المحتوى المقدم من timothyappleton. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة timothyappleton أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
Player FM - تطبيق بودكاست انتقل إلى وضع عدم الاتصال باستخدام تطبيق Player FM !
For many travelers, Antarctica is a bucket-list destination, a once-in-a-lifetime opportunity to touch all seven continents. In 2023, a record-breaking 100,000 tourists made the trip. But the journey begs a fundamental question: What do we risk by traveling to a place that is supposed to be uninhabited by humans? And as the climate warms, should we really be going to Antarctica in the first place? SHOW NOTES: Kara Weller: The Impossible Dilemma of a Polar Guide Marilyn Raphael: A twenty-first century structural change in Antarctica’s sea ice system Karl Watson: First Time in Antarctica Jeb Brooks : 7 Days in Antarctica (Journey to the South Pole) Metallica - Freeze 'Em All: Live in Antarctica Learn about your ad choices: dovetail.prx.org/ad-choices…
المحتوى المقدم من timothyappleton. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة timothyappleton أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
Why not sit down, make yourself a cup of tea and listen to three old friends talking about the classic rock and prog music that has marked their lives?
المحتوى المقدم من timothyappleton. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة timothyappleton أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
Why not sit down, make yourself a cup of tea and listen to three old friends talking about the classic rock and prog music that has marked their lives?
Peter, Shaun and Tim discuss their favourite Beatles outtakes. The discussion includes: the ratio of John songs to Paul songs and of John and Paul songs to George songs; why there are so many early outtakes and late outtakes; who did the best solo album; and why they gave so many songs to Billy J. Kramer. Also, are there any Ringo songs on the list? Is there anything that shouldn't have been on the White Album? Is ‘Every Night’ brilliant or awful? And why did Cilla Black sound like that?…
Peter and Shaun were busy this week, so Tim did the second part of his ‘Birmingham Beatles’ duology: the first album by the Electric Light Orchestra. The ‘conversation’ included: the Move connection, the differences between ELO and the later prog movement, the incredibly high quality of ELO’s musicianship and the nature of the creative relationship between Jeff Lynne and Roy Wood. Also, why did so many of the songs have two titles? Why was the album called ‘No Answer’ in the U.S. (as opposed to, say, ‘Press one for hold’)? Where would one cry from if not from one’s eyes? And who led the Royalist forces against Cromwell in the English Civil War?…
Peter and Shaun were busy this week, so Tim did a monologue about the debut album by The Move, Move. The ‘conversation’ included: the multicultural nature of The Move’s music, the ELO connection, whether this is the best UK album of the 1960s and why this was both the beginning and the end for the band. Also, why didn’t they make a concept album about gardening? Who the hell is singing each song? How did the album tapes end up in a bin in central London? And who was Mr. Chad?…
Peter, Shaun and Tim discuss their favourite Top Ten UK Bands of the 1970s. The discussion includes: the difference between cultural importance and musical importance, punk versus pre-punk genres, whether we trust one band to write better than another, and why we had so many honourable mentions. Also, who were the real heirs to The Beatles? Why did Phil Collins play on everybody’s records? Did Shaun preempt early US rap music? And what does lampooning mean?…
Shaun and Tim discuss their opinions of the second album by Black Sabbath, Paranoid. The discussion includes: whether Black Sabbath started heavy metal, who the most important member of the band was, the influence of drugs on their performance, what their influences were and what the relationship is between jazz and heavy metal. Also, what would Kant have made of Black Sabbath? Why did they keep setting the drummer on fire? Who can do the best Birmingham accent? And why does Shaun keep throwing salt over his shoulder?…
Tim and Peter were busy this week, so Shaun had a conversation with himself, about the debut album by Mike Oldfield, Tubular Bells. The following topics were covered: how Tubular Bells relates to the rest of the Oldfield catalogue, the relationship between Tubular Bells and early minimalism and how Oldfield's early life affected his compositional processes. Also, did Oldfield exclusively write his music down on the back of cigarette packets? Why hasn’t Shaun seen The Exorcist? And how good is Viv Stanshall?!…
Peter and Shaun were busy this week, so Tim did a monologue, on the first album by 10cc. ‘We discuss’ the history and pre-history of the band, the gap between 10cc’s talent and the way they’re remembered, the nature of the band’s harmonic and creative gifts, as well as the poor quality of 10cc reissues. Also, are 10cc the Beatles of the 70s? Why did they open the album with what is objectively the worst track? Who's funnier, 10cc or Frank Zappa? And what would Stalin have made of the band?…
