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المحتوى المقدم من Ralston College. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Ralston College أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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Ep. 29 - Marie Kawthar Daouda: Baudelaire and the Creation of the Poetic Self

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المحتوى المقدم من Ralston College. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Ralston College أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

Ralston College presents a lecture by Marie Kawthar Daouda on the infamous French poet, Charles Baudelaire. Baudelaire published one collection of poems in his lifetime, 'Les Fleurs du mal,' which was met by outrage and led to a scandalous lawsuit because of some poems’ graphic content. The problem with Baudelaire was not so much that he was writing about sex, drunkenness, and violence; it was that he wrote about ugly things—at times horrible things—while using the classical perfection of the French verse, and merged the longing for a lost ideal with the modernity of Haussmanian Paris. As such, Baudelaire's art is not about gruesome indecency, but about acknowledging horror as a non-negotiable part both of the human condition and of the creation of the self. Dr Daouda’s lecture focuses on two particular sonnets, 'À une passante' and 'Recueillement,' which offer emblematic examples of Baudelaire’s poetic technique and his philosophical heritage, and help to explain why, although he died in utter misery, he was one of the most influential artistic figures of the century that followed.

This lecture and discussion were recorded with a live online audience on June 23rd, 2022.

Authors, Ideas, and Works Mentioned in this Episode

Charles Baudelaire Eugene Delacroix, 'La Liberté guidant le peuple' Chateaubriand Benjamin Constant Alphonse de Lamartine Victor Hugo, 'Les Miserables' George Sand Jean-Jacques Rousseau Voltaire Victor Hugo, 'Les Chansons des rues et des bois' Édouard Manet Blaise Pascal Joseph de Maistre Edgar Allan Poe Platonism Neo-Platonism Edgar Allan Poe, 'The Imp of the Perverse' Charles Baudelaire, 'L’art romantique' Charles Baudelaire, 'Les Fleurs du mal' Carlos Schwabe, 'Spleen et idéal' Oscar Wilde Charles Baudelaire, 'À une passante' Petrus Borel, 'Champavert' Charles Baudelaire, 'Recueillement' Charles Baudelaire, 'Le Spleen de Paris' Michael Edwards, 'Bible et poésie' Vladimir Jankélévitch, 'La Mort' Carlos Schwabe, 'Les Noces du poete et de la Muse ou L’Ideal' Gustav Maureau Lord Byron

Links of Possible Interest

Dr Marie Kawthar Daouda's biography https://www.ralston.ac/people/marie-k...

Dr Stephen Blackwood https://www.stephenjblackwood.com

Ralston College https://ralston.ac

Ralston College Short Courses https://www.ralston.ac/humanities-sho...

Ralston College Humanities MA https://www.ralston.ac/humanities-ma

  continue reading

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Artwork
iconمشاركة
 
Manage episode 343849886 series 2568617
المحتوى المقدم من Ralston College. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Ralston College أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

Ralston College presents a lecture by Marie Kawthar Daouda on the infamous French poet, Charles Baudelaire. Baudelaire published one collection of poems in his lifetime, 'Les Fleurs du mal,' which was met by outrage and led to a scandalous lawsuit because of some poems’ graphic content. The problem with Baudelaire was not so much that he was writing about sex, drunkenness, and violence; it was that he wrote about ugly things—at times horrible things—while using the classical perfection of the French verse, and merged the longing for a lost ideal with the modernity of Haussmanian Paris. As such, Baudelaire's art is not about gruesome indecency, but about acknowledging horror as a non-negotiable part both of the human condition and of the creation of the self. Dr Daouda’s lecture focuses on two particular sonnets, 'À une passante' and 'Recueillement,' which offer emblematic examples of Baudelaire’s poetic technique and his philosophical heritage, and help to explain why, although he died in utter misery, he was one of the most influential artistic figures of the century that followed.

This lecture and discussion were recorded with a live online audience on June 23rd, 2022.

Authors, Ideas, and Works Mentioned in this Episode

Charles Baudelaire Eugene Delacroix, 'La Liberté guidant le peuple' Chateaubriand Benjamin Constant Alphonse de Lamartine Victor Hugo, 'Les Miserables' George Sand Jean-Jacques Rousseau Voltaire Victor Hugo, 'Les Chansons des rues et des bois' Édouard Manet Blaise Pascal Joseph de Maistre Edgar Allan Poe Platonism Neo-Platonism Edgar Allan Poe, 'The Imp of the Perverse' Charles Baudelaire, 'L’art romantique' Charles Baudelaire, 'Les Fleurs du mal' Carlos Schwabe, 'Spleen et idéal' Oscar Wilde Charles Baudelaire, 'À une passante' Petrus Borel, 'Champavert' Charles Baudelaire, 'Recueillement' Charles Baudelaire, 'Le Spleen de Paris' Michael Edwards, 'Bible et poésie' Vladimir Jankélévitch, 'La Mort' Carlos Schwabe, 'Les Noces du poete et de la Muse ou L’Ideal' Gustav Maureau Lord Byron

Links of Possible Interest

Dr Marie Kawthar Daouda's biography https://www.ralston.ac/people/marie-k...

Dr Stephen Blackwood https://www.stephenjblackwood.com

Ralston College https://ralston.ac

Ralston College Short Courses https://www.ralston.ac/humanities-sho...

Ralston College Humanities MA https://www.ralston.ac/humanities-ma

  continue reading

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