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المحتوى المقدم من WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرةً بواسطة WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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Jonathan Blitzer on the Battle over Immigration; and Olivia Rodrigo Talks with David Remnick

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Manage episode 398903309 series 94072
المحتوى المقدم من WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرةً بواسطة WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

In the shadow of another election year, Democrats and Republicans are at a bitter crossroads over immigration, as the system becomes increasingly unmanageable. With as many as twelve thousand migrants arriving at the border per day, and resistance to asylum seekers growing—even among Democrats—the Biden Administration is in a political bind. “You have a global moment of mass migration converging on the border at a time when resources are down. Congress is refusing to give the president the money that he needs for basic operations—it’s a perfect storm,” The New Yorker’s Jonathan Blitzer tells David Remnick. Blitzer has covered immigration for years, and his new book, “Everyone Who Is Gone Is Here,” takes a long and deep look at U.S. policy and the forces that drive migrants to undertake enormous risks. According to Blitzer, both sides are obscuring the actual problem. “There’s always been an assumption that the case for immigration makes itself—that the moral high ground makes sense to everyone, that we should be welcoming, that people showing up in need obviously should seek protection,” Blitzer says. “I don’t think defenders of immigration have squared the high ideals with some of the practical realities. And sadly the border, which is a tiny sliver of what the immigration system is as a whole, ends up dominating the conversation.”

Plus, the pop singer and songwriter Olivia Rodrigo’s rise to fame has been meteoric. She talks with David Remnick about her models for songwriting, dealing with social media as a young celebrity, and how it feels to be branded the voice of Generation Z.

  continue reading

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Artwork
iconمشاركة
 
Manage episode 398903309 series 94072
المحتوى المقدم من WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرةً بواسطة WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

In the shadow of another election year, Democrats and Republicans are at a bitter crossroads over immigration, as the system becomes increasingly unmanageable. With as many as twelve thousand migrants arriving at the border per day, and resistance to asylum seekers growing—even among Democrats—the Biden Administration is in a political bind. “You have a global moment of mass migration converging on the border at a time when resources are down. Congress is refusing to give the president the money that he needs for basic operations—it’s a perfect storm,” The New Yorker’s Jonathan Blitzer tells David Remnick. Blitzer has covered immigration for years, and his new book, “Everyone Who Is Gone Is Here,” takes a long and deep look at U.S. policy and the forces that drive migrants to undertake enormous risks. According to Blitzer, both sides are obscuring the actual problem. “There’s always been an assumption that the case for immigration makes itself—that the moral high ground makes sense to everyone, that we should be welcoming, that people showing up in need obviously should seek protection,” Blitzer says. “I don’t think defenders of immigration have squared the high ideals with some of the practical realities. And sadly the border, which is a tiny sliver of what the immigration system is as a whole, ends up dominating the conversation.”

Plus, the pop singer and songwriter Olivia Rodrigo’s rise to fame has been meteoric. She talks with David Remnick about her models for songwriting, dealing with social media as a young celebrity, and how it feels to be branded the voice of Generation Z.

  continue reading

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