Peter, Shaun and Tim discuss their opinions of the third album by Yes, The Yes Album. The discussion includes: the rebirth of Yes as a group, why they decided to get rid of Tony Kaye and Peter Banks, why the band sounds so American, whether Jon Anderson’s lyrics are good or not, and whether this is an example of a perfectly programmed album. Also, we know what Tony Banks thought of this album, but what about Peter Kay? What did Heraclitus think about rivers? Who is Ray Cooper? And was the cover photo taken in an outpatient clinic?…
Shaun, Peter and Tim discuss their favourite female rock artists. On the agenda for today: is cultural importance relevant to musical importance? Which is the best period for female rock stars? How do we distinguish an individual contribution from a collective one? And do women appreciate certain female artists more than men, and vice versa? Also, how many of the contributors owned a dansette? Can we get through one episode without discussing Doctor Who? And why does a fight break out every time a member of the team tries to play a Whitney Houston song in public?…
Tim and Peter were busy this week, so Shaun had a debate with himself, about the fifth studio album by Hawkwind, Warrior On The Edge Of Time. The ‘discussion’ includes the following topics: where ‘Warrior’ stands in the Hawkwind canon, Hawkwind’s relationship to the British counterculture and whether ‘the Warrior’ was a metaphor for the band itself. Also, is it pronounced Elrich, or Elrich? What happened when the Anglo-Saxons broke ranks at Senlac Hill? And how many member of Hawkwind has Shaun actually met (while playing cricket)?…
Peter, Shaun and Tim discuss their opinions of the tenth album by Pink Floyd, Animals. The discussion includes: whether the album was an attempt to fit in with the punk aesthetic, whether Roger Waters is a genius or not, to what extent is the band channeling George Orwell and what role love has to play in the album’s theme. Also, what is the band’s problem with the animals? Who was Mary Whitehouse? Is it pronounced Battersea or Battersea? And what happened when Shaun bumped into Dave Mattacks in the toilets?…
Peter and Shaun were busy this week, so Tim had a conversation with himself, about the unreleased album by The Beach Boys, Smile! The ‘discussion’ includes: the myth versus the reality of Smile!, whether it really would have changed the course of rock history if it had been released, how it relates to the following album Smiley Smile and how The Beach Boys and The Beatles saw each other. Also, why did Capitol Records print 400,000 album covers for an album that didn’t exist? What happened to the missing chorus of Heroes and Villains? And did Brian Wilson really start the fire that happened next door to the Beach Boys’ studio because he recorded a song called ‘Fire’?…
Peter, Shaun and Tim discuss their favourite 60s bands, minus ‘the big two’. How does the British rock and pop scene stand up without its two most famous elements? The guys discuss: the difference between musical contributions and cultural contributions, the influence of folk and blues, what it means to say that a band made its key contributions in the 60s (if they continued into the 70s) and whether the musicianship at the time matched the songwriting. Also, which 60s pop drummer was the best? Which band looked coolest on the Ed Sullivan show? And which 60s musicians would play which role in a hypothetical casting of Oliver?…
Peter, Shaun and Tim discuss their opinions of the third album by Cream, Wheels Of Fire (Studio). The discussion includes: whether the band can be considered psychedelic or not, why they are masters of the art of syncopation and why they hated each other so much. Also, was Cream really a jazz band but noone had bothered to tell Eric? Is Pressed Rat And Warthog really like Wind in the Willows on acid? Is Ginger Baker doing satirical drumming on Politician? And were things really so great in the lost city of Atlantis?…
Peter and Shaun were busy this week, so Tim had a conversation with himself, about the third album by Iron Maiden, The Number Of The Beast. The ‘discussion’ includes: the programmatic nature of Maiden’s music, why this album is considered their best, why they always use the same chords, and which their best line-up was. Also, was Hallowed Be Thy Name based on a book by Dostoyevsky? Is this Iron Maiden’s most woke album? Is 22 Acacia Avenue based on Roxanne by The Police? And did the title track ultimately lead to Brexit?…
This week, Peter, Shaun and Tim discuss their least favourite songs by possibly the greatest band of all time, thus providing a potential track listing for a third mythical album to add to “The White Album” and “The Black Album”: “The Brown Album”. Topics discussed include the following. Will George and Ringo be over-represented in the list? Are later bad Beatles songs worse than early bad Beatles songs? Is ‘over-McCartneyish’ a legitimate criticism? And: is ‘the greatest Beatles song of all time’ actually their worst? Also: on how many levels can a bad song be bad? What was Paul McCartney really doing ‘in the road’? If Harrison was so tired on Blue Jay Way, why didn’t he just go to bed? And finally, if The Beatles really believed that ‘All You Need Is Love’, why did they start by quoting the Marseillaise, the most bloodthirsty song in history?…
