán : Melvill appeared first on Tin House .…

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Dionne Brand : Salvage : Readings from the Wreck 2:11:03

منذ 14 weeks2:11:03

2:11:03

What does it mean that a life can not only be animated by books but destroyed by them? That a self can be not only made by reading, but unmade by it? Dionne Brand’s latest book of nonfiction Salvage: Readings from the Wreck returns to formative texts from her own reading life in order to model a more aware and liberatory way of reading, of thinking, of being, in relation to them. We explore what we can salvage from the wreck, the wreck that is the book before us, the wreck that is us before the book. For the bonus audio archive Dionne reads selections from the work of Canisia Lubrin and Christina Sharpe. This joins readings, craft talks, writing prompts and more from everyone from Danez Smith to Marlon James to Nikky Finney. You can find out how to subscribe to the bonus audio and about all the other potential benefits and rewards of joining the Between the Covers community as a listener-support at the show’s Patreon page . Finally here is the BookShop for today. The post Dionne Brand : Salvage : Readings from the Wreck appeared first on Tin House .…

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Danez Smith : Bluff 2:53:11

منذ 16 weeks2:53:11

2:53:11

Danez Smith’s poetry is so many things, a poetry of resistance, of elegy, of joy, of care, of repair. Their poetry is Afrofuturist and Afropessimist. It’s nature poetry, decolonial poetry, queer poetry, a poetry that is archival and documentary. And it is also a poetry that questions poetry itself and even more so, questions the poet, a poetry that is continually in the process of self-remaking and unmaking, of forging and severing allegiances, a shapeshifting poetry, a poetry of mutual aid, a poetry reaching toward, and already singing from, an elsewhere and an otherwise. Nam Le for the New Your Times, speaking of Smith’s new book Bluff, doesn’t just suggest that this book is a major turning point for the poet, a volta within this poet’s evolution, but also suggests that Danez’s volta might also represent a turning point for American poetry at large. This twinning, of the self that is Danez to the poetry collective, feels prescient, as their poetry contains so much, and so much powerful self-examination, that it becomes an examination of all of us, for all of us, of what it means to be an “I” and what it means to be a “we.” Who better to lead us through than a poet like this? For the bonus audio archive, Danez contributes something really special for us. As one of the six members of the Dark Noise Collective (along with Fatimah Asghar, Aaron Samuels, Franny Choi, Nate Marshall, and Jamila Woods), Danez reads a favorite poem from each of their five peers and follows each reading with a writing prompt designed for us and related to the poem just read. After five poems and five writing prompts, Danez reads a poem of their own too. This joins an ever-growing archive of supplemental material from Ross Gay reading Jean Valentine to Dionne Brand reading Christina Sharpe to Nikky Finney reading from the diaries of Lorraine Hansberry. To learn how to subscribe to the bonus audio and about all the other possible benefits of joining the Between the Covers community as a listener-supporter head over to the show’s Patreon page . Finally, here is the BookShop for today. The post Danez Smith : Bluff appeared first on Tin House .…

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Kenzie Allen : Cloud Missives 2:33:17

منذ 19 weeks2:33:17

2:33:17

Today’s conversation with Kenzie Allen, about her debut poetry collection Cloud Missives , is unusually wide-ranging. We look at the influence of archaeology, anthropology and cartography on her poetry, and on her notion of gaze within her work. We explore the fraught colonial history of these fields, and how, as an indigenous poet, she orients herself to her own work in this regard. We look at questions of identity, representation and stereotype both in the realm of language and art-making, and also in the realm of tribal sovereignty, looking at the colonial history of blood quantum and its repercussions today. We also look at questions of form, both inherited forms and the creation of new ones, of both poetry on the page, and multimodal works that live off of it, from visual poetry to literary cartography to the wampum belt as an ancient form of hyper-text. For the bonus audio archive, Kenzie contributes an extended reading of a sequence poem that she calls Love Songs to Banish Another Love Song. By reading this, she gives us a peek behind the curtain of the process of revision, because this sequence is an earlier, very different version of a much shorter poem in Cloud Missives. This joins many other supplemental readings in the archive from everyone from Jake Skeets to Layli Long Soldier, Elissa Washuta to Natalie Diaz, Brandon Hobson to Tommy Pico to Terese Marie Mailhot. You can find out how to subscribe and check out the many other possible benefits and rewards of joining the Between the Covers community as a listener-supporter at the show’s Patreon page . Finally, here is the BookShop for today. The post Kenzie Allen : Cloud Missives appeared first on Tin House .…

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Tin House Live : Torrey Peters on Strategic Opacity 45:45

