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المحتوى المقدم من The Diary Of A Nobody. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرةً بواسطة The Diary Of A Nobody أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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E14: Burnt Norton Pt. 2 - T.S. Eliot

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سلسلة مؤرشفة ("تلقيمة معطلة" status)

When? This feed was archived on February 27, 2024 02:46 (2M ago). Last successful fetch was on March 30, 2024 21:13 (19d ago)

Why? تلقيمة معطلة status. لم تتمكن خوادمنا من جلب تلقيمة بودكاست صحيحة لفترة طويلة.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 342152513 series 3374848
المحتوى المقدم من The Diary Of A Nobody. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرةً بواسطة The Diary Of A Nobody أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

T.S. Eliot - Burnt Norton Pt. 2

Written in: Published in 1943 in the 4 Quartets of T.S. Eliot. (source: poemanalysis.com, 2022)

Theme:

The main theme of ‘Burnt Norton is the nature of time, its relation to salvation, and the contrast between the experience of the modern man and spirituality. The lyrical voice meditates on life and the need to subscribe to the universal order. The poem’s structure and form are similar to T. S. Eliot’s The Wasteland, as several fragments of poetry are put together and set as one. The rhyme and meter rely on the repetition and circularity of language, which corresponds to the conception of time introduced in the poem. Light and dark, movement and stillness, and roses are some of the motifs that appear in ‘Burnt Norton’. (source: poemanalysis.com, 2022)

Poem:

Garlic and sapphires in the mud
Clot the bedded axle-tree.
The trilling wire in the blood
Sings below inveterate scars
Appeasing long forgotten wars.
The dance along the artery
The circulation of the lymph
Are figured in the drift of stars
Ascend to summer in the tree
We move above the moving tree
In light upon the figured leaf
And hear upon the sodden floor
Below, the boarhound and the boar
Pursue their pattern as before
But reconciled among the stars.

At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement. And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance.
I can only say, there we have been: but I cannot say where.
And I cannot say, how long, for that is to place it in time.
The inner freedom from the practical desire,
The release from action and suffering, release from the inner
And the outer compulsion, yet surrounded
By a grace of sense, a white light still and moving,
Erhebung without motion, concentration
Without elimination, both a new world
And the old made explicit, understood
In the completion of its partial ecstasy,
The resolution of its partial horror.
Yet the enchainment of past and future
Woven in the weakness of the changing body,
Protects mankind from heaven and damnation
Which flesh cannot endure.
Time past and time future
Allow but a little consciousness.
To be conscious is not to be in time
But only in time can the moment in the rose-garden,
The moment in the arbour where the rain beat,
The moment in the draughty church at smokefall
Be remembered; involved with past and future.
Only through time time is conquered.

Credits: T.S. Eliot 1943 - Four Quartets and poemanalysis.com, 2022

  continue reading

32 حلقات

Artwork
iconمشاركة
 

سلسلة مؤرشفة ("تلقيمة معطلة" status)

When? This feed was archived on February 27, 2024 02:46 (2M ago). Last successful fetch was on March 30, 2024 21:13 (19d ago)

Why? تلقيمة معطلة status. لم تتمكن خوادمنا من جلب تلقيمة بودكاست صحيحة لفترة طويلة.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 342152513 series 3374848
المحتوى المقدم من The Diary Of A Nobody. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرةً بواسطة The Diary Of A Nobody أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

T.S. Eliot - Burnt Norton Pt. 2

Written in: Published in 1943 in the 4 Quartets of T.S. Eliot. (source: poemanalysis.com, 2022)

Theme:

The main theme of ‘Burnt Norton is the nature of time, its relation to salvation, and the contrast between the experience of the modern man and spirituality. The lyrical voice meditates on life and the need to subscribe to the universal order. The poem’s structure and form are similar to T. S. Eliot’s The Wasteland, as several fragments of poetry are put together and set as one. The rhyme and meter rely on the repetition and circularity of language, which corresponds to the conception of time introduced in the poem. Light and dark, movement and stillness, and roses are some of the motifs that appear in ‘Burnt Norton’. (source: poemanalysis.com, 2022)

Poem:

Garlic and sapphires in the mud
Clot the bedded axle-tree.
The trilling wire in the blood
Sings below inveterate scars
Appeasing long forgotten wars.
The dance along the artery
The circulation of the lymph
Are figured in the drift of stars
Ascend to summer in the tree
We move above the moving tree
In light upon the figured leaf
And hear upon the sodden floor
Below, the boarhound and the boar
Pursue their pattern as before
But reconciled among the stars.

At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement. And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance.
I can only say, there we have been: but I cannot say where.
And I cannot say, how long, for that is to place it in time.
The inner freedom from the practical desire,
The release from action and suffering, release from the inner
And the outer compulsion, yet surrounded
By a grace of sense, a white light still and moving,
Erhebung without motion, concentration
Without elimination, both a new world
And the old made explicit, understood
In the completion of its partial ecstasy,
The resolution of its partial horror.
Yet the enchainment of past and future
Woven in the weakness of the changing body,
Protects mankind from heaven and damnation
Which flesh cannot endure.
Time past and time future
Allow but a little consciousness.
To be conscious is not to be in time
But only in time can the moment in the rose-garden,
The moment in the arbour where the rain beat,
The moment in the draughty church at smokefall
Be remembered; involved with past and future.
Only through time time is conquered.

Credits: T.S. Eliot 1943 - Four Quartets and poemanalysis.com, 2022

  continue reading

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