Peter, Shaun and Tim discuss their opinions of the seventh studio album by King Crimson, Red. The discussion includes: the band’s incredible musicianship, the relative merits of the albums in the Mark III period, whether the group sounds better with or without violin, and whether Starless is the greatest King Crimson track of all time. Also, can Robert Fripp play the blues? Does Phil Collins sound like a seal? Does time literally slow down when the band is doing an over-long improvisational passage? And what would it sound like if cardboard could sing?…
Peter, Shaun and Tim discuss their opinions of the third album by Camel, The Snow Goose. The discussion includes: the quality of Camel's musicianship, why they decided to do an instrumental album, where does the band stand in the British prog canon and to what extent can music represent images? Also, were the band influenced by 70's game show music? Why did they choose duck sounds to represent a goose? Why didn't the Nazis finish off the British army at Dunkirk? And does Canterbury really exist?…
Peter and Shaun were busy this week, so Tim did a monologue about the newly-rereleased Queen 1. The monologue includes: the uneven development between Queen’s songwriters, the brilliance of Brian May’s guitar playing, whether Queen’s singles are better than their albums, and is the cover an early example of ‘queering’? Also, was Freddie a Christian? Did Roger Taylor really need a drum solo? And would Leon Trotsky have liked Bohemian Rhapsody?…
Peter, Shaun and Tim discuss their opinons of the second album by Led Zeppelin. The discussion includes: the British blues explosion of the sixties, the difference between English folk and American folk, why couldn’t the band think of proper names for their albums?, and did John Bonham write Whole Lotta Love? Also: are the lyrics on this album good or not? Did they understand that the name Led Zeppelin was a metaphor? And which is better: Toad by Cream or Moby Dick by Led Zeppelin? There’s only one way to find out……
Peter, Shaun and Tim rank the Genesis studio albums. There's a few surprises, and one or two good rants. Also, how many ways are there to count to 15? And what does Shaun's brother Steve think?
Peter, Shaun and Tim discuss their opinions of the fourth album by Jethro Tull, Aqualung. The discussion includes: Jethro Tull’s innovative lyrics, whether their style precipitated prog rock and heavy metal, why the album was so big in America, and, most crucially, was it a concept album or not? Also, did Ian Anderson really threaten to do a flute solo if the band didn’t nail their solos in two takes? What's the English word for pants? And what’s it like to share a bathroom with John Bonham?…
Peter, Shaun and Tim discuss their opinions of the fourth album by Rush, 2112. The discussion includes: Rush’s career swerve, the band’s fascination with Ayn Rand, why the album was considered better than Caress of Steel, and whether the whole concept for the album actually came from Tchaikovsky. Also, what actually happens in the title track? Would it really be so bad to live under the rule of the Priests? And is the postcode for The Temples of Syrinx SY or SX?…
Peter and Shaun were busy this week, so Tim had a debate with himself, about the eighteenth studio album by Marillion, F.E.A.R.. The ‘discussion’ includes: whether Marillion owe more to Genesis or to Pink Floyd, why the band’s abstract compositional technique is so difficult to discuss conceptually, and whether ultimately they are writing tracks or albums. Also, did they read Thomas Pikkety’s Capital in the 21st. Century? Can the band be considered political catastrophists? And who is that at the door?…
Peter, Shaun and Tim discuss their opinions of the fourth (or fifth?) album by Emerson, Lake and Palmer, Brain Salad Surgery. The discussion includes: ELP's astonishing musical talent, whether this was supposed to be a concept album or not and the question of why the band chose to do so many cover versions. Also, why was everyone so keen to go to Switzerland? Can we put together a crowd funder to reclaim Carl Palmer's drum kit? And what exactly did Greg Lake need a ladder for?…
Peter, Shaun and Tim discuss their opinions of the debut album by King Crimson, In The Court Of The Crimson King. The discussion includes: King Crimson as singularity, what makes Michael Giles such a good drummer and why the heavy reliance on the mellotron? Also, should Mirrors be used on Strictly Come Dancing? And how do you pronounce Judy Dyble's surname?…
Peter, Shaun and Tim discuss their opinions of the eighth album by Pink Floyd, Dark Side Of The Moon. The discussion includes: Pink Floyd's musical ability, whether it truly works as a concept album and whether the cover was based on the Black Magic chocolate box or Milk Tray. Also, is the opening of 'Money' the sound of someone paying Clare Torry her 60 quid session fee? And who on earth is Barry St. John?…
Peter, Shaun and Tim discuss their opinions of the fifth studio album by Yes, Close To The Edge, as well as Jon Anderson's early work, as a milkman in Accrington, Lancashire.
Peter, Shaun and Tim discuss their opinions of the fifth studio album by Genesis, Selling England By The Pound.
مرحبًا بك في مشغل أف ام!
يقوم برنامج مشغل أف أم بمسح الويب للحصول على بودكاست عالية الجودة لتستمتع بها الآن. إنه أفضل تطبيق بودكاست ويعمل على أجهزة اندرويد والأيفون والويب. قم بالتسجيل لمزامنة الاشتراكات عبر الأجهزة.