منذ 20 weeks45:45

45:45

Today’s craft talk—by Torrey Peters on “Strategic Opacity”— was recorded at the 2024 Tin House summer writers workshop. Peters explores the elements in works of fiction that actually don’t make sense—from William Shakespeare to Elena Ferrante —and how, paradoxically, it is these very elements, the unexplainable ones, that can make a work of art great. Given that most actual humans make nonsensical choices and can’t be fully known as people, Peters discusses how we might write lifelike characters who don’t make sense either—but in a strategic way—writing them so that they begin to feel like the real people all around us: “the friends who make strange and frustrating decisions in their worst interests, the parents who act with sudden arbitrariness, the lovers who just won’t accept the care they need and want.” Peters then looks at the ways this revelation has deeply changed her own work. If you enjoy today’s conversation consider joining the Between the Covers community as a listener-supporter. Head over to the show’s Patreon page to learn more. Finally, here is the BookShop for today’s talk, which includes many of the books mentioned. The post Tin House Live : Torrey Peters on Strategic Opacity appeared first on Tin House .…

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Jewish Currents Live : Dionne Brand & Adania Shibli in Conversation

منذ 22 weeks

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As part of Jewish Currents Live: A Day of Politics & Culture , I moderated a conversation between Adania Shibli and Dionne Brand this September in New York City. Both Dionne and Adania have been on the show individually, and part of why I was hoping to bring them together this way was because of just how unforgettable my conversations with each of them respectively were. Together we look at questions of home and belonging, nations and mapping, humans and animals, as well as at Dionne and Adania’s shared desire to write against grand narratives and to imagine an otherwise for how we might live together. We do all of this within the aura of the eleven months of genocidal assaults on Palestinian life, and how the resistance to it connects us to other struggles around the world. Jewish Currents is offering two things to entice listeners to become supporters of Between the Covers, one is a Jewish Currents sampler of back issues, the other is their After October 7th compendium of essays, poems and reports with writings by genocide scholar Raz Segal, Peter Beinart’s essay “Teshuvah: A Jewish Case for Palestinian Refugee Return,” poems by Hala Alyan, Fady Joudah and more. To learn about these and the many other things available to choose from when joining the Between the Covers community, head over to the show’s Patreon page . Finally, here is the BookShop for today. The post Jewish Currents Live : Dionne Brand & Adania Shibli in Conversation appeared first on Tin House .…

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Isabella Hammad : Recognizing the Stranger : On Palestine and Narrative 1:56:17

منذ 23 weeks1:56:17

1:56:17

Today’s conversation with Isabella Hammad is truly like no other on the show in its fourteen year history. The main text of her book is the speech she delivered for the Edward Said Memorial Lecture in September of 2023. A remarkable speech called “Recognizing the Stranger” which looks at the middle of narratives, at turning points, recognition scenes and epiphanies; which explores the intersection of aesthetics and ethics, words and actions, and the role of the writer in the political sphere; and which complicates the relationship between self and other, the familiar and the stranger. It does all of this in the spirit of Said’s humanistic vision, reaching for narrative forms that can best reflect Palestinian lived experiences. Hammad delivered this speech, however, nine days before October 7th. The response of Israel, and the West at large, prompted her to write an afterword, an afterword that is a third of the book entire. Hammad herself had had her own turning point, her own recognition scene, where the terms of her own analysis had irrevocably changed. The afterword reflects this change, sitting at a right angle to the speech itself. The book as a whole captures this turning point within a writer in real time, preserving the gap between two selves, and we explore both on their own terms. If you enjoyed today’s conversation, consider joining the Between the Covers community as a listener-supporter. One possible supporter benefit to choose from is access to the bonus audio archive. Isabella Hammad has contributed an extended reading from writer and political prisoner Walid Daqqa’s letter “Parallel Time.” This letter hasn’t been published in English but it was, in 2014, adapted to the stage in Haifa under the same name. The Israeli culture ministry, in response, defunded the theater. To learn how to subscribe to the bonus audio, and about the many other possible rewards to choose from, head over to the show’s Patreon page. Finally here is today’s BookShop . The post Isabella Hammad : Recognizing the Stranger : On Palestine and Narrative appeared first on Tin House .…

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Tin House Live : Frank Bidart 1:10:19

منذ 25 weeks1:10:19

1:10:19

Today’s episode is an archival recording of poet Frank Bidart from the 2008 Tin House Writers Workshop. It begins with an introduction by the poet Brenda Shaughnessy, followed by an extended poetry reading by Frank Bidart. After the reading is a not-to-be-missed substantive and remarkable craft interview of Frank by Brenda. They look at how he approaches revision, the ways teaching students influences his own writing, and about his early years as a student of, and ultimately friend and early reader for, Robert Lowell. If you enjoyed today’s conversation, consider joining the Between the Covers community as a listener supporter. One possible benefit to choose from is the ever-growing bonus audio archive which includes a reading of and meditation on a Frank Bidart poem by Garth Greenwell. To learn more head over to the show’s Patreon page . You can also find a playlist of past conversations with some of the most iconic poets writing today, from Layli Long Soldier to Jorie Graham, Carl Phillips to Dionne Brand, at the show’s YouTube Channel. Finally here is the BookShop for today’s episode. The post Tin House Live : Frank Bidart appeared first on Tin House .…

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Nalo Hopkinson : Blackheart Man 1:50:34

منذ 26 weeks1:50:34

1:50:34

Todays’ guest is Grand Master of science fiction and fantasy Nalo Hopkinson. Together we center her first novel in over a decade, the remarkable Blackheart Man, and look at what it means to not only write an alternate Caribbean history, but within that history conjure an entirely new culture, one with its own language, sexual norms, family and gender dynamics, and racial politics. And yet a culture that remains, for all its invented differences, deeply Caribbean. Blackheart Man is a book exploring the “what-ifs” in the histories of marronage (autonomous fugitive communities of escaped enslaved peoples) and of what can be recovered from the ruptures and erasures in the archive. Nalo’s latest novel becomes the lens through which we explore everything from the use of vernacular speech in one’s work to the reckonings around race that have rocked the SFF community in recent years. Nalo’s appearance on the show joins many archival conversations with touchstone writers of SFF today, from Nnedi Okorafor and N.K. Jemisin to Ted Chiang and Kelly Link, from Kim Stanley Robinson and Jeff Vandermeer, to William Gibson, China Miéville and Ursula K. Le Guin. I’ve created a “Legends of Sci-Fi and Fantasy” playlist on the show’s YouTube channel so they are easily found in one place but you can also sort for “SFF” at the show’s home page as well. If you enjoyed today’s conversation, consider joining the Between the Covers community as a listener-supporter. There are an incredible number of rewards and gifts to choose from when you do. You can check it all out at the show’s Patreon page. Finally, here is the BookShop for today’s episode. The post Nalo Hopkinson : Blackheart Man appeared first on Tin House .…

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Vajra Chandrasekera : Rakesfall 2:25:56

منذ 28 weeks2:25:56

2:25:56

Sri Lankan writer Vajra Chandrasekera’s first novel, The Saint of Bright Doors , was shortlisted for or won nearly every major SFF award there is. Much of the buzz around this book circled the question:”what exactly is this?” Saints not only didn’t fulfill the expected tropes of the genre, but seemed to be actively working against them, subverting them. Vajra’s new book Rakesfall , however, makes his debut, for all its innovation, seem normative by comparison. Rakesfall is set both in an ancient mythic past and a far distant post-human future, calling into question where the past and the future begin and end. Rakesfall is a book with two characters (or maybe one) who are constantly dying and being reborn, changing names, changing bodies, where it isn’t always clear who is who, or where self and other begin and end. Rakesfall is continually changing shape, style and form, with stories within stories within stories, a rabbit hole of stories, a wormhole of stories, where you are never sure you will ever resurface into the “real world” again. Of course, we talk about form and trope and genre, but we also talk at-length about Sri Lankan Buddhism and how, as a political force, it has woven its own story into a mythos of nation-state and race. And how this very storytelling has led to violence, from the everyday and bureaucratic to outright genocide. Vajra’s books can be engaged with and enjoyed without any knowledge of this, but the more we explore his own interrogations of Buddhist hegemony in Sri Lanka the more the subtext of his books feels central, the more his subversion of form and genre feels outright political. In one of his essays he asks ‘how do we write in a monstrous world?’ How do we write toward liberation, toward solidarity, whatever the odds? Today’s conversation provides one great example of just that. For the bonus audio archive Vajra translates an excerpt of a story by an award-winning Sri Lankan writer, a writer who, when he posted this story on his Facebook page, was arrested and imprisoned under the accusation that the story was anti-Buddhist. Vajra translates this excerpt and reads it for us while also contextualizing why he thinks this story was seen as blasphemous. To learn how to subscribe to the bonus audio archive and the other potential benefits of joining the Between the Covers community as a listener-supporter head over to the show’s Patreon page . Finally, here is today’s BookShop . The post Vajra Chandrasekera : Rakesfall appeared first on Tin House .…

مرحبًا بك في مشغل أف ام!

يقوم برنامج مشغل أف أم بمسح الويب للحصول على بودكاست عالية الجودة لتستمتع بها الآن. إنه أفضل تطبيق بودكاست ويعمل على أجهزة اندرويد والأيفون والويب. قم بالتسجيل لمزامنة الاشتراكات عبر الأجهزة.